It is impossible to explain who Anna Tur is without talking about her music and her relationship with it. A native of Ibiza, Anna's career as a DJ began in 2011 and she quickly began to stand out in countries such as Germany and Romania. Her position in Spain came a little later, but in recent years she has established herself as one of the regular figures in the best clubs and festivals in the country. 

Perfectionist, passionate, elegant and fun are all adjectives easily applicable to Anna Tur and her style. A balanced combination capable of moving between house and techno that has opened doors to the main international festivals and clubs: Creamfields, Street Parade, Kappa, Medusa Sunbeach Festival, WCD, Tomorrowland, Ultra Australia, Pacha Ibiza, Kit Kat Club Berlin, Amnesia, IMS Ibiza as well as Pyramid Ibiza, where she is a regular guest at their parties and part of the brand's world tour.

The year 2022 was a real turning point for her as a producer. Since then, her work has been released on some of the most influential labels: Armada, Drumcode, Truesoul, IAMT, Set About or Union Three, among many others. She also launched her own label: LOWLITA Records together with Gonçalo Miranda and Hosse. 

In addition to her music, her work on the airwaves has contributed to this recognition, respect and international projection. Anna Tur was the General Manager of Ibiza Global Radio and TV for almost two decades until May 2020. After her departure and showing her unique radio spirit, the Ibizan created her podcast series "On Air with Anna Tur". 

Perhaps the combination of all these elements is the secret. The reason why this DJ and producer from Ibiza manages to connect with the public in such a characteristic and unique way. An ability that has allowed her to develop a very close bond with her fans, who loyally accompany her in each of her projects. A support that is also shared by the electronic industry, from her colleagues to critics and specialised media. This is why Anna is currently experiencing her sweetest professional moment, having found both her sound and the recognition of the industry.

mail: artbatmusic@gmail.com

label: Upperground

Argy, John Cala - BOOM OUT NOW
https://neworld.lnk.to/BOOM

Adriatique & Argy  RACER
https://lnk.to/QuantumEchoesPtI 

Argy, Eli & Dani, Peki, Osher - Chasing Highs
https://neworld.lnk.to/chasinghighs

Lost Frequencies, Argy - Summer Skies (Love To Cry) feat Rhys From The Sticks 
https://Lost-Frequencies.lnk.to/Summer-Skies

'NEW WORLD' OUT NOW 👁 :
https://argy.lnk.to/NewWorld

Download the Tomorrowland App to stream all live sets and radio shows: https://Tomorrowland.lnk.to/TomorrowlandApp.

One World Radio is the official radio station of Tomorrowland. Here you can experience the incredible sound of Tomorrowland, and relive exclusive shows.

Some shows are exclusive and only accessible through the Tomorrowland App:
- Tomorrowland Top 30 with NERVO, 
- Armin van Buuren's Weekend Kick-Off, 
- 4:4 with Carly Wilford,
- Top Releases of the Week,
- Relive The Madness with MC Stretch,
- Best of One World Radio with AdamK,
- Lo mejor de One World Radio con Uri Sabat.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Allround dj plays @Tomorrowland 2018 & 19 & 20 &22 &23 @ Around the World @Tomorrowlandwinter 2019 & 20& 22& @MoosebarXXL@Antwerp 2019&20&22&23&24 @MoosebarBelgium 🔥🔥🔥🔥🔥🔥

Joyhauser, the Belgian DJ duo that emerged from a profound love for the electronic music scene, has rapidly become a trailblazing act within the techno domain. Their distinctive sound artfully fuses techno's pulsating energy with a hint of trance, the rebellious spirit of Belgium's rave scene, and a rich palette of musical influences. Having made a resounding impact with their debut album 'Memoro' in 2023, Stijn and Joris are now stepping into an exhilarating phase of their journey, balancing their foundational philosophies with an expanded creative vision.

Bookings 
Worldwide: LRuiz@wmeagency.com

Management:
Neil@republikmanagement.com

Facebook: https://www.facebook.com/joyhau5er
Instagram: https://www.instagram.com/joyhauser_
Tiktok: https://www.tiktok.com/@joyhauser_
Youtube: https://www.youtube.com/@Joyhauser
Twitter: https://twitter.com/Joyhauser1
Resident Advisor: https://www.residentadvisor.net/dj/joyhauser

Booking Request : meganebrescich.music@hotmail.com

Mégane Brescich is an up-and-coming DJ and producer driven by raw energy and a distinctive sonic identity. Her hard-hitting techno blends relentless grooves, hypnotic melodies, and striking industrial textures to create an immersive and physical experience.

Fusing the intensity of raw techno with dark atmospheres and continuous tension, her sound embodies both power and precision. Her signature.

A defining step in her artistic journey came with her DDC EP sous son ancien blase, un Ep featuring a bold reinterpretation of CJ Bolland’s cult classic Camargue — a remix that captures her modern and uncompromising vision.

On stage, Mégane channels a vibrant connection with the crowd. She has already shared the decks at major festivals and renowned clubs such as Club Vaag, Labyrinth Productions, Extrema, Dour, and Ostend Beach — as well as performances across Ibiza, France, and Tunisia.

A blazing trajectory powered by instinct, intensity, and an unwavering devotion to uncompromising techno.

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