Los Angeles born songbird and songwriter, India Shawn, has been lending her musical talents to the industry for over 10 years. Before releasing her debut EP, Origin, in 2012, she already had writing credits and song placements under her belt as a member of her writing team, Full Circle. She’s worked with top names including Chris Brown, Diddy-Dirty Money, El Debarge, Keri Hilson, and Monica. In 2013, Solange Knowles featured India’s popular track, I’m Alive, on her Saint Heron compilation album, further endorsing her impact on the new wave of music.

With a smooth voice that connects to listeners immediately, lyrics that resonate with your heart, and fearless experimentation with R&B elements, India’s music has spiritual and emotional components to it. She continues to breathe fresh air into the industry with her and James Fauntleroy’s Outer Limits EP collaboration and her REWERC cover project produced by Atlanta's own WERC CREW collective. 

The essence of her music provides a spiritual/emotional connection with her listeners that is distinct and authentic while combining current and innovative elements. India Shawn’s songs take you back in time when music made you feel good inside. A musical experience that makes you think, touches your heart and motivates, some say, are the elements that are missing in today’s dynamic.  India Shawn is completely enchanting! Her music will captivate your mind and heart like the brightness of her beautiful, mysterious smile..

Junetober is an artist and producer duo consisting of the fire and ice pair (composer) Mike Kalombo and (singer-songwriter) Cashma. 
Congo born and South Africa raised Mike Kalombo, a self-taught pianist and composer got his early start from church roots and becoming one of the first pioneers of beat-making online where he accumulated an audience and perfected his craft with the arsenal of genres he attributes in his music today. The frequency attuned producer although working with some of the worlds favorites finds his joy in creating the new; Starting Kalombo Records and cultivating his own artists Mike Kalombo discovered Cashma, Georgia born and raised native with sultry, smooth vocals in 2017. Both cultivating their sound ever since through her entire catalog including fan favorite albums ‘Purple Lights’ and ‘Sophisticated Mess’. The duo who bonded over their shared introversion and love of music have merged together once more creating a melting pot of sounds, shimmering vocals, intimate, vulnerable anthems and nostalgic remnants to form Junetober.

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

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