Born in 1935.01.27
87 Oldest professional club DJ
Guinness World Records
Contact : tokyodecadance.jp@gmail.com

Bookings: paulwolsch@gmail.com 
MIX OF THE DAY by Resident Advisor: https://es.ra.co/news/80368
Paul has been behind the decks for over 15 years, consistently pushing boundaries and redefining the sound of underground electronic music in the Central American region. A seasoned DJ, music curator, and Opera Stage Director for the Costa Rican Ministry of Culture, Paul blends the worlds of electronic and classical music with effortless style.

As a resident DJ at Club Vertigo for over a decade, Paul has shared the stage with the most influential names in the international scene. His long, immersive sets are known for their seamless flow, sexiness and unpredictable energy—always keeping the crowd on their toes, never the same twice.

He’s also the co-founder of GAG and WARP Festival—LGBTQIA+ platforms that amplify queer voices in electronic music and promote inclusivity in the scene, mission that he also incorporates along with his residency at Costa Rica’s more prestigious club Antik, and Spunk, an edgy fun positive party.

Whether playing at top clubs or major festivals worldwide, Paul’s sets are a journey that moves between house, techno. A true connoisseur, his music never plays by the rules, leaving a lasting impression every time.

Paul’s sound is one that’s felt, not just heard—an experience that takes you somewhere new, where the unexpected is always just around the corner.

Bertie dropped onto the bench and took a swig of, what?  Could have been whiskey, could have been juice. She’d peeled all the labels off a long time ago. Dusk. It was her favourite time: the orange eye of the sun, bored and falling fast, the empty streets, the smell of the dark winding round her legs. She curled her spine and pressed deeper into the wooden slats of the bench, like an attic ladder against her back. She settled in to watch. This was the time for shadow chasers, when hurt was in the air and the bins overflowed with silent hopes and crumpled dreams. 

She flicked through the menu on her iPod. Headway, The Only One, from the soundtrack of Hey Hey It’s Esther Blueburger, Black, Secrets and Lies and a cover of Peek-a-boo by Siouxsie and the Banshees. And this new one, Pope Innocent X.

Her thumb hovered over the button, one cracking eye to unleash the loneliness of everything. She hesitated. Took another swig and winced as she swallowed. Probably not juice. She pressed play and reached inside her coat for the book she’d stolen last time she went home, A Travel Guide for Foundlings with Nowhere To Go. On the title page, in red pencil, someone had scrawled ‘2009 ARIA Breakthrough Independent Artist of the Year’ and ‘2009 ARIA Best Independent Release.’ Bertie laughed as she tore out the page, flicked her lighter open and set the paper alight. She pulled out her bookmark - a dog-eared card embossed with ‘Francois Tetaz – Producer at Large’ – and started drawing the mourning light of the looming stars onto the pages. 

It was dark when she’d finished. And cold. And she was thirsty. Out of the corner of her eye, she could feel the world come alive with the fiends of the night. She fixed them with her unblinking eye and whispered I know where you’re hiding and I’m coming to get you.

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🖤 Credits: Kendrick Lamar, DaBaby, Chris Brown, Marshmello, Lady Gaga, Damian Marley, Giggs +

🔌 Releases: Native Instruments, Apple, Akai, Korg, M-Audio, Numark, Splice, Propellerhead +

Singer, songwriter, producer.
Define me as a crafty kind hearted alien 
Most of my crude reality is transmitted by my art, the reality is stable the perception changes. 
Appropriately enjoyable with enhancers.

A concept, a dance 

An evocative narrative that seamlessly intertwines captivating ethnic rhythms and resplendent sounds derived from a myriad of diverse cultures.  Dive into this transcendent voyage, unearthing melodies and groove.

-Väch- is following