𝗛𝗔𝗥𝗗𝗘𝗥𝗦𝗧𝗬𝗟𝗘 𝗗𝗝 | 𝗣𝗥𝗢𝗗𝗨𝗖𝗘𝗥

𝗥𝗜𝗖𝗔𝗥𝗗𝗢 𝗠𝗢𝗥𝗘𝗡𝗢 𝗛𝗔𝗦 𝗦𝗣𝗘𝗡𝗧 𝗠𝗢𝗦𝗧 𝗢𝗙 𝗛𝗜𝗦 𝗟𝗜𝗙𝗘 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖. 𝗪𝗛𝗘𝗥𝗘 𝗛𝗘 𝗦𝗧𝗔𝗥𝗧𝗘𝗗 𝗛𝗜𝗦 𝗗𝗝 𝗖𝗔𝗥𝗘𝗘𝗥 𝗜𝗡 𝗧𝗛𝗘 𝗘𝗔𝗥𝗟𝗬 𝟵𝟬'𝗦, 𝗛𝗘 𝗔𝗟𝗦𝗢 𝗦𝗧𝗔𝗥𝗧𝗘𝗗 𝗠𝗔𝗞𝗜𝗡𝗚 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗠𝗨𝗦𝗜𝗖.
𝗛𝗘 𝗥𝗘𝗟𝗘𝗔𝗦𝗘𝗦 𝗛𝗜𝗦 𝗠𝗨𝗦𝗜𝗖 𝗢𝗡 𝗩𝗔𝗥𝗜𝗢𝗨𝗦 𝗥𝗘𝗡𝗢𝗪𝗡𝗘𝗗 𝗟𝗔𝗕𝗘𝗟𝗦 𝗔𝗦 𝗠𝗔𝗦𝗧𝗘𝗥𝗦 𝗢𝗙 𝗛𝗔𝗥𝗗𝗖𝗢𝗥𝗘, 𝗕𝗘 𝗬𝗢𝗨𝗥𝗦𝗘𝗟𝗙 𝗠𝗨𝗦𝗜𝗖 𝗔𝗡𝗗 𝗥𝗢𝗤 '𝗡 𝗥𝗢𝗟𝗟𝗔.
𝗥𝗜𝗖𝗔𝗥𝗗𝗢 𝗠𝗢𝗥𝗘𝗡𝗢 𝗔𝗟𝗦𝗢 𝗢𝗪𝗡𝗘𝗗 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗟𝗔𝗕𝗘𝗟 𝗕𝗟𝗘𝗡𝗗𝗘𝗗 𝗕𝗘𝗔𝗧𝗭.
𝗗𝗘𝗦𝗖𝗥𝗜𝗕𝗘 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗥𝗜𝗖𝗔𝗥𝗗𝗢 𝗠𝗢𝗥𝗘𝗡𝗢 𝗔𝗦 𝗘𝗡𝗘𝗥𝗚𝗘𝗧𝗜𝗖 𝗪𝗜𝗧𝗛 𝗔 𝗣𝗢𝗦𝗜𝗧𝗜𝗩𝗘 𝗧𝗪𝗜𝗦𝗧.

𝗛𝗘 𝗛𝗔𝗦 𝗡𝗨𝗠𝗘𝗥𝗢𝗨𝗦 𝗦𝗢𝗟𝗢 𝗣𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡𝗦 𝗔𝗡𝗗 𝗖𝗢𝗟𝗟𝗔𝗕𝗢𝗥𝗔𝗧𝗜𝗢𝗡𝗦, 𝗪𝗜𝗧𝗛 𝗖𝗛𝗔𝗥𝗟𝗬 𝗟𝗢𝗪𝗡𝗢𝗜𝗦𝗘, 𝗣𝗔𝗨𝗟 𝗘𝗟𝗦𝗧𝗔𝗞, 𝗞𝗢𝗥𝗦𝗔𝗞𝗢𝗙𝗙, 𝗩𝗜𝗡𝗖𝗘 & 𝗥𝗘-𝗦𝗧𝗬𝗟𝗘.
𝗥𝗜𝗖𝗔𝗥𝗗𝗢 𝗔𝗟𝗦𝗢 𝗥𝗘𝗟𝗘𝗔𝗦𝗘𝗗 𝗦𝗢𝗠𝗘 𝗕𝗘𝗟𝗢𝗩𝗘𝗗 𝗥𝗘𝗠𝗜𝗫𝗘𝗦 𝗔𝗡𝗗 𝗕𝗢𝗢𝗧𝗟𝗘𝗚𝗦 𝗜𝗡 𝗧𝗛𝗘 𝗛𝗔𝗥𝗗 𝗗𝗔𝗡𝗖𝗘 𝗦𝗖𝗘𝗡𝗘.

𝗛𝗜𝗦 𝗛𝗜𝗦𝗧𝗢𝗥𝗬 𝗧𝗥𝗔𝗩𝗘𝗟𝗦 𝗙𝗔𝗥, 𝗜𝗧'𝗦 𝗜𝗡 𝗛𝗜𝗦 𝗛𝗢𝗠𝗘 𝗧𝗢𝗪𝗡 𝗖𝗢𝗨𝗡𝗧𝗥𝗬 𝗧𝗛𝗘 𝗡𝗘𝗧𝗛𝗘𝗥𝗟𝗔𝗡𝗗𝗦, 𝗕𝗨𝗧 𝗔𝗟𝗦𝗢 𝗔𝗕𝗥𝗢𝗔𝗗 𝗪𝗛𝗘𝗥𝗘 𝗧𝗛𝗘 𝗛𝗜𝗚𝗛𝗟𝗜𝗚𝗛𝗧𝗦 𝗔𝗥𝗘 𝗔𝗖𝗖𝗨𝗠𝗨𝗟𝗔𝗧𝗜𝗡𝗚.
𝗛𝗜𝗦 𝗗𝗝 𝗦𝗞𝗜𝗟𝗟𝗦 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 𝗗𝗘𝗖𝗞𝗦 𝗛𝗔𝗩𝗘 𝗕𝗘𝗘𝗡 𝗢𝗕𝗦𝗘𝗥𝗩𝗘𝗗 𝗔𝗧 𝗣𝗔𝗥𝗧𝗜𝗘𝗦 𝗔𝗧 𝗙𝗔𝗕𝗥𝗜𝗞 (𝗦𝗣𝗔𝗜𝗡 - 𝗠𝗔𝗗𝗥𝗜𝗗), 𝗗𝗘𝗙𝗤𝗢𝗡𝟭, 𝗟𝗔𝗞𝗘𝗗𝗔𝗡𝗖𝗘, 𝗛𝗔𝗥𝗠𝗢𝗡𝗬 𝗢𝗙 𝗛𝗔𝗥𝗗𝗖𝗢𝗥𝗘, 𝗜𝗡𝗧𝗘𝗡𝗧𝗦 𝗙𝗘𝗦𝗧𝗜𝗩𝗔𝗟, 𝗚𝗥𝗢𝗨𝗡𝗗 𝗭𝗘𝗥𝗢, 𝗗𝗔𝗡𝗖𝗘 𝗩𝗔𝗟𝗟𝗘𝗬 𝗡𝗔𝗠𝗘 𝗔 𝗙𝗘𝗪.

💩 BOOKINGS: info@thewishlist.nl
💩 LABEL: Gezellige Uptempo Records
💩 KOM FEESTE!

Get ready to hit the jackpot with Spain’s most explosive Raw Hardstyle duo, The Straikerz!

Known for dominating dance floors with viral hits like “Kickroll Is Not A Crime,” “Incoming,” and “Funky,” they’ve also teamed up with heavyweight artists including Rooler, Sickmode, and Dual Damage. Their signature sound: relentlessly catchy kickrolls, high-energy arrangements, immaculate party vibes and drops that hit like a freight train!

After relocating to the Netherlands, The Straikerz have taken their game to the next level, tearing up stages with their adrenaline-fueled DJ sets and their world-famous 777 Live-act. From Defqon.1 and Intents to Decibel, Reverze, Rebirth, and beyond, their name is all over the biggest festival lineups.

With a wave of hyped new releases on the horizon and their 777 Live concept in full swing, The Straikerz are just getting started. Buckle up, ‘cause this duo will continue hitting the jackpot!

Outsiders is the exciting project of two significant producers based in sunny Israel - Haim Lev & Guy Malka.
The Outsiders name has been fast developing and their releases have been backed and supported by an impressive number of international covering pretty much of the the top international circuit.Outsiders have released a bundle of successful original releases and a bountiful collaboration & remix tracks from the likes of Tristan, Symbolic, Laughing Buddha, Avalon, Electric Universe, Rinkadink, Burn In Noise, to name few.
The Outsiders sound is always evolving and is highly influenced by the duos global interactions.

WIJ ZIJN LOUD & FOUT A.K.A ZIGGY & PITTBOY

Inquiries : info@djziggy.com
Bookings : yasmin@dedicatedagency.com

The official Q-dance Music Soundcloud account.
Representing the best in the harder styles of dance music.

For demos, please reach out to tracks@q-dance.com

With their unceremonious ejection from the EMI gravy train at the end of the 70's, it seemed that The Saints were finished. Relieved to be ditching such troublesome clients, EMI overlooked what The Saints had left them; Prehistoric Sounds, a criminally neglected R'n'B masterpiece - maybe the most gorgeous suicide note a band ever left. The album was as uncompromised (and therefore doomed) as most other great cult albums, but it contained the seeds of songwriting that strongly contradicted the premature demise of The Saints.

Returning in the early 80’s with the tellingly entitled Paralytic Tonight, Dublin Tomorrow (released on the all new French label, New Rose), Bailey buried any doubts over whose exclusive domain the band had become. Having been left in the lurch by record company and band members, The Saints were now about Bailey and whichever band members made the hallowed grade. Never looking back, Bailey turned The Saints back on, and the outpour commenced.

It was 1984 when Bailey reached a new peak, and it was called Ghost Ships. In one stroke the song absolved the sins of a thousand bands lacking the ingenuity, integrity, guts and smarts to wait, watch, listen and learn. To this day, Ghost Ships is a haunted, haunting affirmation of everything that Bailey has done.

Alien to complacency, Bailey pushed his own limits, and those of his band, reaching a new peak in the 90's with Prodigal Son. An album redolent of his beloved Irish roots, rich in references to literature and legend and containing some of his most beautiful songs to date, Prodigal Son announced the emergence of a new Bailey, more confident and with his demons held firmly in check.

Having made The Saints a minor household name, Bailey chose to soldier on as a solo artist. A series of superb albums followed at frequent intervals, including 1994's 54 Days At Sea, recorded in Scandinavia with a Bolivian folk group he first met playing at a street festival. Abounding in all the usual allusions and delivered in a voice that he now exercised like a whipped mongrel, 54 Days At Sea felt like another watershed, another self-contained detour in a career of musical swings.

In 1997, Bailey returned to The Saints. The result was the outstanding album, Howling. Bailey was back on another pilgrimage. Recorded fast, loose and with no shortage of great songs, Howling is a loud, proud return to the band ethic of The Saints.

A year later, following the reinvigorated, perpetually changing band route, The Saints released the rip-roaring album Everybody Knows The Monkey. Recruiting unknown, but feisty musicians, Bailey returned to the no-nonsense guitar rock he last perfected on 1982's Out in the Jungle. Strained by the demands of agitation, volume, and passion, Bailey’s gigantic voice is given free reign by a band of heavy-hitters. The opening track, What Do You Want, perfectly sums up a career that has continually crashed, burned and risen from the subsequent wreckage.

For the new millennium came a new Saints album, albeit one that paid homage to the folk that carved out the music many of us live by to this day. Spit The Blues Out features eight original tracks of awesome power and divine intervention, coupled with four cover versions of classic blues songs to which Bailey’s voice does ample justice. Recorded in Amsterdam, the album highlights Bailey's songwriting at its best, mixing originals and covers that reflect the grim and greedy theme park we live in today. Drinking songs, sad songs, rocking songs and fuck songs. Songs that speak to you of the world. Spit the Blues Out captures the power that was injected into rock‘n’roll when rock‘n’roll was full of sex and danger.

In 2005, still resident in Amsterdam, The Saints released Nothing Is Straight in my House. Featuring twelve new songs, hammered into shape in a three-week creative furnace, the record is a loud, noisy, passionate and demented mapping of the surreal psychotic soul of our surroundings. The songs are inspired by the fear and loathing of our times and reverberate with rock 'n' roll's primal energy.

Following swiftly came Imperious Delirium, recorded at Stollywood Studios in Amsterdam. Fanned by the flames of an ill wind and wanton war-mongering, the record delivers a tirade against prevailing times. It is a literal howling at the insane behavior of the outlaws who make our laws and it represents some of Bailey’s most political writing. Along the way, however, love songs prevail in the shape of the wonderfully titled Je Fuckin T'aime.

Which brings a common theme up to date, that being the impending release of King of the Sun, a brand new collection of songs of love and dereliction by Bailey and his latest incarnation of The Saints. Recorded in Sydney and released on the Highway 125 label, the album portrays a journey home after a hundred-year war. Bailey's writing and singing have never sounded more majestic. His is the voice of a world-weary conscript who got more than he signed up for but never shirked the task. Accompanied by piano, strings and horns, (the very sound that got The Saints dropped by EMI) King of the Sun could be viewed as a beautiful swansong to a formidable campaign. Then again, don’t bet on that.


This deejay got interested in house music when he bought his first techno/trance tape. After that he soon broadened his boundaries to real hardcore. After 8 months of hard, sweaty work at newspaper rounds, he was able to buy his first set of spinning wheels at the age of 14. And that was the birth of deejay Potato. As a regular visitor of the legendary route 66, B-fifty two and Platte Zaol, he also was throwing little parties himself in several different clubs in the neighbourhood. He started to perform more frequently, with highlights of that time like Raving Nightmare (Entangled in Chaos), Reversed and several others. 
In the year 2005 he got another chance at showing his skills at Raving Nightmare, this time in the legendary Tarm Center in Frechen/Köln (Germany). From then on he keeps growing and earns his spots at numerous events in he south of the Netherlands. His sets leave such marks, that he’s asked frequently to be a regular deejay at many events. 
All kinds of mixes are floating on the world wide web, in all styles you want to hear. So search for Potato and you will find some Early hardcore, Oldskool, Classics and Hardcore mixes you definitely want to have in your download collection. One thing’s for sure: Potato is the man who knows how to make the music into a story and simply knows what the crowd likes! 

https://www.facebook.com/pages/DJ-Potato/178222788946192

corwin is following