For enquiries contact : dafina@eddierichards.net
Asia/Australia : James  arai.bookings@gmail.com

It’s said that DJing is a job that needs no qualifications, but experience always shows. Eddie Richards, ‘Britain’s Godfather of House and Techno’(Mixmag), embodies this like no-one else. While many of his peers have faded into irrelevance or bloated into mainstream mediocrity, Eddie has remained at the forefront of cutting edge underground dance music, Often regarded as ‘the DJs DJ’, Eddie’s insatiable appetite for new music has meant he’s always one step ahead of the game, as his relentless schedule of gigs, remixes and original productions proves. The world of dance music may change with bewildering speed, but one thing remains constant: somewhere, Eddie Richards will be rocking the party.

Any blurb about Colin Dale's career is bound to exclude many seminal moments, such is the extent of his achievements in almost four decades behind the decks. In 1982, Dale started warming up for Tim Westwood in central London clubs like Heaven. He cut his teeth playing soul, funk and boogie in clubs and on pirate radio station Phase One, until landing a slot on Kiss FM in 1986. Over the next 16 years, Dale became London's answer to The Wizard, with his Abstrakt Dance show (and related Outer Limits mix CDs) introducing a whole generation to the cutting-edge sounds of Detroit, Chicago and beyond.

Dale is a visionary DJ, one of the first to explore the links between funk, boogie and proto-house, then going through phases of industrial techno, Detroit techno, acid and the techier house and Deep Tech sound he spins today. Aside from his DJing, Dale is a fixture of UK dance music, as a former dancer, promoter of legendary parties like Knowledge, artist manager and label owner. As a producer and remixer, his credits range from an early record on Paul Oakenfold's Perfecto label, to the EPs he continues to drop on Abstrakt Dance Records today. He doesn't rest on the success of his hallowed days, continuing his presence on the London club circuit and tirelessly pushing his sound into the future.
Techno, Tech House, Acid House & Electro.

Facebook: www.facebook.com/djcolindale
Twitter : www.twitter.com/djcolindale
Instagram : www.instagram.com/colindale
Youtube : www.youtube.com/djcolindale
Mixcloud : https://www.mixcloud.com/colindale2/
Soundcloud : https://soundcloud.com/djcolindale

Features : 
Resident Advisor – The Art of Djing : https://ra.co/features/3860?fbclid=IwAR0bHRtJ2-bY8Fqk_q4RMXdEcImLUHnyNZ4Nle43AWPDJWgLh8Kn7FW2vwI

Beatport – Unsung Pioneers : https://www.beatportal.com/features/unsung-pioneers-colin-dale/?fbclid=IwAR1EM1UPKe1flJmJO5rF2m1Qix0guOcppkRTSYyT2EWT6AoLNuH-jh_GoNM

DJ / Producer 

Bringing you the finest selection of house/ techno / electro tracks accompanied by some drum and bass :)

My production focuses heavily on underground house and techno whilst also incorporating aspects of electro, tech , progressive and tribal house. 
 
Watch this space….

Instagram - lucasdakotaa
Email - lucashills1709@gmail.com

Since winning Muzik magazines “Best New DJ” award in 1997, Terry Francis has had what can only be described as a meteoric rise to fame. To those previously unfamiliar with his flawless mixing skills and instinctive ability to work a crowd it probably seemed as if he’d arrived out of nowhere. Fact is though, he had been blazing a trail through the underground for no less than ten years before the world at large sat up and took notice and his unanimously praised “Architecture” mix album helped put him on the map. A seamless mix of deep dubby house, celestial breaks and ethereal vocals – it was shot through with the kind of shimmering techno sensibility that really marked it out as something special. Some called it “tech house”, whilst Terry himself jokingly described to it as “house no”. Ultimately though, any labelling of Terry’s style is fairly pointless because what he does is what all the very best DJ’s do. He blurs the lines between the past and the present to create the future and always plays from the heart. Crucially though, he does ft just that little bit better than almost anybody else.

London's very own festival. 

https://loveboxfestival.com

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

Tracy Robinson is following