www.bachelorsofscience.com
www.coderecs.com
Bookings: Rob@RespectArtistAgency.com

Few artists to emerge from North America’s Drum & Bass culture have made such a significant or enduring impact as San Francisco based trio Bachelors of Science. Formed in 2005, the group has carved out an unmistakable signature sound that spans the full emotional scope of the genre. From deep liquid over to the harder dance floor sounds of DnB, BoS have retained their musical quality and a loyal following, picking up a Beatport award for Best Drum n Bass single and several features on BBC Radio 1 while garnering DJ support across the scene from artists like LTJ Bukem, High Contrast, Friction, S.P.Y, Spectrasoul, Doc Scott, Bryan Gee, Marky, and many more.

Having released music on labels like Spearhead, Dirtybird, Fokuz, Horizons and Intrigue, in 2012 they launched CODE Recordings as an outlet for their music as well as standout productions from some of the top artists in the DnB scene.

On stage BoS bring an energy and vibe that is all their own. From top clubs like Fabric and Ministry of Sound to festivals and events such as Tomorrowland, Sun and Bass, Hospitality and Liquicity, the guys regularly perform around the world taking crowds on a unique journey with everything from originals and bootlegs to custom edits of cutting edge tracks and past future classics.

Most recently they were chosen by the iconic Kool FM to host a monthly radio show which has now been running since 2023. More details here: https://www.rinse.fm/shows/bachelors-of-science/

Labels: CODE Recordings // Spearhead // Intrigue // DirtyBird // Horizons Music // Formation // D&B Arena // Fokuz // BBE // Om // Santorin // Smoke n Mirrors

The official Souncloud page for ADA, a Warner Music Group company.

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

Allison esta de regreso con su nuevo album 120km/h !!

COPE 10TH ANNIVERSARY 
LIVE AT THE EARL 
THE ALBUM AND THE FILM OUT NOW

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