SRIGALA - For JM Basquiat (Rework By Vaders Orchestra 15.05.2020)

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

KHΛOMΛИ



DZGИ SOИOЯƎ
 "Le bruit dans  son ensemble est une question de scénarios les plus consensuels qui prédisent sur une expansion ininterrompue."...



["Les sons communément perçus comme désagréables ou douloureux, prend à contre-pied les plus communes définitions de la musique."]



Bioexpress:KHΛOMΛN est depuis 1984 Koncepteur sonore autodidacte (avec plusieurs pseudos  à son aktif), dans une forme pratique de l' aktion instantané expérimentale  décomplexée d'improvisation intuitive...!

Parallèlement, il est entre autre aussi membre des groupes 
 ZORN, DIE ΛKTION , KwAY , St NOIZ , LES GRAINES DU KHAOS , MAKAMI , SOUS-SOL2 , LAST ASHES...et beaucoup d'autres collaborations sur le net ...

"An aggressive, wailing guitar sound--astonishing and extremely individual--that one has never heard before." Grigory Valov, TIF, Arkhangel'sk, Russia​.
John Bruce Wallace is a free jazz solo performer interested in freely improvised music with a focus on generating extended sound statements within the options afforded through solo performance. An acknowledged, accomplished guitar virtuoso, John Bruce Wallace is a musical innovator likened to Ornette Coleman, hailed as a composer in the ranks of Cage, Stravinsky, Eben, Arvo Pärt, Glenn Branca, Alexander Scriabin and Hutchenson. He has been compared and contrasted as a guitarist to Eddie Van Halen, Robert Fripp, Fred Frith, Hendrix, Rhys Chatham, Buckethead, and Frank Zappa. He is an incredibly challenging improviser, master of tonal dimension, expander of compositional style.
John embodies the mastery of emotions in his playing. Several people familiar with his Sound Improvisions have likened them to a “Sound Track to Life”. One noting that while he was watching events unfold in his urban neighborhood it struck him that the music was a perfect audio backing to the developing street situations. After a performance in Arkhangel’sk Russia, a veteran of the USSR’s Afghanistan war told John that the music experience was a catharsis relieving the pain he endured on the loss of several friends during engagements in that conflict.The emotive quality of the improvisation released those emotions, freeing him to move on in his life. The strength of emotive expression crossed cultural and language boundaries in a universal expression.
He has shared performance billings with: Tim Hodgkinson, Ken Hyder, Evan Ziporyn, John King, Vladimir Tarasov, ZGA, Enver Izmailov, Burhan Ocal, and Jazz Band Arkhangel'sk as well as many others. Tours have included festivals in Russia and Lithuania, where he was awarded fourth place at the Vilnius Jazz Festival. His music was invited for performance consideration at the American Pavilion during the 1991 São Paulo Art Biennial, in São Paulo, Brazil. Unique Performances have included a performance at a New York City Institute for the Mentally Disabled, as well as street performances. 
He has recorded and released twenty albums of extended sound statements, the eighteen most recent are available via various sites on the Internet. His recordings have received radio and Internet airplay across the United States, Canada, Europe, Russia, Central and South America, Australia, and Asia. His performances and recordings have been reviewed in leading foreign and domestic trade journals and publications.

I am the NTT. Stranded Alien is my synth rock project.

I have a side project called the NTT's Funk Odyssey. I have started posting these tunes here with the precursor label - The NTT

Intermotion-dimensional  sounds and beats

Artist from Sweden with Icelandic roots,
now living in Copenhagen

n o x p o x

An artist must be open to the muse. The greater the artist, the more he is open to “cosmic currents.” He has to behave as he does. If he has “the courage to be an artist,” he is committed to behave as the mood possesses him. . . .

The price an artist pays for doing what he wants is that he has to do it.

Pair with Patti Smith’s account of Burroughs’s advice to the young and his cameo in the love letters of Allen Ginsberg and Peter Orlovsky.