Name: d0 loops by uzala in Different 1
Duration: 6 min 37 s
Description: klangbau twin peak into d0. stereo spring reverb at the end.

Is this the twin peaks filter? Sounds great!

Different 1

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/ 

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Christoph Berg - Coda (taken from 'Day Has Ended' split CD)

What Do You Even Know About Being Lonely+I'm Over It

PLASTIC SEAT

arbitrary14 (LP/CD)
06 / B3 - Vibrations

The third in the Black Box series of releases by Mads Emil Nielsen. The release, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3 is based on sound pieces produced for Sprækker (Cracks), a dance performance & installation in Denmark, 2021. 

https://arbitraryproject.com/Black-Box-3

Written & produced, recorded and mixed by Mads Emil Nielsen, Copenhagen, 2021 / 2022

Mastered and cut by Kassian Troyer at D&M, Berlin

Graphic design by Mads Emil Nielsen


12” vinyl (blue transparent) / CD (Digipak) + DL
Distributed by Morr Music Distribution

-

https://madsemilnielsen.bandcamp.com/album/black-box-3

@madsemilnielsen

LP / CD

Mads Emil Nielsen: Vibrations (arbitrary14)

SenSen -  Limb Sins

Destiny is a piece made from electronic audio materials created on an analog modular synthesizer following simple processes on signal treatment and the choice of a restrict palette as an aesthetic constraint, while keeping both an overall organic expressivity and a slightly des-articulated quality at the edge of compositional agency.

Variations and antecedents of this piece have been performed live in various electronic music festivals and events. The definitive version is a part of Sisbiosis, a collaborative album put together with the artist and musician Ryoko Akama, released in 2022 on Erstwhile records (US).

https://erstwhilerecords.bandcamp.com/album/sisbiosis

Destiny (Excerpt)

This precious recordings of authentic Chinese classical music on the great Lyrichord label, including the cheng zither, the hsia flute and sheng mouth pipe organ, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2024/02/china-taiwan-professor-liang-tsai-ping.html

Professor Liang Tsai-Ping and His Group – China's Instrumental Heritage – Lyrichord - LLST 792

China's Instrumental Heritage –  Lyrichord / Professor Liang Tsai-Ping and His Group

Download

Memum - Path Along The Stream (Hior Chronik Remix)

Buy Infinity Pools EP: http://smarturl.it/buyipools

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Infinity Pools EP

Volcanoes Flowing

Buy EP

Mute Forest - Volcanoes Flowing (from Infinity Pools EP)

Universe

This is my personal version of the Vangelis theme from the Heaven and Hell album (1975) which was used in the documentary COSMOS by Carl Sagan.

VANGELIS - Cosmos (RAUL ROJAS Cover 9-04-2015)

klangbau twin peak into d0. stereo spring reverb at the end. 

d0 loops

A series of recordings from the forthcoming publication, 'Azimuth, the Ecology of an Ear'.

Readings in order: Thomas Martin Nutt / Chloë Proctor / April Van Winden / Nisha Ramayya / Carrie Olivia Adams / Patrick Farmer / Tomoé Hill / Michael Pisaro / Julia Bloch / Fay Zmija Nicolson / Emily Leon. 

'Azimuth, the ecology of an ear', is a new book curated and edited by Patrick Farmer, in collaboration with twenty one other artists. Azimuth revolves around fifteen attempts to locate and rend the human/non-human ear into fragments, isolating and being with its forms and natures outside of their conventional relations. It asks, what is the ear; where is the ear; who is the ear; what are we to our ears; are we listeners or listening; does the ear hear? It considers the ear as interlocutor, as equivalence, as synergy, as eros (hear us).

'Azimuth' features work by Thomas Martin Nutt, Susana Gómez Larrañga , Lotti V Closs, Richard Skelton, Carrie Olivia Adams, Helen Frosi, April Van Winden, Florence Sunnen, Lance Austin Olsen, Tomoé Hill, Chloë Proctor, Nisha Ramayya, Hannah Dargavel-Leafe, J.R. Carpenter, Julia Bloch, Michael Pisaro, Clara de Asís, Fay Zmija Nicolson, Patrick Farmer, Tess Denman-Cleaver, Mirella Salame, Joseph Clayton Mills, Amelia Ishmael, and Emily Leon.

It will be released, 'alongside aspects of the morning', by Helen Frosi, on May 23rd at Cafe Oto, London. 

Image by Thomas Martin Nutt
Published by the Sonic Art Research Unit 
www.sonicartresearch.co.uk

Azimuth, the Ecology of an Ear (readings)

Arco5 - Voyager
#Ambient #IDM #Electronica
19 may 2020 by Anthony Camy
Download the track here: https://arco5.bandcamp.com/track/voyager

Arco5 links:
https://arco5.bandcamp.com/
https://www.facebook.com/arco5music
https://twitter.com/arco5music

Arco5-voyager

Voyager

Snow melting in a pine forest by the Dore river, Auvergne.

Snow Melting

Gris souris - Sophie Delafontaine - 2017

Ardoise noire de brune
Ardoise gris souris
Ardoise bleue de lune
Satin du matin
Velours de la nuit
Ardoise éblouie

extrait de « Ardoises » de Jacques Prévert

d0 loops

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