2025

Cover from my album of covers and remixes, Shout Out! https://johan-ess.bandcamp.com/album/shout-out

Klaus Nomi vocals by Romie Romak. https://romak.bandcamp.com

Additional recording, vocal and guitar treatment by Taylor Shechet. https://twitter.com/_tlr_

Original version released in 1970 by David Bowie. https://www.davidbowie.com

Shout Out

The Man Who Sold The World (David Bowie)

Koorosh - CK (feat.  Sami Low, Raha, Kagan) | Official Audio

Producer: Koorosh / Kagan / Sami Low
Mix & Master: Dani Rose / Sami Low
Cover Art : Emad Brz
Project Management : Bardia Zadeh , Shervinn
Publisher : Bz Tune
Sc Distributor : Arda
Lable : On Repeat

Listen On YT Music: bit.ly/36rCjNg
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CK (feat. Sami Low, Raha, Kagan)

Dialing In

Spotify

Equinox

Descend into the mechanical maw of “Obsidian Leviathan Interface,” a odyssey of dark industrial dystopia. Jittery 5/4 glitches collide with tectonic sub-bass groans and metallic drones, forging a viscous sludge-drone under radioactive sparks. Fractured heartbeats and toxic granular haze give way to serrated synth swarms and hydraulic jackhammer rhythms, culminating in a seismic bass cataclysm and a lone ferro-ping fade.


Released on ÆTHΞRFLUX RΞCORDS

#V3x†ron #ObsidianLeviathanInterface #DarkIndustrial #AlienTech #DystopianEDM #IndustrialBeats #SoundCloudRelease

Obsidian Leviathan Interface

No Regrets

The Man Who Sold the World

Emerging from the depths of Berlin’s electronic underworld, V3x†ron isn’t simply producing music—they are engineering a sound language that has no precedent.

Forged from alien frequencies, industrial erosion, and cold circuitry, their work dismantles convention and mutates genre boundaries beyond recognition. These are not “tracks”—they are transmissions from fractured futures. Polyrhythmic glitch fractures, subatomic bass pressure, spectral synthesis, and corrupted harmonic structures converge into a singular, brutalist vision: a sound that feels post-human.

This is not retro.
It’s not revival.
It’s not safe.

It is the soundtrack to future ruins—built for deepnet sanctums, derelict machinery, and nights where the city feels slightly off-axis.

Expect:
• Uncompromising bass assaults and mechanical ritualism
• Dystopian ambient haze infused with bio-electrical noise
• Rhythmic structures mutating across timelines and sonic geometries

Through ÆTHΞRFLUX RΞCORDS, V3x†ron releases a relentless stream of sonic experiments:
• Immersive, non-linear compositions
• Remix packs, stem drops, and modular sound fragments for creative dissection
• No nostalgia, no formula—only forward collapse