Superbe pièce excellente à écouter. Que de plaisir. Du joli travail. Un grand bravo.

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

Mendelssohn Op. 53. N0 1 (performer Ad van Nederpelt)

"Vesoul" is a 1968 French song by Belgian singer-songwriter Jacques Brel - whom we love :)

Guitar by Gideon
Special thanks to my daughter Teghan for her excellent French :).

We hope you'll enjoy our rendition!


English translation

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left your sister
As always

But I tell you, I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

You no longer loved Paris, we left Paris
You no longer loved Dutronc, we left Dutronc
Now, I confuse your sister and Mont Valérien
From what I know of Hortense, I won't go to Cantal anymore
And too bad for Byzantium, since I saw Pigalle
And Saint-Lazare station, it's expensive, and it hurts
Randomly

But I tell you again (heat up, Marcel, heat up)
I won't go any further
But I warn you (quail, quail, quail)
The journey is over
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, and we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon 
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left her sister
As always 

But I tell you again
I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

Vesoul (Jaques Brel - Giddy and Rob Jam)

German composer Stefan Kraft reimagines Bruno Sanfilippo’s ‘Danza de Reflejos’ with a graceful string arrangement that deepens its emotional resonance. This reworked version blends poetic minimalism with cinematic warmth, offering a fresh yet faithful take. Released by the reflective neoclassical label ad21.

Danza de Reflejos Reworked

Listen

Introspective

Forgotten

Granada

A neoclassical piano piece, gentle and introspective. Delicate music, balancing calm and emotion, inviting attentive listening.

Murmure

In 2022, T.S. Eliot’s poem "The Waste Land" celebrated its 100th anniversary. Its central themes—solitude, estrangement and a wounded world with an alarmingly uncertain future—are even more pressing today than they were 100 years ago. Boris Rogowski’s soundscapes embody the mood perfectly: The fear and darkness as much as the faint, yet stubborn hope for the light of a new day. 

Irina Borissova
2nd Violin

Anna Krimm
Viola

David Menke
Solo Piano, Musical Direction

Roland Münchow
Flute, Tenor Saxophone

Michael Preuss
Cello

Boris Rogowski
Piano, Harmonium, Electric Guitars, Mandolin, Programming, Vocals

Alexander Sachs
1st Violin

Claus Schulte
Drums 

Buy on Bandcamp

The Salon - The Sylvan Scene

Musique encore une fois produite il y a longtemps mais je me décide enfin à la partager
J'espère que vous apprécierez

Instant death

Instant Death

🎹 PIANISSIMO 2 — L’intime en partage 🎶

Chers amis,
Je suis très heureux de vous présenter PIANISSIMO 2, un nouvel album instrumental disponible dès maintenant sur YouTube.

🎼 Du piano seul, parfois. Quelques orchestrations légères, ailleurs.
Toujours cette volonté de dire l’essentiel sans en faire trop. Des émotions brutes, sincères, posées sur les touches, comme on dépose un secret.

C’est une musique de l’instant, du silence, de l’apaisement. À écouter en fin de journée, quand le monde ralentit.
Un album personnel, fait maison, que je vous offre avec le cœur.

Merci d’avance pour vos écoutes, vos partages, vos retours…
Et surtout, merci d’être là.

Avec tendresse,
Gino Baci

❤️ Vos impressions me toucheront beaucoup.



🎹 PIANISSIMO 2 — Intimacy, Shared 🎶

Dear friends,
I’m very happy to present PIANISSIMO 2, a new instrumental album now available on YouTube.

🎼 Solo piano, at times. Light orchestrations, here and there.
Always the same desire: to express the essential, without excess.
Raw, sincere emotions placed on the keys like secrets laid bare.

This is music for the moment — for silence, for stillness, for peace.
To be listened to at the end of the day, when the world slows down.
A personal, homemade album that I offer to you with all my heart.

Thank you in advance for listening, sharing, and sending your thoughts.
And above all, thank you for being here.

With tenderness,
Gino Baci

❤️ Your impressions will mean a lot to me.

Prima del sogno

Scottish songwriter/composer. Thank you for listening.

Forgotten

Paul Anderson

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