Single from upcoming full length "Dialects"

"Dialects" release: 2.4.14

Mixed and Engineered by Jake Aron and Yale Yng Wong 
Mastered by Chris Gehringer

Lyrics:

ROME

We have a will to make necessity.
Shouldn't obey, obey, obey.
These are the days when words come easily
To have something to say, to say, to say.

My legs took me where my mind refused to go
I just thought that you should know

I'm seeing clearer than ever before
Describing in plain terms 
Whats ahead, whats ahead, whats ahead.
Whats ahead, whats ahead, whats ahead.

Denying any institution 
Shaking hands concealing thorns.
Ignore the easy retribution
Instead of reaching back with horns.

My legs took me where my mind refused to go
I just thought that you should know,
Instead of grabbing for the things I've left below,
I wished my time away so slow.

I'm seeing clearer than ever before
Describing in plain terms 
Whats ahead, whats ahead, whats ahead.
Whats ahead, whats ahead, whats ahead. (2x)

Rome

Standing with your back against the wall
Trying to catch a glimpse between the shades
Your persistence was in vain, cause you never saw daylight
Reaching out across the broken waves
Remembering its place in the nature of things

Still awake and alive, as you stare through a fractured lens with painted eyes
(Never have I come this clean, never have I felt the need before)
It’s a brilliant display when you burn out so bright
Drifting into the dark to reclaim what made you shine before
 
It’s a survival game, calculate the risk and find the pace
As resistance drifts away, in the cover of daylight
Stretching out beyond this broken frame
Every pattern finds its place in the sequence of things

Are you raising the blinds, are you bending the light to restore these hollow eyes
(Never have I come this clean, never have I felt the need before)
The horizon awakes as the dark brings the light
But there’s no better time to reclaim what made you shine before

Still awake and alive, as you stare through a fractured lens with painted eyes
(Never have I come this clean, never have I felt the need before)
It’s a brilliant display when you burn out so bright
Drifting into the dark to reclaim what made you shine before

 Are you bending the light to restore these hollow eyes

Cry Say Yes

Visions Of A Common Scene (feat. Scott Charles Murphy)

This is Italian composer, Nino Rota's last, and probably most unusual film score.
It's unique percussive sections [the wonderous, brittle, repetitive mechanical bird sequence] aptly demonstrate Rota's vast range. 
This is an elegant final work, not often heard, aptly befitting to the period, it marries Fellini's images with perfection.
Nino Rota's score is really hard to describe. Through the use of unusual instruments (vibraphone, harp and harpsichord, among others) he creates an exotic score, unlike his other, more famous works for Federico Fellini, but very interesting nevertheless. 

01 Nino Rota - O Venezia Venaga Venusia

written and performed by ultimate driving experience: chris gann-bass, scott murphy - vocals,guitar. bret pelizzari - guitar, casey smith- drums

ultimate driving experience - gin soaked and dusted

written and performed by ultimate driving experience - chris gann - bass, scott murphy - vocals, guitar, bret pelizzari - guitar, jeff horne drums

ultimate driving experience - sympathy line

V to Z is an expression of many stylistic avenues for Joshua Moore.

The Tennessee native plays drums for The Katies, Imagined Order, Bright Age, and Wax Fang.

His rhythmic background is interwoven throughout the anatomy of each song. 

Whether played or programmed, the compositions tend to lean on somber and moody melodic elements. 

Typically a one man show, he thrives in every aspect of the creative process...as far as you know. – Bo Bison

Visions Of A Common Scene (feat. Scott Charles Murphy)

V to Z

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