advantageous spiders

safe song safe

[Queer] recovery house imds

just had a spam message.. he 'heard some hq skills' 

i'm sold! nope.. *block*

psst

Spotlight

wanted to see how muchh of my music is on here.. 35 hours! awesome 

sevenism.bandcamp

big bag of music

Art Therapy 5

s p o t l i g h t

sa_0tarM_1

i forgot the original was 14.31 and thats the actual title so might as well stretch it i wanted to see how it sounded that slow and with the ticks slowed down too. 

Global Communication - Obselon Minos (µ - Ziq Remix) (Re - Edit 3: 14.31 Smooth)

pOS_19clearshh

sa151_M

sa_cl158a2

My heart dropped when I saw this image. I find the conduct of the States in international affairs disgraceful. But then looking at the layered flags I reflected on more positive aspects: on the beautiful people I've known and the inspiring culture.

I used my mountain dulcimer which is a genuine North American instrument (although with fitting irony my instrument is made in Pakistan which I found gently subversive). I played based on american primitivism and eastern influences (listen to https://soundcloud.com/deanmcphee/glass-hills for a better example of this approach) and then layered the sound with lots of ambient echo.

Underneath it all is the first note of Hendrix's star spangled banner which I stretched 10,000% and pitched down to fit into the track. 
.........................
Created for the EXTROSPECTION Group, June 2015.

More on "EXTROSPECTION" group at: soundcloud.com/groups/extrospection

Complete playlists: @extrospection-playlists

Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project

Layers {mountain dulcimer echo} [Extrospection June 2015]

vns163

My track for ambient online one sample dare 30. the original sample here: https://soundcloud.com/lighthugger/pipes-ao-osd-30

i wanted this to sound like a summer storm brooding, a muggy humid feel, and it being a long ago memory.

In audacity i took the whole sample paulstretched it to ~8 minutes and really smoothed out (cos there's loads of elements in the sample that i wanted to create gradual shifts and depth) then increased the volume of the low end rumble. then time stretched it down by half so the tonal shifts are more pronounced (and cos i'm running out of time on my sc account!)

then i recorded it to cassette on my teac tape deck and then recorded this back onto pc with a sony ex505 walkman to give a bit of hiss and warmth (and for that long ago memory feel).

Summer Storm (memory)

so, weird synchronicity again; this track https://soundcloud.com/sevenism/summer-storm-memory i did the other day fits the bill perfectly it was about a childhood memory of a summer storm. rather than just add that though i used the same method so it's kind of like a part 2

i remembered when i was a kid a bunch of at a birthday party in our garden were jumping on my poor dad.. at the time it was so much fun but i'm guessing it wasnt for him!

i associate the harmonica with dad, its the first instrument i think i fell in love with and dad was gonna give me his harmonica a few yrs back but it's lost somewhere, but he got me a new one which can hear on here.. so that represents dad.. then i slowed it down and blurred it righht out for the passage of time feel

then the other sounds are a guitar with loads of reverse delay; that's us bothering him, again blurred a bit.

then like summer storm i recorded to tape and then back onto pc via walkman, i like the warp at the start and the wow n flutter but not enough hiss!

۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞
Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.

This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.

A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.

These are the steps for this week’s project:

Step 1: Remember a key moment in your life. It could be anything at any age.

Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.

Step 3: Recreate that sound and feeling through sound design and music.

More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

summer : impermanence (disquiet0185-memorymusic)

"Chapter I - A Day By The Sea Without Her"

I'm doing fine now. That's what I told everyone. But right now, when I'm looking at the wide shore at this windy place where waves wash away sand drawings and small shell pieces and the wind carries salty droplets, melancholic nostalgia captures my mind and I wish I could take a walk with you just one more time. I hope you can hear the words I'm shouting towards the wind.."

- FJÒR, first chapter

written, produced and published by Spheriá



A Day By The Sea Without Her

for me complexity is a conceptual endeavour, it's more about the process than the outcome. at the moment, i see complexity as an integration of disparate elements: subjective-objective, creative-analytical, individual-communal, present-past etc. i'm aware that every piece of music i do follows on from another, they are related to each other in some (small?) way. working intuitively allows this to come out i think, but in addition i always combine conscious conceptual elements from previous efforts - my hope is that my soundcloud timeline provides a natural progression track to track. 

i've been working a lot with samples on my last few tracks, so i didn't add anything else. i just went through and isolated small sounds i liked then stretched them and blended in over the course of track (like in sleeping church) but here i was more interested in getting a balance between texture and frequency. i've been working with dronefx on my mixcloud pieces so i used that to generate some note progressions and changed the pitch of the low end sounds. i wanted to make an ambient piece that gradually develops with more texture (again like in all my recent pieces) and i used the concepts of the last two disquiet projects to complement this: i recorded the piece to tape as in summer:impermanence (& fortuitously coz it was the same decrepit old tape a little snippet of that track comes through right at the start!) then i faded between the tape version into the 'clean' version as the track progresses (like in last weeks project).

i wanted the finished piece to sound completely different to the source but still retain something of the spirit of it. i tested this by fading in and out my favourite section of the original  right at the end and i think it works pretty well.
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.

This project was proposed by Guy Birkin and Jay Bodley (aka Sun Hammer). It extends the thinking that went into their album Complexification, released by the record label Entr’acte. (http://entracte.co.uk/projects/guy-birkin–sun-hammer-e187/)

These are the steps for this project:

Step 1: Pick one of the two tracks at the following URL: https://goo.gl/tN4Oit.

Step 2: Modify that one track in any way, using as much or little of it as you like, to make a new piece that sounds “more complex” than the original. You may add other sounds. (Note: You are free to use any definition or measure of “complexity.” You should be sure to describe your process and how it “increases” the complexity of the original track.)

Background: The album Complexification by Guy Birkin and Sun Hammer “explores musical complexity through a collaborative process based on a set of rules.” Those rules involved the two musicians swapping successive copies of a track in order to make it progressively more “complex.” For their purposes, they defined “complexity” as follows: “In this project, complexity is understood in terms of the quantity and variety of musical elements or patterns. The result is two parallel threads of music, each representing a progression of increasing complexity.”

More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:

http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


hidden complex (summer mix) (disquiet0188)

on https://www.reddit.com/r/boardsofcanada/comments/3he3fh/sega_genesis_music_that_sounds_straight_out_of/ IGlima posted how part of the skeleton krew soundtrack sounded pretty spot on like boc.. i had a play with it tried to make it a bit more ambient

cloned a few tracks under the original and had bass boost, echo and reverb on them. then put through paulstretch without stretching them just blurring by 2 - 4 seconds..

Skeleton Krew {ambient megadrive edit}

loved this track https://soundcloud.com/adamintilia/burning-into-time-2010 wanted to hear it blurred at first and gradually getting more intricate and detailed

Adam Intilia - Burning Into Time (sevenism blurring into time mix)

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Purchase

Arpyem - A Place For Me ft. Jessica Main (Direct Remix)

when i was 12 or 13 my music teacher at school was horrible: mean and impatient - she'd grab kids fingers and press them hard into the 'right' keys when we made mistakes. there was no relationship between my burgeoning love of music and what i had to contend with at school. i never learnt to read music, and looking at this image reminds me of sitting in front of a keyboard thinking 'what the fuck?'

so i sat in front of my electric piano and just played what i felt. then i've hidden this playing in a number of ways - i've cloned the track and blurred it with paulstretch, reverb, echo a few times.

and i used amazing midi to convert the recording to midi to add some random variance and then created 3 separate soundscapes with different fx in live 8

♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬

Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.

This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.

Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:

http://disquiet.com/wp-content/uploads/2015/12/20151203-560×560.jpg

Step 2: Record a piece of music based on that score in Step 1.

More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:

http://disquiet.com/2015/12/03/disquiet0205-superposition/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

                   

occluded; hidden (disquiet0205)

video https://www.youtube.com/watch?v=6BvOJkqXplU
..
all made from this sample soundcloud.com/ao_onesampledare/one-sample-dare-37-sample-file for ambient online one sample dare 37 www.ambientonline.org/forum/showthread.php?4119-One-Sample-Dare-37 

the inspiration for this is the vast under-surface ocean of enceladus

i wanted to do something between a track and a mixtape with four distinct-connected parts. processing in live 8, recorded in audacity

also expanded into an album here if you fancy a listen https://sevenism.bandcamp.com/album/enceladus

part one: enceladus
track 1:  sample played though fx chain- crystal bass > crystal reverb >  6 string ambience > guitar space > space echo
track 2: ambient part of track 1 paulstretched x10
track 3: another ambient part of track 1 paulstretched x10

part two:  underwater turbulence
track 4: sample played through same fx chain as track one + electronica 2 
track 5: sample played through chorus fuzz > hi frequency ambience > ping pong > rhythmic doubling > echo speak > pong texture

part three: plumes
track 6: sample played through electronica 2 > crystal bass > electronica 1 > 6 string ambience > hard ambience > space echo
track 7:  sample played though 6 string ambience > hard ambience > space echo > wide ambience > formant sweep  then paulstretched

part four: cassini
track 8: same chain as track 1 + robo voice beat repeat (gives that guitary sound)
track 5 repeated
track 9: track 1 paulstretched with a longer time resolution

enceladus

s u r f a c e mixtape

thanks for all the listens! please follow me @sevenism.. reposts and comments are always welcomed

a load of remixes i've done, nominally mixed

1. boc/nevermen - mr mistake [ambientstrumental] @nevermenmusic
2. ? - ? obstructed mix
3. afx - avril 14th [rndm velocity] @user18081971
4. jedrzej borowski- 3 switches x3 @jborowski
5. technohead - accelerator 1 [deceleratedecholocated]
6. cdek - res 13 2 (sev/ered) @c-dek
7. MyklH - Transmitting from space (sev visual echoes) @MyklH
8. loess - f4 {gravity echoes}
9. adam intilia - burning into time (blurring into time) @adamintilia
10. hideyuki - teian (minor edit) @kuromiya-hideyuki
11. westy reflector / benn demole - c-swellowed @thereflectors @benn-demole

thanks to the original artists for the wonderful music

sevenism -- ambient re//mix/one

was at the spa yesterday. they had an aqua meditation room where the ripples of drips were projected/amplified on the ceiling. my partner thought the ripples matched the new age music but i thought it was just the brain forcing an arbitrary pattern. i was thinking about this project about sound waves bouncing off each other like ripples; and this is the sound i wanted to get across (couldnt record unfortunately, couldnt sneak phone in ..no pockets in the complementary robes)

i played the guitar thru podfarm with heaps of echo and delay all unsynced, not playing to a particular tempo.. following and ignoring the echoes variously / resolutely un-new age
then i put the recording thru izotope ddly to get more delays at different speeds

}}}} }}}}}  }}}}}   }}} )  )     )               )                                     )

Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.

The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.

Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.

Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.

Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.

Background: Kate Carr composes soundscapes based on field recording and non-conventional instrumentation to explore the relationship between people and place. Weaving together real and imaginary journeys , intensive explorations of sonic enclaves and the re-broadcast of sound in public places, her work is centred on both human and natural geographies. More on Kate Carr at gleamingsilverribbon.com.

More on this 218th weekly Disquiet Junto project (“Following the path of artist Kate Carr, explore sounds from a distance”) at:

http://disquiet.com/0218/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

candescent

liquid audio {{ripple fx}} (disquiet0218)

keep playing around with this https://sevenism.bandcamp.com/track/event-horizon

original track (https://soundcloud.com/sevenism/tachyon-storm) made from a single sample (soundcloud.com/davedorgan/after-the-rain-ao39-sourcewav) for osd39 .. this is improvised in the mangle .. fed back into live with more fx and another track pitched up in audacity

this track is a soundcloud exclusive! wowee!

d r i f t .  .  .

event horizon

নিাটriverine 
forthcoming on @32jnqwn
twitter.com/s_e_v

-_-_-_

vid https://www.youtube.com/watch?v=42GOYgDMkug&index=6&list=PLEmllIk802-Z0cVk5sttvtmCIp37ySZeZ

beach nostalgia: / grew up near brighton beach / landlocked now

-_-_-_
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originally recorded for naviar haiku

In his eyes
Sunlight glistens
The universe reflected

Poem by maxstjohn http://www.maxstjohn.com

For more information visit http://www.naviarrecords.com/about/naviar-haiku

waves (in his eyes)

Closer to the sky, where we can observe.
Download: https://soundcloud.com/solarein/through-time

Solarein
https://soundcloud.com/solarein
https://www.facebook.com/delsolarein
http://solarein.com/
https://twitter.com/delsolarein

Picture by Arnaud Ele
https://flic.kr/p/DUe7a4
https://www.flickr.com/photos/130237880@N02/

Follow AmbientMusicalGenre
https://soundcloud.com/ambientmusicalgenre
https://youtube.com/AmbientMusicalGenre
https://facebook.com/AmbientMusicalGenre
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https://plus.google.com/+AmbientMusicalGenre/posts
https://ambientmusicalgenre.bandcamp.com/
https://twitter.com/AmbiiMG

Support AMG Records (AmbientMusicalGenre channel)
https://ambientmusicalgenre.bandcamp.com

All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads (images also included) please get in contact with me and I will delete it.
(ambientmusicalgenre@gmail.com)

Download

Solarein - Through Time

Download Link: https://www.toneden.io/iamhajimari/post/nymbus-smoulder-hajimari-remix

Original: https://soundcloud.com/nymbusofficial/smoulder
Support Nymbus: https://soundcloud.com/nymbusofficial
Artwork by: https://www.flickr.com/photos/nathancongleton/

FREE DL

Nymbus - Smoulder (Hajimari Remix)

there was a huge double rainbow yesterday (one of the layers in the image) and i wanted to represent the blurred colours/layers in this track with lots of echo delay reverb.
i rolled a 4 for 4 minutes length. i rolled a 6, 1  so 7 sections. and a 3 for 3 layers.

one layer was guitar. i played the guitar with one hand while rolling the dice with another, playing the notes that i just rolled. if i rolled the same number then i'd switch to plucking both strings simultaneously. 
layer 2: i turned layer 1 into midi with amazingmidi and pulled that into live using a concert strings instrument and more fx
layer 3: pulled layer 1 into the mangle and let that run for 4 minutes then blurred that into itself.

in the last minute it kind of resolved itself - i kept rolling ones, sixes and fours. this was meant to be a demo practice to see if it worked (i was gonna change the tuning) but i liked how it turned out. kind of ignored the sections, but just had it in mind to change the playing a bit every 30-40 seconds so there'd be about 7 sections

⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄
Create a piece of music based on a structure determined by the roll of a single die.

This week’s project requires one die (that is, singular of dice).

These are the steps:

Step 1: Roll one die to determine the length of your piece in minutes.

Step 2: Roll two dice to determine the number of sections to your piece. Their length should be equal.

Step 3: For each section roll one die to determine the number of layers.

Step 4: For each layer roll one die to determine the number of different notes played. A note is only played once per layer, but it can be held for as long as desired within that section.

Step 5: Bonus: Create additional dice-based rules and mention them in the notes associated with your finished track.

Step 6: Create an original piece of music based on the result of Step 1 through Step 5.

Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 8: Annotate your track with a brief explanation of your approach and process.

Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early evening, California time, on Thursday, June 30, 2016, with a deadline of 11:59pm wherever you are on Monday, July 4, 2016.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

More on this 235th weekly Disquiet Junto project — “Create a piece of music based on a structure determined by the roll of a single die” — at:

http://disquiet.com/0235/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

double rainbow (disquiet0235)

squarepusher + sevenism - midi sans frontieres (unity fade)

done an album of mixes here https://sevenism.bandcamp.com/album/midi-sans-fronti-res

this is a modified version of one them. i've listened to loads of the remixes - some great stuff out there - but somehow i havent listened to the original yet! (i like to start playing with samples before i listen to them)

DOWN˩OAⱭ

MIDI Sans Frontières

http://llllllll.co/t/foreground-effect-disquiet-junto-project-0241/4134/4

full track https://hearthis.at/sevenism/tendentious/

i used acidrack and pressed the same key over and over again.
i had a heap of fx in ableton - ddly>podfarm2>feed me back>six string ambience>loop slippery
lots of echo, distortion .. 6 string ambience mulches things up a bit.. loop slippery added that beat

perfect project for me - i'm always adding way too much fx 

hear it all

Tendentious xrpt (disquiet0241)

'Halocline', another track taken from Saline Celestial by Sevenism, available on limited edition cassette and digital. 
More info and links to buy: www.naviarrecords.com/discography/se…line-celestial

“Saline celestial” brings together intricate soundscapes, haunting atmospheric textures and calming field recordings in an expressive, emotive and spontaneously deep concept album: close your eyes, and let the journey begin.

Sevenism - Halocline (NR001)

From the album 'Lisova Kolekciya'. Due for release 10th November 2017. Pre-order standard LP and special editions here http://skire.bigcartel.com/. Digital here https://skiremusic.bandcamp.com/.

Artist: SVITLANA NIANIO
Album: Lisova Kolekciya

Svitlana Nianio has been active in the Ukrainian and Polish underground music scenes since the early '90's both as a solo artist and a prominent member of the now disbanded avant-rock outfit Cukor Bila Smert (Sugar White Death). Her music draws on aspects of modern composition and traditional Slavic music, with songs and experiments from that early period culminating in the 1999 album Kytytsi (Koka Records, Poland). Prior to that in 1995, Nianio recorded Lisova Kolekciya (Forest Collection) live in a simple home studio setting with Olexander Yurchenko and Konstantin Nazarenko. 

Less indebted to folk tradition than Kytytsi, Lisova Kolekciya was performed using Casio keyboards, electronics, and voice, positioning itself more inline with Terry Riley's Shri Camel in its otherworldly reinterpretation of the ancient through modern means. Retaining aspects of traditional music in its use of spare instrumentation and haunting vocal melodies, this largely unknown album pushes at the edges of what folk music might be, resulting in music previously described as being "deeply rooted in primeval myths, creating a world of magic realism, in which the temporal dimension and the other world constantly move and permeate."

Issued here officially for the first time after an extremely limited private cassette edition handed out to friends in 1996 - where the recording was twinned with the album Znayesh Yak? Rozkazhi (Know How? Tell Me) - Lisova Kolekciya comes packaged in a full colour offset printed sleeve featuring artwork by Svitlana Nianio and is limited to 300 copies. 75 copies are housed in special edition thick board slip-cases handmade at Faraway Press and are available to order direct from the label only. Each edition features a unique and original painting made my Andrew Chalk to reflect the album and to compliment the standard edition cover artwork aesthetically. Letterpress texts and de-bossing techniques feature throughout the design.

Svitlana Nianio - Episode 6 (from the LP 'Lisova Kolekciya')

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

ροгή

Clear lake ripple

https://www.twine.fm/sevenism/crei90/saline-echelon

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

full

Saline echelon

https://www.twine.fm/sevenism/creia0/tardy-finney

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

Adam Intilia - Burning Into Time (sevenism blurring into time mix)

ߖߖߖߖߖߖߖߖߖߖߖmƨinɘvɘƨ