Baile do Wesley com força parece que coloquei uma panela na cabeça

Originally written by 16 year old twin sisters Carys & Keeley, who together produce the most amazing harmony's. Working closely with Mike they have produced this stunning track. The song is about taking a stand, not being bullied and moving on.

Drifting

The lyrics by iDarok delve into the intricacies of a relationship characterised by games and unpredictability. The repeated phrases "I hear, I see, I feel, I dream" evoke a sense of heightened awareness and emotional involvement, suggesting that the singer is deeply attuned to their experiences within this dynamic. The verses paint a picture of being drawn into playing games with another person, where decisions seem to be based on chance or whim, as symbolised by flipping a coin. Despite the uncertainty, the narrator finds themselves willingly participating, indicating a level of emotional investment or attachment.
The chorus serves as a mutual acknowledgment of the relationship's nature, with both parties expressing their preferences and feelings about it. There's a sense of acceptance or resignation, as they acknowledge the sweetness of stolen moments and the inability to resist each other despite knowing the risks involved. This suggests a certain level of comfort or familiarity with the patterns established between them, even if they're not entirely healthy or sustainable.
The bridge, which repeats the opening lines, serves to underscore the internal experience of the narrator amidst the external interactions. It highlights the consistency of their inner world, despite the fluctuations and uncertainties of the relationship itself. This repetition reinforces the idea that, while external circumstances may change, the singers feelings and perceptions remain constant.
Overall, the lyrics explore themes of attraction, ambiguity, and emotional entanglement within a relationship. They capture the complexity of human connections, where individuals may find themselves drawn to each other despite knowing the potential pitfalls. Through evocative imagery and repetitive motifs, iDarok crafts a narrative that resonates with anyone who has experienced the push and pull of love and desire.

Love It Like That

Dirty analog synths are coming back!
Magic Elektron devices in the mix:
- Analog Four, for all the synthetisers
- Analog Rytm, for all the drums
- Octotrack, for all the samples and all mute controls
As usual:
- RK-006, master of midi flow
- TX-6, master of audio signals
- TP-7, master of multitrack recording
- Logic Pro, head of mastering
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Photo artwork from Iceland by me: https://instagram.com/rezakalfane_photo

Octo Control

Bicentennial Spectral Soiree

ANGEL

This tune was sang by Ronan Keating in 1999 for the movie "Notting Hill" and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #536 by Ronan Keating from the movie "Notting Hill"

Ma Moore

Le chant des 6 reines Mythmaker and Elvya

On Time Dilation, Jad Sabbah toys with the fabric of perception, offering four sleek cuts that stretch house and progressive grooves into alternate timelines. Synths shimmer like déjà vu, rhythms loop with uncanny precision—everything feels familiar, yet just out of reach. Time bends and stalls like a bullet frozen mid-air, pulling dancers into a state where cause and effect blur. Think slow-motion strobe lights, sweat in suspended animation, and the moment before the bass drops—forever extended. A record for those who sense the code beneath the surface.

https://soundcloud.com/jad-sabbah-287723113
https://soundcloud.com/39-records



PREMIERE⚡️Jad Sabbah - Go With The Flow [39 Records]

Like That

Craving something bigger? This is for the main stage. Our future rave tracks are built to take you to another dimension. Let the lights and lasers begin.

Bicentennial Spectral Soiree

Disco Dreams

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