MGMT++
dombresky@jet-mgmt.com

Bookings++
lchenfeld@teamwass.com


Europe
cris.hearn@teamwass.com

Do you know I still making music via: @castionmusic ?
@castionmusic Follow me! :D

#PeaceOut is OUT NOW on Future House Cloud. 
Stream/ download here: https://fhc.fanlink.to/peaceout

- Contact / Bookings:  rob@21mgmt.com

- Drop your demo: jasongewaltofficial@hotmail.com

- Do you want to get your track featured at Gewalt Weekly Feature? Send your track: demogewalt_wf@hotmail.com



Jason Gewalt, born in Canary Islands, Spain as Antonio Castrillo Cabrera, started making music at the age of 14. It didn’t take long after that before he started investing his time in electronic music production as a fan and as an artist.

In 2016, Jason scored his first hit with his release on NoCopyrightSounds in collaboration with Uplink called "Euphoria", which did over 2 million plays on Youtube in the first months alone. He didn’t stop there however, with all of his succeeding releases like his remixes of “Cold Water”, “24K Magic”, "No Promises" his original song “Wanderlust", "Where It Hurts" and "Done With You" with Assix all reaching thousand of plays on network plataforms like Youtube, Soundcloud and Spotify.

Late 2017, Jason’s first official release “Knockdown” on Revealed Recordings and "Euphoria" on NoCopyrightSounds hit all stores, immediately charting at both Soundcloud and Spotify and getting the supports from big artists like Alan Walker, Hardwell and Paris & Simo on big music festivals like Tomorrowland, Ultra Music Festival and Balaton Sound.

These days Jason Gewalt has been shaking up the industry releasing new songs of variety EDM styles, including Big Room House, Future Pop and Future Bass. In total Jason Gewalt reached over 5 million streams on Spotify already, and he's just getting started.

MGMT max.necus@redlightmanagement.com
(US/CA) jake.bernstein@teamwass.com
(ROW) louis.cawthorne@teamwass.com

Creating the moments you live for.

Send demos to tstack.app/ministryofsound/send

I'm simply just a wave traveling through time. Piece by piece, new beats to seek. To each their own set frequency, seldom practice my technique. Audio input, dwell through metrics well. Simply put, not much else I should probably tell..

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