The man who wears many musical colors. 

Those seven words eloquently capture the multifaceted essence of Donald Lawrence. Songwriter. Producer. Composer. Music/choir director. Recording artist. The guiding force behind such No. 1 hits as “Encourage Yourself,” “Back II Eden” and “The Blessing of Abraham.” Equally at home in both the inspirational and contemporary arenas, the multiple Grammy and Stellar Award winner has collaborated with a diverse roster, including such marquee names as Karen Clark Sheard, Donnie McClurkin, Kirk Franklin, En Vogue and Mary J. Blige.

“It’s said that the music you do is where you’ve lived,” says Lawrence of his creative journey. “What I do isn’t contrived. I don’t think in terms of genre or religious perspective. It comes from being honest. I just honor the gift and purpose I was given to touch the world and inspire. And people have paid attention to that.”

Indeed they have—to the tune of 20 years and counting. After scoring his second No. 1 gospel album with 2011’s YRM (Your Righteous Mind), Lawrence is preparing to commemorate his anniversary milestone with the first of two albums featuring live re-recordings of select songs from his vast catalog complemented by several new tracks. Due this fall, the first Light Records volume, titled Best for Last, was recorded primarily in Chicago with longtime songwriting/production colleagues Daniel Weatherspoon and Percy Bailey. The second volume, slated for 2014, will be recorded primarily in Charlotte near Lawrence’s Gastonia, North Carolina birthplace.

Also joining Lawrence for the two-volume series is a host of special guests, many of whom have played important roles in his career. The list includes Karen Clark Sheard, Kierra Sheard, Kelly Price, Lalah Hathaway, Hezekiah Walker, Stephanie Mills and Yolanda Adams. Adams’ bring-the-house-down vocals on volume one’s title track kick off a rousing celebration 20 years in the making. Yet its chorus also hints that Lawrence doesn’t plan to rest on his laurels anytime soon: “Although you may think that your time has passed \ God only saving the best for last \ Your future greater than the past.”

“I don’t know why it’s said that your best days are your youth,” explains Lawrence of the song’s message. “The Scripture talks about your latter being greater than the former. I wanted to speak to people who feel it’s a wrap. It’s never too late to dream.”

Additional standouts include “The Gift Looks Good on You” and “Hebrews 4:9.” Both are spirited lessons revolving around Lawrence’s central theme of grace. In this instance, he is talking about grace as talent; that people should stop looking across the fence at what others may possess and instead honor their own gifts. “Most people think grace is covering sins, but it’s also an area of divine enablement,” he says. “Some people have the grace to write or sing. I do music. Don’t covet someone else’s grace; honor yours. And if you honor it, God will allow you to take it to a broader arena.”

Lawrence began taking charge of his grace while growing up in Gastonia, NC. Raised by a gospel-loving aunt and influenced by gospel pioneer Walter Hawkins, he taught himself the piano at 15. From there, Lawrence put himself through the prestigious Cincinnati Conservatory of Music as a musical theater major. He and Worth Gardner, one of the school’s professors, later wrote the 1986 musical revue “Sing Hallelujah!,” which toured across the country and played off Broadway. 

After a stint on the musical staff of the TV series “PTL Club,” Lawrence trained his sights on secular music when he was asked to become vocal coach for hit-making R&B/pop female group En Vogue. The early ‘90s found him integrating both worlds. That’s when he began an eight-year tenure as music director for Broadway/R&B star Stephanie Mills while honing the groundbreaking urban inspirational style of his own choir, Company. Signed to Giant Records, Company released its debut album, Devotion, in 1993. 

Concurrently, Lawrence started sending songs to a North Carolina-area group called the Tri-City Singers. Hired to succeed the act’s former musical director, he helped the group claim a No. 2 debut on Billboard’s Top Gospel Albums chart with 1993’s A Songwriter’s Point of View. The set, melding hip-hop and other contemporary rhythms, featured guest turns by Peabo Bryson and Mills. Over the next 12 years, Lawrence & the Tri-City Singers issued a string of top five gospel albums, including No. 1 Bible Stories, tri-city4.com and Go Get Your Life Back. These releases sported such memorable hits as “Testify,” “Message to the Saints” and “The Best Is Yet to Come.” The albums also boasted an array of guests, including Clark Sheard, Ann Nesby, Kelly Price and Kim Burrell. 

Lawrence & the Tri-City Singers retired in 2006, culminating their run with a cross-country, sold-out tour and a live recording, Finale. The project spun off the hits “Encourage Yourself” and “The Blessing of Abraham” with the latter spending 18 weeks at No. 1 on Billboard’s Hot Gospel Songs chart. 

Two years prior, Lawrence stepped out with his first solo album, the Donald Lawrence & Co.-headlined I Speak Life, with cameos by Donnie McClurkin, Hezekiah Walker, Faith Evans, Lalah Hathaway and jazz icon Ramsey Lewis. Featured hits included “You Covered Me” and the anthem “Healed.” He followed that with a second No. 2 album, 2009’s The Law of Confession, Part I, and the hit “Back II Eden.” He then scored his second No. 1 with YRM (Your Righteous Mind). 

Lawrence’s musical passion continues to manifest itself through various pursuits. He has written and produced for the legendary Clark Sisters, Clark Sheard, Kirk Franklin and Hezekiah Walker (including No. 1 single “Souled Out”), among others. After earning his master’s degree in fine arts at Chicago’s Columbia College, he was asked to join the school’s faculty where he still teaches intermittently. And in September, he’ll celebrate his sixth anniversary as host of Verizon’s national gospel choir talent competition “How Sweet the Sound,” working alongside Walker, Yolanda Adams, Tamela Mann and other special guests. Future plans include expanding into TV, film and Broadway projects. 

“New ideas and concepts for songs, new talent, more knowledge … the more creative I can be is what keeps me excited,” says the indefatigable Lawrence. “You reap what you sow.”

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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