Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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Carefully-crafted British Rock and Soul that looks forwards as well as backwards, and inwards as well as outwards. Music that credits its listeners with intelligence and isn't shy of putting its soul on the line. 
 There's a refreshing simplicity and honesty in the quartet's approach to their music, which pours the best elements of rock, blues and pop into songs about real, down-to-earth human experience. The real stuff that we all go through, full of questions, frailties, doubt, determination, light and shade.

“We fell into the blues-rock scene, but we're not completely a blues band and we're not completely a rock band, there's lots of layers to it.” says Frontman Ben Edwards with some understatement, who's joined in the line-up by his younger brother Sam on drums, Charlie Richards on guitar and Ash Milburn on bass. 
The four-piece, based in the English midlands, have been consistently engaging brains and ears during a steady emergence over recent years. In the process, the Rainbreakers have built up an audience that hangs on their every song, in revered venues such as the 100 Club and the Borderline and throughout the UK and Europe.

They've shared stages with such notables as the Temperance Movement, Samantha Fish and Devon Allman, and no one wants to miss their next number. Their stage presence and innate resistance of genre restrictions always keep audiences wanting more. 
On record, the band emerged in 2015 with the Blood Not Brass EP, rightly hailed for the frenetic energy that was, on reflection, only part of their appeal. 2017's second EP Rise Up hinted at the greater depth that was confirmed on the Rainbreakers' debut album a year later, Face To Face.

Now that all translates into another offering, co-produced by the band with Tom Gittins from Monochrome Productions, on which the Rainbreakers have found their voice as never before. 

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