For all the reasons that you should already know, and if not, then for the ones that will become apparent shortly, these words are extremely difficult for me to write. So, let’s get the challenging part out of the way now. Marcus Fjellström was a remarkable Swedish composer who has been an influence and a dear friend. I’ve met him on several occasions and was immediately embraced by his radiating bright energy, which seemed to be at odds with the dim music he composed. His audiovisual works left a permanent impression on my heart and mind, the most notable of which was his private performance for the Miasmah family in Berlin, on which he released Schattenspiele (2010) and Skelektikon (2017). He even made a gorgeous mix for me, which I listen to only when I miss him the most. So when, in September of 2017, Erik Skodvin brought me the terrible news of his untimely death (at an incredibly young age of only 37!), I was absolutely devastated. It’s been nearly impossible to listen to his music ever since. That, and of course, watching the AMC series called The Terror, for which Marcus composed the soundtrack at the end of his life. That is until today. On September 20th, Miasmah will release a posthumous double album of this final work, befittingly titled The Last Sunset Of The Year, collecting music originally composed for the above-mentioned show, with many pieces being available for the very first time. I’m absolutely honoured to be selected to premiere a track, with the official announcement coming out tomorrow.

The Last Sunset Of The Year

Last Morning Watch VII.

TRACK PREMIERE : Marcus Fjellström - Last Morning Watch VII.

A descent into collapsing reality—where crystalline sentience fractures and techno-arcana bleed into oblivion. Each track is an instrumental cathedral of oppressive machinery, bioluminescent glitches, and radioactive atmospheres, mapping the final heartbeat of a world on the brink of annihilation.

Phantom Core Collapse

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/J1w6ShHC0Fo

Glimpse 1389 (Jul 21 2025)

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Aşk_عِشْق (FREE DL)

Born in the United States and carving a path through the shadows of the European underground, V3x†ron is not simply producing music—they are constructing a sonic architecture that doesn’t yet exist.

Forged from alien frequencies and industrial decay, their work rejects convention and obliterates genre boundaries. These aren’t “tracks”—they are transmissions from collapsed realities. Polyrhythmic glitch fractures, subatomic bass pressure, spectral synthesis, and corrupted harmonic structures converge into a singular, brutalist vision: a sound that feels post-human.

This is not retro. It’s not revival. It’s not safe.
It’s the soundtrack to future ruins—built for the sanctums of the deepnet and the interiors of derelict machines.

Expect:
• Uncompromising bass assaults and mechanical ritualism
• Dystopian ambient haze laced with bio-electrical noise
• Rhythmic architecture mutating across time signatures and sonic dimensions

Active through ÆTHΞRFLUX RΞCORDS, V3x†ron delivers a continuous stream of sonic experiments:
• Custom compositions for immersive, non-linear listening
• Remix packs, stem drops, and sound fragments for creative dissection
• No formula, no nostalgia—only forward collapse

Follow V3x†ron and step beyond genre into the unknown system.

#AlienTech #Electronic #IDM #BassMusic #QueerArtist #NonBinaryCreatives #PostHumanSound