hi uzala, i didn't get it, even when i check the diagram, can you explain this patch a bit more. ;-)

sooooooo goooooood.  I hope I can get sounds out of my modular some day that sound even half as good as yours!

I keep coming back to this patch over and over, there's just something about the sound that I looooooovvvvveeeee!

The rhythms of sleep are unknown to the sleeper. Usually, only with interruption, or dreams, or through wakeful observation, are we made aware of them. And even then, only somewhat. On this cassette, Zenxen uses his research into the cycles of sleep and rest to explore and recreate the phenomenon of neural oscillations. 

The tracks sound as if they’re composed of water, vapor, and dust. Trails of percussive events and simple melodic gestures accompany low end sculpting that moves like water, vapor, and dust. Like a tour of the body’s rhythmic structures, these are the waves within, crashing on interior shores. The electrical activity of the brain’s neurons are measured in hertz—cycles per second. Using a range of sampling techniques, Zenxen recreates alpha, theta, and delta waves to construct sonic models of the brain in various states.

Collaging other compositional elements into the works, such as field recordings of whispering voices, and the rise and fall of cicadas, Zenxen forms a tapestry that resembles autonomic processes, like a breath, or a secreting gland. Lullabies in one sense—these tracks were composed for an overnight drone event in the artist’s hometown of Berlin—in another they are intensely awakening, serving as activations of specific frequency windows. 𝐼𝑛 𝑊𝑎𝑣𝑒𝑠 is a sonically cavernous descent, down into the brain’s most mysterious and rejuvenating depths.  

---

Zenxen [ˈzɛn ˈdʒɛn] is an interdisciplinary ambient project from Benedikt Ellebrecht, combining academic studies in sociology, literature, and philosophy, time spent playing in post-punk bands, and ongoing participation in the underground electronic music scene in Berlin, Germany. 

Starting with experimentation with sample-based techniques, Ellebrecht has developed Zenxen into a digital musique concrète. He processes and reassembles field recordings from his immediate physical surroundings as well as drawing from virtual spaces such as the internet and videogames. As Zenxen, he has self-released 2 EPs and regularly performs live. 

Ellebrecht also contributes sound design for theatre and performance pieces, including at Ruhrtriennale Essen 2016 and at Staatstheater Darmstadt 2019 in collaboration with Niels Wehr. And in 2017, he co-founded the multimedia label No Disk (https://www.instagram.com/nodisk_/) with Joel AS (Arad Acid).

In Waves

Zenxen - Mesh Of Nodes (ENMX16)

from KR096: GIULIO ALDINUCCI - Real 
out on october 14th 2022 as 180gr LP / tape / DL

Real

GIULIO ALDINUCCI - Asymptotic Embrace

Luna Reflec

tape loops
pianos
and broken voices,
breathing
then falling
like dust on strings.

VAK60 | The Humble Bee - An Opposite (Fall Snippet)

from KR101:  KAMMERFLIMMER KOLLEKTIEF - Schemen (LP / CD / DL) out on april 28th

Schemen

KAMMERFLIMMER KOLLEKTIEF - Sechstes Kapitel [herausgewunden]

Double CD available from Imprec.com 

On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. 

Included are full in-studio performances of Chry-ptus and the world premiere of parts one and three of Tryptych.

Eliane Radigue Triptych (World Premier) 11 Dec 1980 - Double CD Available Now

a sort of imitation of colin stetson saxophone playing, actually just another try to sequence a res-4 feedback patch going into mmf-6. sequenced from er-101 with cv going into the er-102 for volume, filter symmetry and resonance. pressure points and planar helped to get a lively feeling although it is quite a simple repetative sequence.

peroni

"Youth Organ" by Brett Naucke from "The Mansion" album due out early spring 2018 on Spectrum Spools.

"Youth Organ" by Brett Naucke

Serge & Mondriaan

core is a feedback loop of the fsh-1 frequency shifter, inside the loop is c0 and mmf-1. modulated by r*s dsg. rhythm and pads itb.

something like a patch diagram: https://imgur.com/6oNm0yH

one output of the fsh-1 goes into the c0 delay (the delay is crucial in this patch, most of the sound gets produced here), the output of the delay goes into a limiter and then back in one input of the fsh-1.
another ouput of the fsh-1 goes into the mmf-1 filter in dual bandpass mode, from there the signal goes again into a limiter and into the second input of the fsh-1.
this is now the basic closed feedback loop, i listen to the mix output of the fsh-1.
by playing around with all the settings i get different tones, again, the delay is crucial here, how much feedback is determined by the limiter and general volume controls or frequency controls of all three modules... now to get a rhythmic patterns going i plugged this "bouncing ball" envelope into the second input of the filter, that is enough to only get feedback at the high portions of the envelope eg i get a rhythmic feedback pattern. variations in tone by manual control of the bandpass settings and the delay time plus occasional tweaks at the limiter section for louder or more distorted feedback. the patch is delicate, i tried to replicate it and i wasnt able to come close to these tones, but other great ones:) enjoy modular synthesis!

fsh1

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

fsh1

uzala

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