Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

Bookings: Letícia Magalhães
brflavormgmt@gmail.com

Twenty years behind the decks, Tommaso Marra alias Tommyknocker is one of the hardcore scene's biggest players. With countless hit records and featured on hundreds of compilations, he's responsible for spreading Italian hardcore all over the world.

Italian DJ/ Producer Amnesys was born in 1987, but his parents called him Dario from day one. 
Just ten years old, he discovered hardcore when he got a compilation of A Nightmare in Rotterdam 5. From that day, all the innocence was blown away. 

Dario started to listen to hardcore more and more and became curious how all of his favourite records were produced. He started making music as well and after years of hard work, he delivered his first piece of art on Impulse Records. "The Ultimate Motherfucker", which is still being played up to this day. These three tracks were also noticed by the Stunned Guys. Maxx and Giangy scouted the talented youngster and after two EP's on Impulse Records, he was ready for the big job: releasing an EP on Traxtorm Records. It turned out to be a brilliant move by the label managers, because the impact of Amnesys' "Mainstream Nitro" EP was bigger than expected. The four tracks dominated the dancefloors for months, got on nearly every hardcore-compilation in 2007 and the B1 "My Motherfuckin' Name" ended up in fourth place at the MOH Radio Live Top 100 2007, a chart based on the votes of the audience. 2007 was a crucial year in his career, but nobody knew that hell was about to break loose in 2008... 2008 was just one month on its way, when Amnesys dropped his "Worldwide Crisis" 12". 

From that moment on, Dario was no talent anymore, but one of the world's most important producers. Playing his record on Masters of Hardcore - Warrior Elite ( his first big performance in The Netherlands), the venue was nearly torn down: Amnesys put himself on the map, not only as a great producer, but also as an outstanding DJ. The EP was released and caused an earthquake in the hardcore scene. Every DJ over the world played "Worldwide Crisis", "Underground Revolution" and "Catastrophes", and Dario got booked for loads of parties in 2008. Just some highlights of his 2008 resume: Masters of Hardcore, Dominator, Defqon.1 and Project: Hardcore.nl. At the end of 2008, Dario heard about "Worldwide Crisis" being voted best record of the year by the MOH Radio Live-show audience. Thousands of hardcore-addicts said that the track was their favourite production of 2008. 

An insane year ended with the ultimate reward for Dario and of his skills. The expectations for the follow-up of "Worldwide Crisis" were as high as the Mount Everst, but Dario managed to match them. With his incredible release "Elevation", Amnesys proved that the "Worldwide Crisis" EP was not just an incident. The titletrack is a mainstream masterpiece, "4D Future" predicts the evolution of hardcore in 2009 and "Raw Generation" is a true romper stomper with an insane kick. All tracks are played by all major DJ's and get raving reviews from the crowd. Amnesys' hunger for getting people dancing is unstoppable, as he became one of the most popular hardcore DJ's from Italy. Getting booked by all big promoters and smaller clubs, Dario Renzi is one of the guys to become the next Italian emperor of the hardcore-scene.


Legacies become forged through consistency. 

Relentless reliability is intrinsic to longevity in the music business—or any other business for that matter. No giving up is allowed. No promise can go unfulfilled. If people can depend on you, they'll believe in you and stick with you until death. Since forming in 1994, Grammy award-nominated hardcore and metal stalwarts Hatebreed have constantly crushed with every subsequent album. Their six full-length effort and first for Razor & Tie, The Divinity of Purpose, proudly upholds that tradition cast in almost two decades of blood, tears, and flames. It's everything fans have come to expect from the Connecticut-based quintet—Jamey Jasta [vocals], Chris Beattie [bass], Wayne Lozinak [guitar], Frank Novinec [guitar], and Matthew Byrne [drums]—and more. 

Be prepared to witness their flame rise high once again…

The Divinity of Purpose began to take shape in 2010. The band had welcomed back original guitarist Lozinak for 2009's covers set, For the Lions, and their self-titled fifth effort the same year. During a two-year tour cycle, they expanded their global stamp through performing to rabid crowds in Southeast Asia, Eastern Europe, and South America. In addition, they ravaged the U.S. and Europe alongside the likes of Five Finger Death Punch and Lamb of God as well as on the Rockstar Energy Drink Mayhem Festival twice. However, they collectively decided to amp everything up for album number six.

"We were going for a bigger sound," affirms Jasta. "We reintroduced Wayne on the last album. He'd never been on a full-length record with us, and it felt like we had to prove ourselves again. We also tried to do things outside of our comfort zone musically on Hatebreed. This time around, we played to our strengths as a band and gelled incredibly. The riffs had to be really heavy, memorable, and catchy. The rhythms needed to be pounding. I went back into drill sergeant mode vocally. I focused on saying what I had to say and got in and out. The music makes its point and leaves its mark. It's a tight snapshot of the last two years."

In order to capture that snapshot, the group focused its assault during an intense and rigorous period of pre-production at home. Maintaining an impressive work ethic, they spent time honing their patented sound into an even more uncompromising and unbreakable beast. Co-produced by the band, Zeuss [Suicide Silence, All That Remains], and Josh Wilbur [Lamb of God, Avenge Sevenfold], The Divinity of Purpose sees Hatebeed at their most fierce and fiery.

Take the first single "Put it to the Torch." An avalanche of guitars pummels alongside staggering rhythms and a distinct bass wallop. Jasta roars with uncontainable intensity proclaiming, "Here's your apology. Here's to burning out and here's to fading away. Fuck you both. I just put it to the torch."

About the song, he divulges, "We didn't want to reinvent the wheel, but we wanted to make something heavy and aggressive with an old school vibe. We've faced an unusual amount of toxic energy over the past couple of years. It's important that you turn that negativity into a positive. That's always been the message of the band from day one. We can bottle that negative energy and use it as fuel. Sometimes, it gives you that push."

Speaking of a "push," "Honor Never Dies" steamrolls ahead with a propulsive riff and inspirational reflection on those who have served America. With a massive hook and deep meaning, it's also a fitting tribute to any fallen hero.

"Those lyrics came about right after my grandfather passed away," Jasta explains. "When I visited him in Veterans Administrative Hospital back in Connecticut, I'd see all of these vets & war heroes with purple hearts and other commendations hospitalized. The nurses told me a lot of those guys never get visitors. Some die alone in a hospital bed with no family or anyone else around. I'd spoken to some of them before my grandfather died. Luckily I got to be with him before he passed. I had to put that feeling into a song and now some of what I’ve taken away from that experience lives on through this. It’s not just about our vets or my gramp but anyone who does something in service of others, they may not get the glory but their honorable actions live on through the people they help."

The title track also encapsulates something very crucial to the Hatebreed ethos within the framework of another explosive anthem.

The frontman confesses, "Music has always been my purpose. When I became a father, my life had new purpose. Sometimes, you find an initial purpose, and then you find a new purpose as you grow as a person. When you find something you love that gives you fulfillment, it can be an almost divine experience. That's where we are going with this."

In 2012, they also found the perfect partner to release the album in Razor & Tie.  Hatebreed instantly felt home on their roster. "Heavy music is in a great place right now. There's a groundswell coming, and Razor & Tie understands that and is on the cusp of it. They're all people we've been friends with too. It's onward and upward for us right now."

It's been a long road to The Divinity of Purpose. Along the way, the band racked up sales of over 1.1 million records worldwide. They garnered a Grammy Award nomination for "Best Metal Performance" for "Live for This", and they've appeared at prestigious festivals including OZZfest, Download, and Wacken Open Air multiple times.  Among numerous chart successes, their first-ever live DVD, Live Dominance, debuted at #1 on the Billboard DVD chart, while Hatebreed hit #4 on the Billboard Indie chart.

Right now, Hatebreed's heart is beating stronger than ever, but that's nothing new. "Hatebreed has always meant the same thing to me," he concludes. "We maintain that anger and frustration, but it's not aimless. There's positivity to releasing that energy. It has a cyclical power. The fans that really vibe off it created everything we have. We’ve done things we dreamt of as kids because of our hard work and because the fans have gotten us to this global level. They give us purpose to make the most impact with our records that we can." 

It's another chapter of Hatebreed's legacy. 

<a href='http://gigs.gigatools.com/g/unexist' target='_new'>Unexist's Upcoming Gigs </a>Sunday 08 June, 2014 <a href='http://gigs.gigatools.com/g/unexist' target='_new'>Unexist @ The Sand, Amsterdam, Netherlands</a> Saturday 14 June, 2014 <a href='http://gigs.gigatools.com/g/unexist' target='_new'>Unexist @ Discoteca Florida, Ghedi (BS), Italy</a> Saturday 14 June, 2014 <a href='http://gigs.gigatools.com/g/unexist' target='_new'>Traxtorm Gangstaz Allied @ Discoteca Florida, Ghedi (BS), Italy</a> Sunday 29 June, 2014 <a href='http://gigs.gigatools.com/g/unexist' target='_new'>Unexist @ Walibi World, Biddinghuizen, Netherlands</a> Saturday 12 July, 2014 <a href='http://gigs.gigatools.com/g/unexist' target='_new'>Unexist @ Festivalweide Kristalpark, Lommel, Belgium</a> <a href='http://gigs.gigatools.com/g/unexist' target='_new'>See the full listing here</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Jappo started djing in 1994 after experiencing the hardcore sound at club Number One in Brescia.
On 1995 teams up with italian Hardcore legend Claudio Lancinhouse and start working in CL home studio, and after less than a year the first release was out: 

"Lenny dee and the Hardcore Warriors" on ISL records. It was a collaboration between them and the godfather Lenny Dee. 

The second records was the smashing hit "Real Motherfuckers EP" including the probably most famous track of the duo EXLXAXL.

After many releases on Industrial Strength, other releases followed on labels such as D-Boy and Mokum. 

In 1996 started djing as a resident at Number One, the club where everything started, along the side of his partner/hero Claudio Lancinhouse till 2000.

UneXist was born very early in the days (around 1997) as solo project of Jappo with the sound leaning towards brutality but it didn't fully formed until 1999 when the 1st UneXist LP "Disintegrator rising" on ISR was released.

From that day another big challenge started for Jappo.

He wanted to start from scratch and try to achieve the same goal as with J&CL but this time as a solo.
On 2001 he teamed up with his long time friend Lenny dee and found ISE.

they continued for 5 releases but they had to stop shortly after due the real bad time for their dark and rough sound in the hardcore scene.

Stubborn Italian never wanted to compromise his view of whats hardcore supposed to sound therefore he decided to take a break and move to NYC near his crazy mentor and away from the scene he didn't recognize anymore.

In NYC he just embraced his love for turntablism even more and expanded his knowledge of Heavy Metal and old school Hip Hop, which was the very spark who set his fire up for Hardcore music once again.

He literally closed himself in Lenny's studio for 6 months, working and smoking like a savage and he came up with the unique UneXist sound!

Before coming back to Europe he had few releases ready to be drop: "Fistortion", "Attack", "Liberate" just to mention a few.

By the time those records hit the shops UneXist started getting booked in Holland almost every week and he played at almost every big Hardcore event you can mention. 

On 2005 he released his 1st album Contagion on his new label DT6 Inc.

UneXist way of thinking about making music: “I started making music because I wanted to make something that other people wasn't doing and felt it was missing. I make music for myself first, than the fact that people digs it is a huge collateral...”

Raggatek and Frenchcore producer from
Amsterdam, The Netherlands

'roots revival ep' BRR013 @Beatroot-records

'TEK LIFE' EP @ https://ensorceler.bandcamp.com/album/tek-life

'concrete jungle' AW003 @ https://abusivewreckords.bandcamp.com/album/used-n-abused-aw003
'freestyle fanatic' AW001 @ https://abusivewreckords.bandcamp.com/album/the-deaf-star-aw001

BOOKINGS & MANAGEMENT:
EU - furiousbtk@yahoo.com 
Brazil - bookings@seasonbookings.com.br
India - bookings.futuresound@gmail.com

Juno Reactor ranks among the all-time greats of electronic music as essential innovators. From their 9 studio albums, “Transmissions” the first Trance album, Scoring many films to performing their stunning live shows around the world at major music festivals, Glastonbury, Roskilde, Fuji Rock, The Glade, Boom, Ozora, and many more.

Juno Reactor are known for their cinematic fusion of electronic, global influences, and a dynamic orchestral approach, working with composer Don Davis for the score of The Matrix Trilogy. Central to the project is Ben Watkins and his collaborations with a constantly changing ensemble of musicians from across the world.

2016 opens up a new chapter with The Mutant Theatre show, a combination of Juno Reactor’s powerful onstage presence and two visually stunning performance groups from Russia, Agnivo and Stigma. Bringing a new dimension and unique touch from the creators of the Bible of Dreams.

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