Really enjoying these particle experiments

Intro scared the shit out of me. Lots of good artist here. Thanks for sharing. Kiitos

OMG I like your musik very much! It creates thousands of cool images!

but I'm afrad like your music because I dont want to hear it when I sleep

minimal spaces

Hereditary vs. The Wicker Man

Part 2 of 1980s SOUNDCLASH mixtape sessions
that focuses on some of the more interesting styles 
that came out during this time period
press play and PLEASE TURN UP THE VOLUME!

TPS 021 - 1980's SOUNDCLASH : Tropical (Mixtape) Part 2

This track is part of an EP called Moss Garden, to be released later this year.

In the afternoon the birds are back. Lately ravens and crows gather around, waiting for the winter to end. In our garden their rasping songs drown the dwellers tune, sending out a melancholic message of past times. Mysterious.

Birds

https://www.astrangelyisolatedplace.com/blog/2025/6/10/isolatedmix-132-matt-xavier-psilocybin-therapy-protocol-v122a

https://soundcloud.com/mattxavier has been a friend of mine for many years now. A fellow music obsessive and trusted voice when it comes to all things ambient, techno, and beyond, we finally managed to meet in person while I lived in Los Angeles, and we stayed connected over music ever since. 

We’ve swapped stories about pressing vinyl and running labels, and he was the reason I first crossed paths with Joel Mull (Damm) at one of his gatherings held at a beautiful Topanga home. It was a serendipitous moment that still echoes today. 

A proponent for the deeper layers found in music, Matt has since become a practician, ambassador, and pioneer for psychedelic soundtracking. Along the way, he shared tracks from ASIP and other labels that were influencing and guiding his private sessions, shaping the grand masterpiece we present to you today. As his practice deepened, we exchanged many texts discussing his ambition to publish a book about his unique experience and include an accompanying mix on ASIP. 

Matt’s new book, ‘The Psychedelic DJ: A Practical Guide to Therapeutic Music Curation and Psilocybin-Assisted Therapy’, (https://a.co/d/5bFxc2h) is a groundbreaking manual for anyone looking to bridge sound and healing. Whether you're a clinician, a DJ, or just someone who knows the power of a well-placed track, Matt’s work will likely reframe how you think about music’s role in inner journeys. 

His isolatedmix is a fully formed and accompanying ‘Protocol’, which is an example of one of his many guided sessions, referred to as “therapeutic DJing.” Psilocybin Therapy Protocol v1.22a, distills his craft and evolution in this practice for us all to dip into at a surface level, providing a peek into what are very personal worlds prepared for his clients. 

Alongside the mix, Matt joins us for a deep-dive interview, discussing his new book, his transition from rave culture to guided sessions, his real-time curatorial method and how music, when chosen with care, can become a tool for transformation.

Manual/Timeline 

Ceremony (–15 to 0 min): Music optional
Medicine Imbibed (0–10 min): Start music & meditation
Stage 1 – Onset / Hike (10–55 min)→ Break (55–60 min): Bathroom & booster [water sounds]
Stage 2 – Ascent / Climb (60–150 min)
Stage 3 – The Summit / Peak (150–180 min)
Stage 4 – Return / Descent (180–240 min)→ [Music Ends]
Stage 5 – Arrival / Landing (240–390 min): Music optional
tage 6 – Closing / Baseline (390–420 min): Music optional

Learn more

isolatedmix 132 - Matt Xavier: Psilocybin Therapy Protocol 1.22 (The Light)

Between Seasons, the debut album of duo Osmanthus (Laura Reid and Krzysztof Sujata), is a collection of years old recordings waiting for the right time to come to light. Started in spring 2019, the duo began as a one-off pairing for a small gallery show, and quickly moved onto recording and playing regular gigs, only to be shelved temporarily in the fall of 2020.

Recorded in 3 sessions between the summer’s of 2019 and 2020, the album consists of 6 one take improvisations which were then edited, layered, altered, or left alone, in some combination. With the project files lost due to hard drive failure, the music sat immutable on a cloud backup, in stark contrast to the dynamic process in which they were created.

With the start of 2024 and both members finding themselves back in the same city, these old recordings are finally seeing the light of day.
credits
released January 30, 2024

Laura Reid: Violin
Krzysztof Sujata: Synthesizer, keys and tape loops

All music by Laura Reid and Krzysztof Sujata
Mixed and mastered by Krzysztof Sujata
Album artwork by May Cloud (unsplash.com/@maycloudbackup)
Additional cassette artwork by A Kun (unsplash.com/@akuntime)
Design by Krzysztof Sujata

Osmanthus - In Late Fall

Commissioned by Mahr FM. Full show at https://www.mixcloud.com/futuremusicfm/mahr-28062016-utu-lautturi.

Notes on Tactile Frequenices

This mix is specifically designed to be listened through headphones. There are features of low sound volume and high dynamics in it, so I recommend enjoying the sounds in quiet surroundings.

I am overwhelmed by the creativity and talent of modern day ambient and experimental artists. The wealth of top-notch releases surfacing year after year from these particular fields is awe-inspiring. There are hours upon hours of superb modern music/sound design that could and should be featured in mixes like this, so it is very difficult to decide on a limit. I wanted to mainly include artists that I believe are lesser known, adding works from more established names only as a taste here and there. I also wanted to include some beat-driven tracks that showcase exquisite uses of sound design in a more easily approachable context.

Instead of making the mix a simple track after track gallery of sound art, I've taken the liberty of pressing my own sound design fingerprint here and there. There is slight surgery or manipulation of some kind performed on most of the tracks in the mix, in places where I felt it was beneficial for the overall quality or just to make transitions a bit more interesting. There are sections where I've completely merged two or more tracks with each other to produce a fresh emergent view, that I hope both fans and artists themselves will find exhilarating. Field recordings in this mix are all from Finland.

Tracklist with approximate timing:

0.00.00 - 0.00.34 --- Opening from The Doors: An American Prayer
0.00.26 - 0.09.10 --- Sleeping On Lotus Ashes: The Fat Lady Who Became Absorbed
0.08.50 - 0.13.45 --- Yahyakayak & Pinewoods: Savenvalamo
0.12.05 - 0.23.05 --- Porya Hatami + Lcoma: Synesthesia
0.21.00 - 0.27.55 --- North Hive: Inner Lakes 
0.26.30 - 0.31.55 --- Cristopher Hipgrave: As Warmly As Possible 
0.26.43 - 0.31.22 --- Konntinent: Tensile Strength
0.31.22 - 0.35.50 --- Jacaszek: Żal
0.35.05 - 0.37.25 --- Andy Partridge & Harold Budd: Well For The Sweat Of The Moon 
0.36.17 - 0.40.35 --- Ben Frost: Peter Venkman pt.1
0.39.20 - 0.41.02 --- Piano, Small Awakening, Add (artist unknown) 
0.40.15 - 0.43.45 --- Funeral Fireworks: Waste The Light
0.43.13 - 0.46.35 --- Piano, Small Awakening, Add (artist unknown)
0.45.43 - 0.54.05 --- Utu Lautturi: Meren Nylkemä - Skinned By Sea 
0.46.10 - 1.00.00 --- Jan Eerala: Field recording of a row in the night from Rengaskari reef  
0.54.35 - 1.00.25 --- Yeter: Dart - 1
0.59.18 - 0.59.51 --- Sample from Alone In The Wilderness 2 by Dick Proenneke & Bob Swerer
0.59.40 - 1.06.35 --- Erothyme: Medicine Chant (Remix of Anilah)
1.02.15 - 1.03.40 --- Pekka Matilainen: Field recording of Myhinpää
1.06.20 - 1.12.40 --- Utu Lautturi: Recording of Kaisaniemi subway hall
1.06.30 - 1.09.45 --- Lauri Wuolio: Everything Is An Exception
1.10.06 - 1.13.40 --- Erico Wakamatsu: Japanese Nuuberubaaagu
1.11.45 - 1.13.45 --- Mica Levi: Andrew Void (Under The Skin OST) 
1.13.23 - 1.17.00 --- Fendo Karben: Totally Nothing 
1.16.30 - 1.17.40 --- Lil' Spaceman feat. The Obligations: Way Too Fast (For Me) 
1.17.10 - 1.19.46 --- Valiska: Structure I 
1.19.40 - 1.20.22 --- Sample from Interstellar by Hans Zimmer & Michael Cain 
1.20.22 - 1.22.20 --- Pekka Matilainen: Field recording of Myhinpää
1.21.34 - 1.26.26 --- Cyril Secq & Orla Wren: Sixième Branche
1.26.05 - 1.29.20 --- Pekka Matilainen: Field recording of ice at Kallavesi lake
1.26.30 - 1.29.20 --- Utu Lautturi: Recording of sauna warming
1.27.17 - 1.29.27 --- Current 93: Idumæa (vocals Antony)

I hope you enjoy the show, and hope you find as much inspiration in these pieces of aural bliss as I do. Get to know more of the artists' work as well, and give them your support. There are abundant tactile frequencies awaiting. Thank you for listening.

Strength and clarity to all,

Utu

Tactile Frequencies Mix [Headphone travels for Mahr FM - Free DL]

Le bois du dériveur Piitta gémit et craque dans le petit port de Makholma, m'appelant pour un duo... Synthétiseurs et percussions s'en mêlent, une créature marine sort sa lyre et dialogue avec ma guitare.
Blackbird is coming.

Field recording et Photo : Jan Eerala

Wooden Skiff Piitta (Francis Gorgé - Jan Eerala)

Valerie

Anna O Pt2

swma

Gaetir the Mountainkeeper - Fór ek Einn Saman. Norse ritual ambient / epic doom channeling the ancient wisdom from Hávamál. Thunderous icecold power releases upon the World of mortals, from the depths of the sacred Mountain of Gods. All lyrics are on old Icelandic, as originally written in the norse manuscripts.
https://gaetirthemountainkeeper.bandcamp.com
https://www.facebook.com/gaetirthemountainkeeper

Fór ek Einn Saman

JS & Sand - For Kouhei

PAYNOMINDTOUS XMAS SPECIAL MIX by @aniklang
Read more / Tracklist: https://paynomindtous.it/xmas-special-aniklang/
Artwork by Casey Bernardo https://instagram.com/bernardo_grafik/
New Ani Klang merch: https://etsy.com/shop/AniKlangMerch
***
Ani Klang is a producer and DJ raised in California, US, honed in New York (where she graduated from the Clive Davis Institute of Recorded Music), and until recently based in Berlin, who blasted the contemporary underground club scene with her tense and bursting compositions of experimental, hybrid electronic music. Packing her tracks with explosions of structured rhythmic outbursts as well as sudden, chaotic ruptures, Ani Klang already appeared with remarkable works on prominent labels such as Infinite Machine, Knightwerk, Tremors TV, SOFT, and on Hyperboloid records with the stunner Burn the Empire EP, previously presented at CTM Festival's 20th anniversary at Berghain in 2019.

Keen to showcasing elaborate sound design paired with massive kickdrums and stomping progressions, Ani fiercely manufactures tracks that are meant to ignite the crowd on the dancefloor but also convey messages. For example, her latest Burn the Empire EP is reportedly an empathic and "powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to "empower others"'. The reference here is against the average reaction by the male-dominated press which tends to label womxn-made art indiscriminately as an "outspoken feminist act", hence implying that all non-white-cis-male works should pertain to political ideas of emancipation if they are to be considered 'worthy' and meaningful, and therefore imposing once again their discriminatory/colonial view onto others.

Today, we're very glad to be hosting a mix by Ani Klang on our channels, available from the SoundCloud player at the top, intended to keep on with our tradition of XMAS special episodes to help you cope with the festivities - especially on this very difficult year. Taking around 40 minutes, Ani's selection is another testament to her amazing crossover of genres, from industrial techno to footwork, electro, bounce, down to a few xmas-themed gems that tap into Ani's open-mindedness and sense of irony she's been carrying since her first productions, well accompanied by the urge of set the dancefloor on fire with the hardest club anthems. Also, be sure to check out Ani's brand new merch designed by cover artist Symbois.wiki.

PAYNOMINDTOUS XMAS SPECIAL MIX BY ANI KLANG 🎄🎄🎄

For a while I dint listen.
Now I listen all the time.

Evocative audio and visual alchemy. Headphones and an introspective setting recommended.

utulautturi@gmail.com

Official releases:

Korpinkorva 
[Etched Traumas, 2013]
http://www.etchedtraumas.net/discography/korpinkorva/

ANICCA - Suora lähetys
[Freudian Slip Records, 2013]
https://freudian-slip-records.bandcamp.com/

Live @ Houseforest 
[Petroglyph Music, 2014]
https://archive.org/details/petroglyph199Utu_lautturi-LiveAtHouseforest

Datacast 10
[.data Collective, 2014]
https://soundcloud.com/dotdata/datacast010-utu-lautturi

Arcane Pyres
[Cursed Tapes, 2014]
http://www.damned-by-light.com/tapes/curses/007.html

Morons Of Morontia - Digital Wisdom
[Freudian Slip Records, 2014]
https://moronsofmorontia.bandcamp.com/album/digital-wisdom

Nielu
[Pale Noir, 2015]
https://palenoir.bandcamp.com/album/nielu

Portals - The Varpuja Of Finland
[A Strangely Isolated Place, 2015]
http://www.astrangelyisolatedplace.com/blog/2015/6/15/portals-finland

OUTOFOKUS
[Freudian Slip Records, 2015]
https://moronsofmorontia.bandcamp.com/album/outofokus

Noise Laundry - a collaborative album
[Dhatura Records, 2016]
https://dhaturarecords.bandcamp.com/album/noise-laundry

Rites Lost (with Dronny Darko)
[Sparkwood Records, 2016]
https://sparkwoodrecords.bandcamp.com/album/rites-lost

23° 26' compilation
[Pale Noir, 2016]
https://palenoir.bandcamp.com/album/23-26

Midsummer II compilation
[Heathen Harvest Records]
https://heathenharvestrecords.bandcamp.com/album/midsummer-ii

Tactile Frequencies Mix
[MAHR FM, 2016]
https://soundcloud.com/utu-lautturi/tactile-frequencies-mix-for-mahr-fm-see-info

Camp Blue Pines compilation
[Sparkwood Records, 2016]
https://sparkwoodrecords.bandcamp.com/album/camp-blue-pines

Wounds Of Awakening (with Mahr)
[Hypogeum Records, 2017]
https://hypogeumrecords.bandcamp.com/album/wounds-of-awakening

Memoirs Of Faunus
[Sparkwood Records, 2019]
https://sparkwoodrecords.bandcamp.com/album/memoirs-of-faunus

Tactile Frequencies Mix [Headphone travels for Mahr FM - Free DL]

Utu Lautturi

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