Spannend! Wie kommen denn diese harmonischen Verhältnisse zustande?

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Original Version : 
https://soundcloud.com/senmove/ipti-tipli

SenSen - Frequential Aerial Disappointment

Noble earths are needed to fulfil humanity’s wish for digitization and technological progress. That is indeed ironic since in order to construct a world only using digits it still needs nature’s rarest elements. Therefore it must be questioned how much the digital dream is worth in the end. I wanted to convert this question into electronic music that consists of primal elements of rhythm and sound to celebrate rudimentary things that let us feel and dance – powerful elements of the past to guide us into the future.

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Europium (Preview)

Lanthan (Preview)

Recorded Dec 2009 at the CEM studio in WORM, Rotterdam NL with their Serge modular and ARP2500 synthesizers, my own pedals and a nice big mixing console. Edited in Ardour. An early sketch, which may be returned to at a later date.

Mathesis (early edit)

Neodym (Preview)

Scandium (Preview)

Artefact

Solitude

An older track from 2003, but one that I still appreciate. It uses the sample-and-hold noise-driven LFO of a Soviet-era Formanta EMS-01 synthesizer, digitally cross-bred with the surface noise at the end of a scratchy old Russian vinyl. Reflecting on this piece, I can see the start of a deep interest in automatic, generative and self-modulating processes taking shape. Thanks to Maksim Borisov for use of his amazing electronic museum piece!

Formanta Drone [surface noise]

MELOS is a reminiscence of the archaic roots of sound art - produced with analog modular systems. 
The individual recordings with a length of up to eleven minutes are shortened excerpts from potentially unlimited variations of sound and silence, driven by a generative modular concept.

Cover design by Thomas Breuer, 2020.

Melos

Melos 2

Available on Bandcamp

modular synthesis / serge modular
experimental composition
live performance
sound installation

Melos 2

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