Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

aka < ryanimateon
fka < robí en rose
ryanimateon@gmail.com

The Mystic (Billboard Premiere): http://smarturl.it/MysticBB

On the surface, a story like Adam Jensen’s seems all too common in the music industry: an aimless, mischievous youth is heading down the wrong path until, almost serendipitously, he picks up an instrument and develops a life-changing fascination with the craft of songwriting.  But, dig a little deeper, and you’ll find that Adam Jensen’s story is a stupefying coming-of-age tale, filled with bookies and bar brawls, knives and jail cells, recovery and redemption.  It’s a small miracle that Jensen is alive; let alone producing some of the most vibrant and inspiring songs of the last few years.
 
It’s no surprise that Jensen comes from Boston, given his laughably thick accent that all but disappears when he sings. When asked about his story, Jensen wears his heart on his sleeve. “As for me, I’ll be the first to admit it – I used to get in a lot of trouble.”
 
Up until his early twenties, Jensen was far from a law abiding citizen. After being kicked out of George Washington University and Northeastern University for fighting and stripped of his soccer scholarship, he made money working for a bookie and selling “a little weed”. Stabbings, assaults, scars, arrests, robberies, weekly supervised check-ins; these were just some of the reasons he decided to make a change. “I finally realized I needed to turn my life around when I flew to LA to record some music,” shares Jensen. “I got back to Boston, and the police were waiting for me as I got off the plane.  I was arrested for violating my probation.” 
 
Even during the darkest of days, Jensen always made time for music.  “I started playing piano when I was about 9 years old,” he explains. "And, I practiced on an old upright piano that I had to keep outside in the garage. Then, when I was 12, I saw Kurt Cobain on MTV and immediately started teaching myself guitar. I used an old acoustic that one of my uncles left behind after he was tossed into rehab.”
 
At 13 years old, Jensen used a 4-track recorder – a Christmas gift from his mother – to record his first original song.  Soon after, he started posting his songs online and making his own CDs. By 15, he was playing at open mics all over New England. “Another uncle of mine would drive me everywhere,” describes Jensen. “We’d even drive down to NYC and back in the same day, just so I could play two songs.”
 
Influenced heavily by The Beatles and the proud owner of every Beatles pressing in circulation, Jensen also gets inspiration from Kurt Cobain and Third Eye Blind’s Stephan Jenkins. Though Jensen is – in some ways – still finding his footing, he has already made a name for himself with his boyish good looks, buttery voice and astonishingly unique brand of alternative-infused pop.  Most impressive, perhaps, is his ability to pair buoyant, upbeat rhythms with dark and thought-provoking lyrics.   “Musically, my goal is to keep growing as an artist – never getting stuck in one place. Of course, I also have plans to not die or get arrested again.”
 


Contact: 
adamjensenmusic@gmail.com

Sam Black PF
Help me. I'm held hostage in a basement and forced to make music for Popular Front.

HATE promotes the best electronic, techno-oriented releases.

HATE on Soundcloud is all about exclusive Podcast Series & Premieres Cycle.

Mix series, born in October 2016, includes works from artists who are involved in the development of our channel and provide the tone of HATE Collective for a long time. Past records from them you can find on our YouTube channel.

After only one year from its birth, HATE podcast series was mentioned by Telekom Electronic Beats as one of "10 Techno Podcasts Every Techno Head Should Know": http://www.electronicbeats.net/the-feed/10-techno-podcasts-every-techno-head-hear/
 
Follow us here:
https://www.youtube.com/c/HATE
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

Contact us here:
hatemusic1@gmail.com

Producer from North London.

All my music is Content ID FREE on Youtube.

Supported by the likes of The Chainsmokers, DIM MAK, Adamski, Sweet Female Attitude, White N3rd & many more.

Performed alongside acts including Chase & Status, DJ Zinc, Marshall Jefferson, DJ Luck & MC Neat, Shades of Rhythm, Chad Jackson, the list goes on.

For regular updates, check my Instagram.

producer duo

mgmt:
mgmt@entertheimage.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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