Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

🌍 Bookings (ROW): dc@t-s-agency.com
🌎 Bookings (Americas): jon@liaisonartists.com
📩 Management: mgmt@julyakarma.com


A voyage through uplifting melodies and hypnotic grooves, Julya's music tells what words cannot...

Emerging from the pulse of Brooklyn’s underground, Julya Karma has quickly established herself as a force that refuses to be defined.  Known for her dynamic selections and infectious energy behind the decks, she has been invited to dancefloors worldwide, including Coachella, Lost Village, Innervisions, Cercle, The Brooklyn Mirage, DGTL, Time Warp, Audio Obscura, Afterlife, and Mayan Warrior, appearing alongside legends like Adriatique, Laurent Garnier, Dixon, Ame, Rüfüs du Sol, and Sven Väth.

Julya's influences stem from learning classical piano at the age of 6, and from her early exposure to indie and psychedelic rock, jazz, and traditional Middle Eastern music. These diverse influences combined with her music curating obsession translate into her captivating DJ sets. Inspired by music’s ability to transport us beyond the ordinary, Julya creates experiences that awaken something primal, connecting us to the beautiful complexity of existence.

'Piano' is out now everywhere! ➡️ https://AvB.lnk.to/PianoYA

Armin van Buuren has been a global ambassador for electronic music for over thirty years, with a Grammy nomination, five #1 spots in the DJ Mag Top 100, and nine full-length artist albums to his name. Through his exemplary productions, groundbreaking live
shows (e.g. his new ‘THE ORB’ world tour) and his weekly A State of Trance radio show (44 million listeners from over 80 different
countries), event series and album series, he cultivates a massive global following.

Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival
(Miami), Lollapalooza (Chicago. Berlin) and Tomorrowland (Belgium, Brazil), plus residencies on Ibiza and in Las Vegas, and his own A State of Trance events in Rotterdam, London, Mexico and beyond. 

As a producer, Armin van Buuren has joined forces with the biggest artists in dance music and beyond, from Hardwell, David Guetta and Martin Garrix, to Moby and Jon Bon Jovi. In June 2025, he released his ninth studio album, ‘Breathe’.

Armin van Buuren is also the co-founder of Armada Music, the world’s biggest independent dance music label.

Patrick´s sound can be described as straight ahead techno, but also taking in influences from house music. He presents tech-house music, partly monotone, but always under the aspect of being groovy. He combines the elements of a lot of different styles in order to show it as a whole.
 
In 1999 he founded the event and artist agency Global Tunes and organized various big events with internationally well-known artist. In March 2002 Patrick quit his job in this agency in order to focus on his own studio projects.
In 2003 he met Harold Todd from the Lenny Kravitz band and, following his passion to house music, they set up the project Sexy Pie. In 2004 they released their first single. In the same year he started to work for the Frankfurt based label Cocoon Recordings, where he is responsible for the digital distribution.
 
In 2006 his first EP gets released including a remix by Oliver Koletzki. A lot of other releases followed – cooperations with and remixes from artists like Guy Gerber, DJ Sneak, Boris Brejcha, Mendo, Alex Flatner, Broombeck and studio partner M.in speak for oneself.
 
In 2010 he produced the Ibiza-Spotlight-Podcast for Cocoon Recordings, which represented the sound of the label of this summer. Later that year he was also responsible for the Bonus Mix for the „Sound Of The Eleventh Season“ by Sven Väth.

2011 has been a highly productive year: Patrick´s remix for Extrawelt´s Titelheld hit the third place of the Beatport techno charts. He also mixed the retrospective Mix-CD of „11 Years Cocoon Recordings“. In the same year he finally set up his own label Insist Music.

Patrick´s own music and remixes can be found on countless esteemed label like Cocoon  Recordings, Suara, Kling Klong, Leena, Form Music, Octopus, BluFin and keinemusik amongst others. His remixes are highly appreciated by colleagues and so it is no wonder that artists like Extrawelt, Boys Noize and Lützenkirchen rely on his works.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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