Booking: frank@highroadtouring.com

I make music in my home studio and post it on YouTube and SoundCloud for you to enjoy. No labels, no publishing companies, no intermediaries. Every tune you buy helps me make more music, so I really appreciate the support! It's because of you guys that I get to keep recording and playing music, so I am forever grateful to my awesome fans.

Don't forget to sign up for the mailing list at the bottom of this page if you want to keep up to date on shows, videos, and music.

Thanks!

The official Hybrid SoundCloud page.

Hybrid are Mike & Charlotte Truman who have gained international acclaim for their combination contemporary electronic music with enveloping orchestral scores and soundscapes. Hybrid's first artist album ‘Wide Angle’ in 1999 was considered to be ground breaking in fusing modern production with performances from the Russian Federal Orchestra. They have written a further three artist albums, toured around many of the world’s most iconic music venues and festivals and have remixed artists as diverse as New Order, Radiohead, UNKLE, Alanis Morrisette, Jean Michelle Jarre, Moby, Future Sound Of London and The Orb.

A natural progression from their orchestral heavy albums inevitably led them into film scoring and they have recently composed the soundtrack for Jim Gillespie’s forthcoming thriller Take Down, Sony’s PS4 worldwide #1 Driveclub, Ubisoft’s Ghost Recon Future Soldier and the Bruce Willis sci-fi thriller, Vice. Hybrid have worked extensively throughout the film music industry on many titles including Hercules, The Equalizer, Total Recall and The Fast & Furious franchise.

Their heavyweight combination of soaring orchestration and cutting edge production has kept them in demand amongst a growing number of film makers which will shortly include a complete music preparation and score for John Stephenson's Interlude In Prague. Hybrid have recently completed their highly anticipated 5th studio album, Light Of The Fearless. Due for release on the 27th of July 2018.

Hybrid Merchandise shop now online with embroidered hoodies, t-shirts, embossed mugs and logo enriched toilet rolls. www.hybridshop.co.uk

For press and direct contact, please email contact@killcitymusic.com

Clean error is a digital label focusing on releasing abstract IDM, Experimental Glitch/ambient music. Clean Error embraces the IDM movement that sparked the EDM scene in the late 90′s / early 00′s, bringing it back with beautiful signature and digital perfection.  &#13;
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Contact: cleanmyerror@gmail.com&#13;
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Manager/Owner/A&amp;R: <a href="https://soundcloud.com/enabl-ed" rel="nofollow" target="_blank">Enabl.ed</a>&#13;
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Clean Error Artists:
- Hasbeen
- rinse.repeat
- Memory Leak
- Gpakreep
- enabl.ed
- P è n i n s o l a r 
- GEC (Grier Edward Carson) 
- Hexalyne
-±vMcÇ
-FAKTOR4

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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