A dual contact microphone recording of a temporary wind harp.

Recorded 15 February 2021 at Walltown Crags, Northumberland, UK.
54°59'24.0"N 2°30'46.0"W
Google Maps: https://goo.gl/maps/GLVb4qVRaCbDXk8y9

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Wind Harp, Walltown Crags

Acoustic Improvisations from the deep American south

Written & recorded by Jeremiah M. Carter & Kelby Clark in Townsend, Tennessee, 2020.

VAK48 | Jeremiah Carter & Kelby Clark - Country Music I

Prix Découvertes Pierre Schaeffer 2021

Mélia Roger & Grégoire Chauvot, Birds and wires
4’47, autoproduction, France

Une clôture fraîchement construite entoure un point d’eau dans la campagne lyonnaise. À l’aube, les oiseaux s’y relaient pour boire. Leurs vols les amènent à se poser sur les fils barbelés, laissant naître des résonances métalliques. Cette phonographie révèle par surprise les traces de la musicalité du paysage.

“Une très belle rencontre sonore avec ces oiseaux acteurs musiciens qui conjuguent les volutes et les mélismes de leur vol avec des ponctuations timbrées des cordes de barbelés tendues comme des contrebasses fantomatiques. Avec une grande maîtrise du son, de sa captation, un art subtil du mixage à peine décelable, Mélia Roger et Grégoire Chauvet nous invitent à goûter cette rencontre du vivant avec l’art sonore comme un instant intriguant et appaisant.” (Jean-Loup Graton, membre du jury)

Mélia Roger (*1996) partage son temps entre le cinéma et l’art sonore. Après un master d’ingénieure du son (ENS Louis-Lumière, FR), elle développe depuis une approche artistique de terrain, explorant l’intimité de la voix et du paysage sonore. Entre Paris et Zurich, elle collabore à différents projets autour de l’écoute.

https://meliaroger.com

Grégoire Chauvot (*1992) est passionné d’oiseaux. Diplômé de la Femis, il enregistre le paysage pour construire des histoires, d’abord pour le cinéma et aujourd’hui pour le son seul. Il réalise des prises de son expérimentales à la recherche du beau et de l'inattendu.  

https://soundcloud.com/gchauvot

Le Dinard Podcast Festival #1 leur a consacré un portrait en juillet 2021, à retrouver sur Calaméo https://fr.calameo.com/read/006778443aa1e1d1c5db1

Mélia Roger & Grégoire Chauvot_Birds And Wires

section X from Divisio Spiralis (2019)

JACK Quartet

February 25th-26th, 2021, Oktaven Audio, Mount Vernon, New York
Mastering engineer: Ryan Streber
Editing/Mixing: Christopher Botta and Christopher Otto

Catherine Lamb

Divisio Spiralis X

Pitch, number of notes, time interval, and intensity are randomized, output to the score, and performed.

metal, guitar, water, paper and everything : peeq

https://yoichi-ichikawa.bandcamp.com/album/ones-not-half-two-its-two-are-halves-of-one

one's not half two it's two are halves of one

Ploia

Short excerpt from the upcoming album "Neutral Star" by The Pitch & Julia Reidy. LTD LP + Digital, September 22nd on Miasmah.

"The Pitch is a quartet made up of Boris Baltschun, Koen Nutters, Michael Thieke and Morten Joh. Founded in Berlin in 2009, they play a hypnotic form of structured improvisation full of acoustic exploration and electronic intervention. On Neutral Star, The Pitch are joined by Australian guitarist/composer extraordinaire Julia Reidy for a record of star gazing electro-acoustic jazz."

The Pitch & Julia Reidy - Endless ≠ Limitless (Excerpt)

Performed by:
Hanna Fheodoroff, voice
Audrey G. Perreault, flutes,
Maria Mogas Gensana, accordion
Hannes Schöggl, percussion

Audio Recording: Benedikt Alphart

Performed at the Neue Galerie Graz, BRUSEUM, 14.04.2024, as part of the exhibition "searching myself" by artist Johann Rausch
as part of the concert "losing myself", organized by Zeitschleife - https://zeitschleife-verlag.com/Verein/ 

between feathers Ensemble - http://www.betweenfeathers.com 
Neue Galerie Graz - https://www.museum-joanneum.at/

mea lux (2024) - for voice, flute, percussion and accordion

Opening tracks from my debut album 'Waking, She Heard The Fluttering', released April 5 2019 on Room40 https://alexandraspence.bandcamp.com/album/waking-she-heard-the-fluttering

***
"Her sense of field is broader. it is as if she is trying to capture a whole landscape of sound entire... Sound is sound. It is sometimes exciting, often enigmatic, rarely open to verbalisation. ...we ought to spend more time with Alexandra Spence, with our ears simply and honestly open."
- Brian Morton, The Wire

"Throughout, there’s a real flow to the otherwise disparate sounds, sending any objective significance (such as traffic, a news reader or church bells) into purely subjective, introspective realms. It is topped off perfectly by the closing piece, ‘Sky And Sea Were Indistinguishable’, whose cautious tones are left free to roam beyond ‘the field’. They arc beautifully across the listening space and ultimately fade so slowly that their end is indistinguishable, sealing the communion between artist and listener."
- The Quietus

Waking, She Heard The Fluttering

Begin / Bodies In Place

From Volume & Void. Released on Superpang,  September 18, 2020
https://superpang.bandcamp.com/album/volume-void

Composed through experimental scheduling algorithms that explore the duality of immediate, direct events with gradual and evolving processes.

System and sounds created during the summer of 2020 in Scheveningen, The Hague.

Design: Joe Gilmore

VAK48 | Jeremiah Carter & Kelby Clark - Country Music I

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