supernatural FEELING

REQUIEM

Heyy

payam

mine

Kronos Quartet/Clint Mansell - Lux Aeterna, from Requiem for a Dream (2000)

OUT May 9th
Preorder iTunes worldwide excl. USA & CAN: http://alturl.com/gpqk4
Preorder iTunes USA & CAN: http://goo.gl/Uqa9jf
Spotify: http://alturl.com/wkknx

The Demon Diaries

Clap Your Hands

Embers

Colours Of Piano

Richter: Vladimir's Blues

مهران فلاحی
بهزاد حسن زاده
محمد نوبهار
در دستگاه چهارگاه
کلام خوشگلا باید برقصن از اندی
لینک دانلود: http://www.mediafire.com/download/bi4z56ji4e5u6v6/02+Oskola+Bayad+Beraghsan.mp3
اجرای تصویری: https://www.facebook.com/video.php?v=775870815835157

اُسکلا باید برقصن

در آواز ِ بیات ترک
مهران فلاحی
بهزاد حسن زاده
محمد نوبهار
کلام از مهران و بهزاد


آخ، به توچه ای صنم

در دستگاه همایون
کلام مهران و بهزاد با الهام از برات میمیرم شهرام شبپره
https://www.facebook.com/Velshodegan/videos/800454386710133/

هورمون

Hey Guys,
Here is the remix I just did for Parov Stelar amazing track "The Sun", perfect sound for the summer. Hope you'll like it!!

Parov Stelar - The Sun (feat. Graham Candy) - Klingande Remix Radio Edit

دنیای ما اندازه هم نیست
من عاشق بارون و گیتارم
من روزها تا ظهر می‌خوابم
من هر شبُ تا صبح بیدارم

دنیای ما اندازه هم نیست
من خیلی وقتا ساکتم، سردم
وقتی که میرم تو خودم شاید
پاییز سال بعد برگردم

دنیای ما اندازه هم نیست
می‌بوسمت اما نمی‌مونم
تو دائم از آینده می‌پرسی
من حال فردامم نمی‌دونم

تو فکر یه آغوش محکم باش
آغوش این دیوونه محکم نیست
صد بار گفتم باز یادت رفت
دنیای ما اندازه هم نیست


Rastak - Paize Sale Bad

Archive - You All Look The Same To Me - 01 - Again

Artificial Animals Riding On Neverland

Endless Song

Marjaneh Single

Marjaneh (Ft Mohsen Namjoo)

کوچه لره سو سپمیشم

Tom McRae   You Cut Her Hair

Charles Bradley - Why Is It So Hard

Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter’s gorgeous score to ‘infra’ is deservedly given life of its own in this album-length release from FatCat’s instrumental/orchestral imprint 130701 Records.

The initial setting for ‘infra’ was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, ‘infra’ comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a “studio album” in the strictest sense. The composition resonates with Max’s characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes.

Richter’s work on the ballet came initially from McGregor’s invitiation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot’s ‘The Wasteland’ and named after the Latin term for ‘below’. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max’s score is an appropriately close reference to the traveling theme:

“I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler’s notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece.“

The recording of ‘infra’ took place in one day at London’s AIR Studios – recorded onto 2” tape, engineered by Nick Wollage and overseen by Max - before a return to the mixing studio (Max’s StudioKino and Trixx in Berlin) for Max’s typically intricate and lengthy process of crafting completed pieces from the recordings.

Infra 6

امیر تتلو - زندگیمو واست میدم

melody and lyrics: Madmazel
arrangement: Ashkan Dabbagh
mix and mastering: Milad Hashemi
video: Payam Ghorbani
exclusive video link: http://www.radiojavan.com/videos/video/madmazel-faramooshi

Madmazel _ Faramooshi

ترانه محلی بیرجند | آهنگساز: محسن نامجو | آلبوم: الکی

www.facebook.com/delnavazan.playlist 
‎ 
از اینجا تا به بیرجند سه گُداره
گدار اولی نقش، نقش، نقش و نگاره
گدار دومی مخمل بپوشم
گدار سومی دیدار یاره
گل زردم، همه دردم
ز جفای تو شکوه نکردم

تو بیا تا دور تو گردم
ای یار جانی
دوباره برنمی گردد دیگر جوانی

ای بانوی من بانوی من
بیا یک دم بنشین رو، رو زانوی من
بیا تا گندم یک خوشه باشیم
بیا تا آب یک رودخونه باشیم
یکی صوفی شویم اندر خرابات
یکی جارو کش می، می، میخونه باشیم

یار جانی | محسن نامجو

در هضم‌ِ بَزم - یکُم /قُرمه‌سبزی
هر کس خاطره را یک جور نگه می‌دارد برای خودش. برای من این جور است؛ ترانه‌هایی با یاد و در هضم‌ِ بَزم‌ها.ـ
یکُم قُرمه‌سبزی بود... ـ

Archive - You All Look The Same To Me - 01 - Again

Letho Vadhor