@ity2000 - 10//:
Release Date: 21st of November, 2022
Mastered by @Go_Meee
Cover by Artemiy & ity
SL+18
© Seedlink⁺ 2022

ity - The Race

info + tracklist: https://radio.syg.ma/episodes/xpone-01-mori-mori
https://linktr.ee/moriworld
https://linktr.ee/xpone

Xpone

Xpone 01 – Mori Mori

HI Q

i guess i do

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

Tania Daniel, also known as Tati au Miel, is an artist born and raised in Montreal. They have been dedicated to their work as a freelance artist since 2017. Their artistic practice incorporates various mediums to produce evocative experimental sound pieces, sculptural and textile explorations, and ritualistic performances delving into contemplations on freedom, spirituality, storytelling, surrealism, and beyond.

https://soundcloud.com/tatiaumiel
https://www.instagram.com/tatiaumiel/
https://tatiaumiel.bandcamp.com

🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

…being together, in community

As we have always dealt with sound as a political category, our activism is based on listening and focuses on the revolutionary potential that is inherent in the sonic. Under the banner of Sonic Agency we want to enforce a sonic activism of opposition and resistance. The artists involved are advocating for social and political transformation. Their sounds lend themselves to global emancipatory struggles, and fights for freedom and equality. The featured sounds aren’t complicit in the silence that surrounds us. They are furious, desperate, crying, paralysed, compassionate and rebellious like us. There is a message in sound that cannot be negated.

Listening is not neutral.
Listening shapes the reality we live in.
Listening is shaped by ethics and politics and leads back to it.
Listening is directly linked to memory and identity.
Listening is as important as speaking.
Listing is an active act.

Read the full curatorial statement here
strumandiodine.com/article/sonic-agency/

SONIC AGENCY - TATI AU MIEL-  "Interpreting Wind, Strings and Noise"

seedy executive type - i trust u

Introducing Ultra Instinct with their cover of Marcy Playground's "Opium." A collaboration between Steph Kretowicz and Ben Babbitt, the Los Angeles-based duo’s busted tragic loser pop draws on spoken word text, collaged field recordings, and live-mangled CDJ edits of original tracks to explore the time-tested ritual of combining words and song. 

https://ultrainstinct.bandcamp.com/album/opium

After publishing a number of recordings since 2020 including "BSAD (buy shit and die)” via CURL, “Brutal” for Perth Institute of Contemporary Art, and the autofictional radio play, “I hate here ft. felicita” (YLE Radio, Finland). Ultra Instinct is a new live iteration of that collaboration.

Upcoming European dates include:

Aug 29- Ultra Instinct at @Meakusma Festival, Eupen https://www.studioneau.be/emissions/meakusma-festival-2024/steph-kretowicz-ben-babbitt/
Sept 5- Ultra Instinct w/ @enhancementtt + @cccconrad at Forma HQ, London
https://forma.org.uk/projects/ultra-instinct/

Ultra Instinct, "Opium" (2024). Courtesy AQNB, Los Angeles.

Bat recordings & miniature cane percussions. Partially recorded in Grotte Roland, Calanques, Marseille.

the routine

v3rsion fr33