Last track of the album 'Land'. You can buy the album at bandcamp: https://geluidenfabriek.bandcamp.com/album/land

Descend into the caverns of your soul to finally find peace and tranquility there.

Instruments used on this album: E-bow guitar, Acoustic piano, Analog synth (Soma Lyra 8), FM-synth (Korg Volca FM), Weeldophone, Field recording.

Land

Onderstroming

The distilling of sketches = Ōe
credits
released October 26, 2021 

Music - Ishmael Cormack 
Mastering - Fallow Recordings 
Artwork - A reel, open scanned 









For quiet rooms

Ishmael Cormack - Ōe

~ LAAPS 028 ~ [SEQ.04 - LP28]

artist : Ned Milligan
 album : Considerable
duration : 43.49 mn
 date : May 29th, 2023

edition :
-  vinyl : limited to 300 copies / yellow green transparent LP / pantone / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : May 05th, 2023 / official release : May 29th, 2023
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chimes, singing drum, autoharp, field recordings, processing: Ned Milligan.
campfire recording in "Sky Smokes & Electronics": Jerome Klap.
additional percussion in "Mosey With Me": Rory Milligan.
singing: graciously and anonymously donated.

recorded mostly outdoors, sometimes indoors in York, Maine .

Mastered by Taylor Deupree (12k)
Cover Photograph by Joe Librandi-Cowan
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://www.nedmilligan.com/
https://nedmilligan.bandcamp.com/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 2 8

Ned Milligan - The Path You Took To Existing (excerpt)

Short excerpt from the upcoming album "Neutral Star" by The Pitch & Julia Reidy. LTD LP + Digital, September 22nd on Miasmah.

"The Pitch is a quartet made up of Boris Baltschun, Koen Nutters, Michael Thieke and Morten Joh. Founded in Berlin in 2009, they play a hypnotic form of structured improvisation full of acoustic exploration and electronic intervention. On Neutral Star, The Pitch are joined by Australian guitarist/composer extraordinaire Julia Reidy for a record of star gazing electro-acoustic jazz."

The Pitch & Julia Reidy - Endless ≠ Limitless (Excerpt)

Minare no.22 - (Theourgoi x uaun)

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

From TRACED, Sonic Pieces, Pattern Series, 2017

Boundless Informant

Excerpt taken from Clara de Asís -  Sans Nom Ni Forme
Pilgrim Talk 2020

Clara de Asís - De ce côté-ci (excerpt) [PT39]

snf10 : reizen "works, 2020" extract

I was a little bubble, floated in the midnight pool

slow descending weight

"White Eyes" is taken from "The Burrow", the upcoming duo album by Jasmine Guffond & Erik K Skodvin. Released 30th of October, 2020 on the PATTERN series by Sonic Pieces.

The album also features Merja Kokkonen on voice and comes in a laser cut sleeve.

The Pitch & Julia Reidy - Endless ≠ Limitless (Excerpt)

miasmah

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