title track from new album available on bandcamp: https://stefanstrasser.bandcamp.com/album/n-dutgang

"nødutgang" unveils an atmospheric odyssey through ambient electronics and percussion, a collaborative creation by stephan bartsch, stefan schmidt and stefan strasser. recorded live, the album captures the fluidity of bartsch's percussion, the ethereal electronic landscapes shaped by schmidt, and the later overdubbed electronic textures of stefan strasser. the seamless blend of unconventional percussion and synthetic elements invites the listener into a transcendental sonic realm. this collaborative effort, marred only by the unintentional omission of stefan strasser's live session contributions, stands as a testament to their ability to navigate unexpected turns and create a truly immersive musical experience.

stefan schmidt - [d]ronin, lyra8, efx (musicforoverexposedcelluloid.bandcamp.com)
stephan bartsch - percussion
stefan strasser - osmose synth, distant piano and electronics
credits
releases February 2, 2024

recorded, mixed and mastered in cologne by stefan strasser, cover photo and design by stefan strasser

nødutgang

‘artis facta’
A Table in the Corner.

This track, produced in bits and pieces over the summer of 2024, turned out to be a reminiscence… and finally a modest and personal tribute to AON, one of the most creative bands of the 20th century (IMO :)

Many thanks to @wanja-olten for his encouragement.

Tools :
Logic instruments.
Samples by J.J. Jeczalik: Big Kick, Large Ambient Snare, Ambient Conga, Large Hey, Cabasa.
Other samples by: Glitchmachines, Sample Magic, Soniss, Sonokinetic, etc.
Mixed and mastered with Logic Pro X.

Associated image : Petrus Major.

Artefact [a table in the corner]

｢夢も見る ~ SONONEIRIC COLLAGE」

Concept music for a graphic novel.

Music composed and performed by Thomas O'Higgins Horna.
Produced at Kolima Forest Studios.

Cover art: "Number 3"(1948) by Jackson Pollock.
Edited by me.

This track is not to be used to train AI.

DREAMING TOO

ＤＲＥＡＭＩＮＧ ･ ＴＯＯ

Windharfe (Neue Fassung)

This morning's practice session of three short improvisations getting to know this patch.

Three Brief Easel Improvs

misty spring rains…
umbrellas high and low
aboard the ferry
(Haiku by Masaoka Shiki)
https://naviarlab.tumblr.com/post/761959976644362240/naviarhaiku559-misty-spring-rains
Komposition1036 Orgel3

Umbrellas (naviarhaiku559)

Recorded, mixed & mastered 20/21 Sep 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Tools used - FL Studio, Nimble Tools Misstortion 2, Puremagnetik Pastfabric, Ozone 9 Exciter & Equalizer, native FL Studio effects, Moog MF-104S Delay, kHs Resonator & Ring Mod, Output Portal, samples of rain & electric bass, FL Sakura, Ableton Live and Live native devices, PaulXStretch and the kick sample I used in this week’s Disquiet Junto.

This original version of "It's Umbrella Time Again" was submitted as part of Naviar Haiku 559, Misty Spring Rain

misty spring rains...
umbrellas high and low
aboard the ferry

by: Masaoka Shiki

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

It's Umbrella Time Again  (naviarhaiku559)

LAMENTATION  2024

my submission for this weekend's Hardware Jam

not my usual stuff

you have been warned

Video

Uh Oh

[disquiet0664] Oh Mother

Nothing is fixed, everything flows

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Three Brief Easel Improvs

bartonmusic