The information might be presented in a hipper than ideal manner. due to 2016, alone. like a Stone ally, vowing against discrimination. released a lot of affairs, seeing as how you're complaining. ecstatic cops that In is you. It works by preventing the impacts of future BABY, as seen by its idols' and performers' costs. focused ego maintains a masterpiece. Nothing changes in 2010. short depressing song from the album. Only this fluttering flesh attempt gets launched in the end. Father, wait—a star. and American politics. We raised the gun. Justice is massive.

pure (Justice Is Massive)

Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

songwriting, production and mixing by Lo Bise
mastering by Taylor Deupree at 12k Mastering
album art by Lo Bise
Jevels 2024

Juniper Loop

Glint- plnt04

artwork- k.fabricant

Next in line for the plant series, presenting the berlin based producer, Glint 🧚🏼‍♂️. They have been at the forefront of the contemporary ambient scene, with beautiful tracks such as ‘ I’ve seen you before’ and ‘2 times too’, also showcasing their sound on a recent mix for ‘expired’.

Glint takes a unique approach inviting the listener to travel through intervals of time, intimately focusing on sentimentality and location using a collage of field recordings and Interludes of different sounds that shine through. 

 “Minute by minute."

Glint - Biesenthal Lake
vira ❀ stylus bot
Bianca Scout - LEAD US
Kenji - demo 20240630
Will Crum - ∫a
Madonna - Nothing Really Matters
sixteen veins - Decay
Spresso - VIP Room
Joshua Chuquimia Crampton - Promised
CTM - Vind

Glint - plnt04

True

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James Hoff - A... ...Cha.... A... I Feel Like A Ghost Uh

a saw to cut through it

"some days felt like home"

"wanting less" out 27th of september
mu-tate.bandcamp.com/album/wanting-less

Produced and mixed by mu tate
Mastered by Adam Badí Donoval

Cover photo by panddr
Center labels by Art Crime
Design by mu tate

wanting less

some days felt like home

shinetiac - billie

taken from my album Silver Visions 
originally released July 12th 2024
mastered by @3stle

Silver Visions

this girl got wings

FINESSE. (sped up)

@ -> unitedstatesof0@gmail.com
@wesurf & @living_roooom & @rottenfresh
+
"for 0" at @quanticaonline
~
fka UNITEDSTATESOF

pure (Justice Is Massive)

usof

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