During his music journey, Areza has been played in various jazz event such as Bali Jazz Festival, Java Jazz Festival , Pasar Jazz at Gedung Kesenian Jakarta  and several jazz events in Jakarta, Manchester and London.Besides mastering drums as his main instrument, Areza also playing piano and arranging, orchestrating, and writing original composition.

In order to broaden his musical knowledge, Areza studied at Institut Musik Daya . Some of his notable lecturers at that time are Deviana Daudsjah, Peter O’Leary, Peter Scherr and Aksan Sjuman. Later on, Areza had the opportunity to study at The Guildhall School of Music and Drama in London under the guidance of Brian Abrahams, Trevor Tomkins and Huw Warren.

After his comeback from London, Areza studied film scoring  under the supervision of Indra Perkasa and Aksan Sjuman, and music composition under guidance of Otto Sidharta.

He involved in several movie as an Assistant Composer, such as Sokola Rimba (Mira Lesmana and Riri Riza, 2013), 12 Menit Untuk Selama nya (Hanny Saputra 2014) Tabularasa (Adriyanto Dewo, 2014 ) and Love and Faith (Benny Setiawan, 2015).

As the Composer, he already made score for Princess Bajak Laut dan Alien ( 2014) and Nada Untuk Asa (Charles Gozali, 2015). Areza made film score for several short movie as well, such as Kathang Isip (Short movie from Phillipine by Jops Madarang, 2013) and La Memoire des Sentiments (short movie from France by Rachmania Arunita, 2015 )

Right now, he is one of the Film Scoring lecturer at Sjuman School of Music. He also teach Drum, Piano and Ensemble at Music Republicain.

The 68th Annual Monterey Jazz Festival will take place at the Monterey County Fairgrounds September 26-28, 2025.

www.calvinjeremy.com
+6287781856997 (Sani)

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

Your lovely Story Telling Pop band | heir debut album My Diary contains 13 songs which were written sequentially based on their story telling concept.

The concept was illustrated by Mocca through a girl’s point of view who frequently wrote her daily experiences into a diary.

The album started with a song: ‘Once upon a time’ as an intro, and followed by her first encounter with her secret admirer (song: secret admirer), then after a long hesitation (twist me around, what if) she decided to get steady with the boy (me & my boyfriend). Thus, they caught up in a fight (telephone), got broke up (when the moonlight shine), and in the end they understood that they weren’t meant for each other (Rain will fall, Life keeps on turning).

Every event were signified by different beat according to the girl’s mood. There are waltz, bossanova, rock n roll even 70’s disco beat.
All songs are written in English, therefore most part of the world could understand the lyrics and it’ll alleviate mocca’s way to go international.
In their live performance mocca is also supported by 2 (two) additional players (keyboards and trumpet).

Petra Sihombing is a singer-songwriter, multi-instrumentalist, and producer, based in Jakarta, Indonesia.

#STREETFELLAS || Contact: petrasihombingofficial@gmail.com


Payung Teduh was created by two close friends that used most of their time in playing music at the canteen of FIB as well as providing background music for the Pagupon Theater of Indonesia University. These two close friends, Is and Comi, played their music anywhere from the canteen of FIB UI, hangout places inside the campus complex, to the lake side near UI’s Center Administration Building. Their togetherness in playing music has been supported by friends around them which then lead to the creation of a duo that eventually became the next big thing at UI.      

 

Payung Teduh was then born in late 2007 with their first formation, Is on vocal & guitar, and Comi on Double Bass. After playing duo for some time, it was necessary for them to improve their exploration in their music as well as improving their stage performance. In doing this, they recruited Cito as a drummer and Ivan as a guitalele player in 2010. Angin Pujaan Hujan was the first song that eventually known as the signature composition of Payung Teduh’s style of music. As time went by, they wrote new songs such as Kucari Kamu, Amy, Untuk Perempuan Yang Sedang Dalam Pelukan.  They also played songs written by a colleague/mentor Catur Ari Wibowo who is also a director of Pagupon Theater that wrote songs such as Resah, Cerita Tentang Gunung dan Laut. Amalia Putri, a good friend of them, also wrote songs like Malam and Tidurlah that were then added into their album. Payung Teduh then recorded these songs and released their first indie album in late 2010.  

 

In this first album, it can be said that the musical characteristic of Payung Teduh is like the music in the 60’s with a blend of keroncong and jazz music. Whenever they were asked what kind of musical genre that Payung Teduh played, it was up to the listeners to define what kind of genre that they played, in a sense that they won’t stop playing music in just one genre, but in many other genres while still maintaining the strong characteristic that they already have.

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