Joep Beving has been one with the piano from an early age. He was forced to end his musical studies at the conservatory and instead continued at university to get a degree in public policy and public administration. However, his love for his instrument never perished. Where once his goal was to hit as many notes per minute as physically possible, his style of playing has changed over the years, searching for a particular aesthetic essence. His path was illuminated by a piano that Beving inherited from his grandmother when she passed away in 2009. This German instrument insisted on a more gentle touch and a gracious pace, which eventually led Beving to adapt to a more classical vocabulary to tell his story.⁣⁣
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This story started to manifest itself relatively late in life, when in 2014 at age 38, he was forced to stay home from work and decided to answer the draw of his piano. In search of tranquility of mind and some form of essence, music started to present itself that he had never played before in his life. Minimal pieces that he later once described as ‘simple music for complex emotions’.  Turned down by the only label he approached, Joep decided to self release his debut album Solipsism in 2015.⁣⁣
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The sound of his piano found its way to the ears of Deutsche Grammophon’s A&R manager Christian Badzura when visiting his favorite Bar in Berlin. This led to the signing of Beving to the world's foremost classical label and consequently the release of equally successful sophomore album ‘Prehension’ in 2017, making Joep one of the most listened to living pianists in the world at that time.⁣⁣
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He has attributed much of his music’s broad appeal to the stream of consciousness in which some of the pieces were conceived. Claiming that the music is already out there and that one has to ‘just’ create the circumstances for it to land. In 2018 he took this idea one step further with the release of ‘Conatus’ of which he said:  “If you see music as a living organism then it is not unthinkable that it has its own innate inclination to continue to exist and enhance itself.” On Conatus, Beving sees compositions from his first two albums travel through the minds of artists he admires (a.o. Suzanne Ciani, Collin Benders, Andrea Belfi), resulting in new pieces of music adding new layers and dimensions which would serve as the upbeat to his next major solo project as would become apparent in April 2019.⁣⁣
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As part of the art piece ‘Franchise Freedom’ by acclaimed artist duo Studio Drift, Joep travels to Burning Man at the end of 2018 to perform in the desert of Black Rock City in front of his largest audience to date. Inspired by the display of human creativity and inclusivity he returns home to finish his third solo album.⁣⁣
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April 2019 sees the release of HENOSIS, Joep Beving’s closing chapter in a trilogy of albums – marking the end of an intensely personal four-year spiritual and philosophical exploration.⁣⁣
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On HENOSIS the Dutch composer continues his minimalist and at times romantic style of writing, but this time explores new territories. It sets off where his sophomore album Prehension left us, the warm intimate sound of the Schimmel piano. With the help of producer Gijs van Klooster and through collaborations with Cappella Amsterdam, Echo Collective, and Maarten Vos, Joep Beving opens up new musical worlds using orchestral and electronic sounds alongside the familiar piano.⁣⁣

New album PersonA out on April 15th! Preorder now on iTunes here:  smarturl.it/PersonAiTunes. 

Listen to the first single "No Love Like Yours" now!
iTunes: smarturl.it/PersonAiTunes
CD/LP: smarturl.it/PersonAMerch
Tidal: smarturl.it/NoLoveTidal
YouTube: smarturl.it/NoLoveYT
SoundCloud: smarturl.it/NoLoveSC
GooglePlay: smarturl.it/NoLoveGP
Amazon: smarturl.it/NoLoveAmazon
Rhapsody: smarturl.it/NoLoveRhapsody

“Their music can move you, excite you and perhaps even - dare I say it - inspire you.” 
- The Huffington Post

“Diamond Thug’s come-hither voice dances through salty beach air” - Billboard

“Chantel Van T’s vocals are like smooth honey to your ear drums…a joy to listen to” – Indie Shuffle


In 2016 the South African band, Diamond Thug, recorded their debut EP with the help of Dave Minehan (The Replacements) and released it to waves of support, Indie Shuffle calling it ‘…a joy to listen to’. After significant support at Spotify in their home country, where they have now had several million plays, and with the wind in their sails, Diamond Thug introduce their music internationally with their single ‘Eclipsed’, an evocative track that takes influence from the likes of Warpaint, Tame Impala and more.

Since their formation, Diamond Thug have continually evolved, always striving to create a unique sound that’s stay true to their perspective. Their music glides through dream-pop, skittish, off-kilter electronica & psychedelic-rock, creating cosmic-influenced ethereal soundscapes, which swirl below Chantel’s haunting, yet beautiful melodies. The pursuit of an authentic & honest sound has earned the band various honours in international competitions such as Culture Collide’s pick to perform at SXSW 2017, as well as Converse’s Music Global Takeover and the attention of Grammy Award winner Darryl Torr, who had this to say about the band: "When listening to Diamond Thug, you are taken on a journey. It’s the effortless vocals, supported by a solid band, that tips you over the edge & pulls you through into their world. It’s rare to find a voice that can execute such interesting melodies so effortlessly as well as a band that leaves space for the vocals to shine, yet are able to maintain musical integrity."

Their new single ‘Cosmic Dreamer’ is out Aug 4th 2017

alt-J are Joe Newman, Gus Unger-Hamilton and Thom Green. They returned in 2022 with their latest album, The Dream.  

alt-J are one of the most successful British bands of the millennium. Their 2012 Mercury Prize and Ivor Novello Award-winning debut An Awesome Wave, was followed two years later by their number one, GRAMMY and BRIT Award-nominated album This Is All Yours. Released in 2017, RELAXER flew straight into the top 10 of the UK album chart ahead of a summer of major international shows - including a headline show at London’s O2 Arena and headline performances at numerous festivals - and became their second album to be nominated for the Mercury Prize.

| Management |
slumsociable@gmail.com

BOOKINGS:
AU/NZ - james@nicheproductions.com.au
UK/EU - paul@codaagency.com

The exploration of deep electronical sounds.

Second project: https://soundcloud.com/gobi-desert-collective

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