live convolution example: pitch modulated filterpings into one, a static synth chord into the other input

bbd example1, borrowed melody from martial canterel

non interpolated output: aliasing artefacts

TR191 - Taku Unami - 'Stardust 3'

hoh9

some sort of tonal metaldrum made by pinging the haible tau phaser and sending it through a) a dual bp filter b) a frequencyshifter and c) a convolution unit.

pm_metaldrum

Natural Architecture moves the Frond sound into more rich and rhythmic territory than Frond's previous work. This piece still employs field recordings, home made textures and the idiosyncratic slow reveal, but really lets the synth do the talking. This tracks celebrates the inspiration that remote natural environments have on the human experience.

Natural Architecture

a few sketches with the mungo c1 convolution/bbd module. 
- live convolution of modulated filter pings and a static synth chord
- bbd demo with a borrowe melody from martial canterel :)
- another bbd with sequenced delaytimes

c1 some

Track taken from Point Source Electronic Arts 3rd Showcase Compilation.

Cienne

glamis castle

pentecost

Pre-order: 10th February 2023
Release date: 16th February 2023
Format: Cassette, Digital

Hard to define the musical path of multi-instrumentalist and composer Demetrio Cecchitelli within the vast array of discographic efforts, both with his given name and aliasing Halfcastle.
Surely a way to conceive sound as a catharsis, a healing device, or simply the attempt to recreate immersive and ethereal spaces, a non-lieu where the listener can dive at its leisure, losing the
temporal dimension by approaching a new reality.
“Infinite Gesture”, recorded during a cold Winter night, is now one of the most argued album from the 25-year-old research Italian musician. Shifting through guitar’ sounds into almost 40 minutes
of record, the huge role of narration of the instrument added to outer sonic fields, composes a multi-layered zone, as long as a magic and hypnagogic listening experience.

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

previews. Demetrio Cecchitelli - Infinite Gesture | Lᴏɴᴛᴀɴᴏ Series

This is an excerpt from a 36 minute piece for the Longform Editions label, a collective for deep listening. Came out a few weeks ago. 
------------------------
Artist notes: 

This piece is the result of nearly a month spent in the Canadian city of Saskatoon, Saskatchewan during Autumn. I was in Saskatoon to develop a new work and much of my time was spent wandering around this city, which I discovered was also referred to as the 'city of bridges' recording various bridges, as well as streetscapes, the South Saskatchewan River, and people vibrating various structures in Saskatoon, raised pavements, the bridges themselves, and this very cool and narrow pedestrian and train bridge. I have been interested for quite a while now in the ways people contribute sonically to the making of particular spaces, and so this was my focus here. In this recording you will also hear various recordings from cafes I visited in Saskatoon, and the soundtracks I encountered there, I should hat tip The Underground Cafe where I went almost every day. There is also the bass throb from one guy's car who stopped to pump out some thrash metal-ish sounding music, but from the outside all I could hear was this muffled thump, which I found quite hilarious and excellent and also there is a sample from the Saskatoon-based band Waitress, who are a very excellent band I met while there and who allowed me to use a snippet of one of their tracks for this piece. Apart from some very minor edits this piece was performed as it is live in my studio in Brixton, London using field recordings from Saskatoon alongside vibrating wires, strings, squeaking magnetic tape, a zither, shakers, a gong and an owl horn. It is based loosely on the performance I gave in Saskatoon for the Sounds Like Festival in October, 2018.

City Of Bridges (excerpt) out now on Longform Editions

Composition made for the split release "Angry Ambient Artists Vol.2" published on Forwind label in 2017. It's a part of a diptych with the piece called Habitat. 

https://boomkat.com/products/angry-ambient-artists-vol-2

c1 some

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