The Farm and Reefer Report Podcast is an introspective look at the technical practices and community aspects of Regenerative Farming as it applies to Fresh Vegetables and Craft Cannabis. Coming to you directly from the Emerald Triangle of Mendocino County in California, our host Casey O'Neil, directs you through the how, but most importantly the why, of Commercial Cannabis and Produce Production

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Khayalan is a World/Ethno-Contemporary music project from Lisbon, Portugal. 
This name comes from Indonesia, and means Notion / Imagination at the same time. This project is a gathering of  different beings that explored through their life journeys the sound of ethnic/fusion instruments, that musically affect the senses and conscienceness of either those who play or hear them. Their message combined, takes the audience through a journey of sounds, sensations and feelings, feelings that take us back to the various cultures that created and defined our modern culture.

Kabeção - Handpan "Hang" / Tabla / Daf / Sansula / Berimbau
Zé Cruz - Santoor / Trumpet / Udu / Pandeiro
João Jardim - Didgeridoo / Futujara / Kaval Flute
Sebastião Bergman - Percussion

For booking email: tala@talasage.com 

Forged in California & now transmitting from Mexico City, Tala Sage cuts through genre in favor of open-format feeling & vibe. 

Luxury Trap to Neo Soul, Bass Music, Amapiano & Global Club Music, all stitched together by instinct, not algorithm. 

Expect soulful seduction, low-end therapy & the occasional sonic side-eye, chopped & whisked into the mix with finesse, fire & just enough edge.

Booking Inquires:

North & Central America: bookings@desertdwellers.org
International: bookings2@desertdwellers.org

Desert Dwellers is a pioneering electronic music project that bridges the ancient and the future, fusing deep bass, world instrumentation, and psychedelic textures into immersive sonic journeys. Founded in 1999 by Amani Friend and Treavor Moontribe, the project grew out of the legendary Moontribe gatherings in the deserts of Southern California and Santa Fe, New Mexicos desert rave scene. 

Blending influences from many genres, Desert Dwellers has released dozens of albums and remixes, toured across five continents, and collaborated with an eclectic array of artists from around the world. Their music has graced stages at Symbiosis, Ozora, Lightning in a Bottle, Boom, Envision, Shambhala, and Burning Man, resonating with audiences through both meditative journeys and powerful dancefloor experiences.

In 2026, Desert Dwellers will enter its most significant evolution yet. Co-founder Amani Friend will be stepping away from touring to focus on studio production and other creative pursuits, while a new collaborator joined the project, acclaimed producer and mixing/mastering engineer Sarkis Mikael. While continuing to honor the project’s signature sound and ethos “Music Beyond Borders,” Desert Dwellers is now expanding into bold new sonic territories. Sarkis, with releases on respected labels like Sol Selectas, Saisons, and Hoomidaas, brings a fresh creative spark and deep musical integrity.

HangGarden is following