Good Man Ray want to heal you.&#13;
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Every generation is defined by music and Good Man Ray are going to be the sound track for this generation.  This is their time and their time is now.  Melodies that linger in the corners of your mind, guitar riffs that stir your senses, driving bass lines that shake you to the bone and drum beats that destroy the ground beneath your feet.  Songs to inspire the sound track of your life and music to make you dance to. &#13;
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If you are not sweaty, deaf and the newest Good Man Ray fan when they have finished playing then you were not at a Good Man Ray show.  Tell your family, tell your friends and worship at the altar of hard rock. Good Man Ray can heal you and cleanse your dirty soul.&#13;
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Good Man Ray	&#13;
Accept No Substitute&#13;
Play Hard.  Play Loud.&#13;

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In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Cas Haley first gained national recognition in 2007 on NBC's America's Got Talent, where he performed a stunning acoustic reggae cover of The Police's 'Walking On the Moon'. His performance quickly went viral and helped him secure a well-deserved second place on the show.

Since then, Cas has been on a musical journey that has taken him around the world, blending Southern soul roots with reggae-inspired rhythms in seven original albums. His latest project, "BOOTS ROCK REGGAE, VOL. 1," is a unique collection of America's favorite country and rock songs, reimagined with Cas's signature style. By bridging his country roots with his love for reggae music, Cas is creating something truly special and unforgettable. Join him on this exciting new musical adventure and experience the magic of his music for yourself.

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Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

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