Johann Sebastian Bach - Piano: Anne Queffélec - BWV 639 "Ich ruf zu dir Herr Jesu Christ" Aus dem Orgelbüchlein von J.S. Bach.

Johann Sebastian Bach - Piano  Anne Queffélec  - BWV 639  Ich Ruf Zu Dir Herr Jesu Christ

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ARTIST BIO

The Sydney Consort is one of Australia’s most energetic music ensembles devoted to early music of the 17th and 18th Century. 
Originally consisting of three members the group brings together Australia’s finest musicians and singers to a small chamber orchestra of up to fifteen performers. Formed in 1997 and led by artistic directors Monika and Stan Kornel, the Sydney Consort is an ensemble dedicated to bringing beauty and wisdom of Baroque music to a rapidly growing audience. The ensemble has performed music ranging from the 16th to 18th Century, as well as contemporary Australian music, and with concert themes such as English, French, German and Italian Baroque, Music and Poetry, and the Johann Sebastian Bach concertos. 

In the year 2000, the Sydney Consort celebrated the vocal and instrumental music of Bach, commemorating the 250th anniversary of the composer’s death with spectacular concerts at the St James’ Church. Frequently, the ensemble invites other well known and talented Australian artists, instrumentalists, and vocalists to further enrich performances and broaden the repertoire. The Sydney Consort performs regularly with Sydney actors and poets as a consequence of an ongoing relationship with the Poets and Writers Society. A concert of 17th Century English music and Shakespearian sonnets was a particularly successful product of this union of arts. 

The ensemble appears regularly on classical radio programs and on Sunday Live ABC Classic FM. From 2004 the group appeared for Musica Viva Australia with concerts in Sydney and NSW (countrywide program), and in June/July 2005 and 2007, the Sydney Consort performed on their European concert tour in Italy, Germany, Luxembourg, Denmark and Poland. The ensemble has been invited to return to Europe in 2009 and will perform in Luxembourg, Germany, Denmark, Prague and Poland

JOHANN SEBASTIAN BACH - Sonata for harpsichord & violin in C minor (Siciliano)

F. Händel, Water Music - Suite Nº 3

Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries. At its debut, Beethoven was noted as remarking that it was one of his best works.
The second movement Allegretto was the most popular movement and had to be encored.
 The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.


Beethoven - Symphony No.7 in A Major Op.92 (2nd Movement)

Vivaldi, Antonio - Stabat Mater, RV 621- I. Stabat Mater dolorosa

Antonio Vivaldi: Stabat Mater dolorosa

Version choirs Epic music is the idea of a song (usually instrumental or cinematic in nature) that
brings home a very clear feeling . It may be inspirational or even spiritual. Perhaps it is meant to get
our hearts racing with adrenaline. In any case, epic songs take us out of our surroundings. Music
ignites our imagination and this adds a very powerful layer to the way people experience visual
content.

Madame

Beethoven Symphony No. 7, II Allegretto

J. S. Bach - "Fugue" from Toccata & Fugue in D Minor - BWV 565

Bach Gounod -  Ave Maria

Joshua Weilerstein conducts the New England Conservatory Symphony in a performance of Beethoven's Coriolan Overture in C minor, Op. 62. Recorded live in Jordan Hall, Boston April 2011.

Beethoven - Symphony No.7 in A Major Op.92 (2nd Movement)

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