Kill for Eden are London-based purveyors of classic hard rock, radio ready riffs and powerful female vocals. 

Their music has been championed by XFM (presently Radio X) and Kerrang!, and seen the band likened to Skunk Anansie, Halestorm, The Cult and Garbage.

The quartet have already released two EPs and a self-titled album that boasted “blistering riffs, hook-laden choruses, great vocals and a strong selection of tunes” (Fireworks Magazine).

Their second studio album, Petty Crimes, was released in April 2017. Lead single, Love You So was released on November 25th 2016 and second single Woke Up Alone was out March 2017.

Mad Kate | the Tide are a post punk conceptual performance project with The Tide on guitar, loops, electronics and Mad Kate on vocals, poetry, contact mics and performance.

Now joined by Sara Neidorf on drums, Mad Kate | the Tide has just finished an EP This Morning Waking about genderbased violence and is about to release their new full lenght album called "Stage and Bedroom"  about the relationship between labour, art and the body. Their Discography also includes ALIVE:ness (LP/eBook 2014), Combinatorics (EP/eBook 2013), will be ready – the Teufelsberg session – (LP Freudian Slit Records 2013) and Leather Jacket (Single/remix 2012)

Composed in dialogue with conceptual explorations and texts, Mad Kate | the Tide’s dynamic sonicscapes mix punk, acoustic folk, psychedelic rock and spoken word. They form the backbone for honest, sometimes darkly provocative performance art and movement which provokes and stirs its audiences.

Mad Kate ∣ the Tide has been featured on ARTE Tracks, played alongside Peaches at Le Tetris, and had the honor of sharing the night with Penny Arcade at the International Performance Art Festival in Copenhagen.
They released their first conceptual album ALIVE:ness in 2013, along with a book of essays and experimental prose by the same name.

If you’re going to call your band audiobooks, you’d better get your stories straight. Evangeline Ling and David Wrench have great stories. Their songs are full of them - discombobulating observations over discomfiting oscillations. There are woozy fly-on-the-wall accounts of boozy art gallery openings and out of body journeys through the capital at night, all stretched out over stuttering, glitchy glam electronics. Managing to be spontaneous and playful yet fully focused, as if driven by some pagan design, audiobooks ride the sharp neon ley-lines that run between the north Wales coast and the grubby heart of after hours London. These songs are Pulp fictions by an inhuman league. They’re our new favourite band. Start following the story now.

All Enquiries: ben.price@viktoriamodesta.com

Viktoria Modesta is an independent bionic multimedia artist, creative director, DJ and a supporter of future innovations. Her work continues the theme of exploring modern identity through performance, fashion, avant garde visuals, technology and science. 

Her mission remains to explore the future depths of a human experience. 

Royal Blood are a two piece band formed in Brighton, UK.

TYPHOONS. Out 30th April 🌀
https://royalblood.me/typhoons

S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies.

photos by Onsoh Studios and Claudia Brijbag

please support S.W.E.A.T. on my patreon page 
https://www.patreon.com/madkate

S.W.E.A.T. hostex  Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies.

With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance.

Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure.

As a songwriter, I want to tell the story of the artist, and get under the skin of a project. I never run out of ideas, and am always looking for new inspiration, but I believe the best inspiration is always from the artist and what their unique perspective is.

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