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uzay maymunu

Shower

kurt

#kurt

depress~

kidiyong

One Last Goodbye, Anathema

Hey You - Pink Floyd

Yüzyüzeyken Konuşuruz - Ateş Edecek Misin (Peyote Eskişehir konser)

Pink Floyd - Wish You Were Here

Take Me Somewhere Nice - Mogwai

02 Valse

I'm Sorry Michael Stipe and Bob Dylan

Death - Politicians in My Eyes

Schleim-Keim - Mein Weg

Kurt Donald Cobain - Sappy (Demo)

Recorded in January-February 2015
at Babajim and the Mosfilm studios
mixing and mastering Nikolay Kulyabko
Cello - Yana Chekina
Violin - Vlada Ponyatovskaya

Spring Drops

Creed  - One Last Breath

nineteen (prod. smokeasac)

white wine w/ lil tracy (prod. nedarb)

Outcesticide III - The Final Solution

Marigold

Outcesticide IV - Rape Of the Vaults

Here She Comes Now (live, 1990)

Ifjúgárdisták - A Sör

thank you for everything brother.

vocals: lil peep

prod by me

cut myself w/lil peep

Schleim Keim

Follow Creedence Clearwater Revival on Twitter: https://twitter.com/theofficialCCR

Get it on Amazon

Down On The Corner | Creedence Clearwater Revival

Chris Cornell & Jeff Buckley - Spoonman (acoustic)

There have been many punk collections over the years and former Zigzag fanzine editor Kris Needs possesses most of them so, when it came to compiling his own, he decided to avoid the predictable, except where totally warranted. Although featuring names without whom such a compilation should never be without, the set also highlights less likely candidates through their influence, attitude or sheer courage in the face of adversity; mavericks and rebels shooting for the stars and going against the grain.

Every track on Dirty Water: The Birth Of Punk Attitude is there for a reason, whether it’s a band which Kris has known, worked with or believed in, or just thinking some hair-bristling track deserves to be heard again or highlighted.

After starting with two quintessential garage-punk bands, the Standells [whose ’Dirty Water’ provides the snotty title track] and Seeds [covered by Needs’ own long-forgotten band 35 years ago], the album approaches the punk spirit as a way of making music or conveying a message by any means necessary, which makes Harlem’s Last Poets prime candidates for laying a hiphop template in 1970 with their first album. Around the same time, downtown in Washington Square Park, David Peel and the Lower East Side were delivering stoner street anthems which could only be captured by a live recording. Kris’s lifelong New York obsession continues with the untouchable New York Dolls, senses-shattering electronic punks Suicide, plus two of their influences in Silver Apples and vocal group the Silhouettes, displaying doowop’s DIY spirit on ‘Get A Job’. The Dictators show how their degenerate raunch influenced the Ramones. The Deviants were at the forefront of UK’s 1967 counter-cultural revolution, like the UK’s answer to America’s Fugs, MC5 or Mothers Of invention when it came to forging a new society and playing free concerts, before handing the baton to the Pink Fairies. 1970s UK proto-punk is represented by Jook, Third World War and the Sensational Alex Harvey Band‘s sinister, cinematic missives, while rarest tune [on CD for first time] is the Hollywood Brats’ storming treatment of the Kinks’ ‘I Need You’. Oldest track has to be ‘Blue Jean Bop’ by Gene Vincent, the original black leather man. As the restless punk spirit is usually associated with teenage years, Kris found himself reaching back into his own adolescence, reawakening long forgotten emotions, although the buzz never left; hence the inclusions of Mott The Hoople [first band to welcome him on board while they carved their trail of mayhem and some of the best rock ‘n’ roll ever committed to vinyl], Dr Feelgood [who named another fanzine with their ‘Roxette’, while cutting though prog’s excesses like a demented flamethrower], emotional whirlwind Peter Hammill in his punked-up Rikki Nadir incarnation, Germany’s inestimably-influential Can, T. Rex when Bolan went electric and Detroit’s incendiary MC5, who led to another fixation, with the Motor City, also represented here by The Stooges [scorching 12-minute tear-up with the short-lived twin guitar lineup captured live in 1971], other MC5 sister band Up and brilliant but overlooked black punk trio Death, providing one of the highlights with their searing ‘Politicians In My Eyes’. Sun Ra was a profound influence on the MC5 and stayed with Up when in town but he’s here for his star-sailing individuality and DIY spirit of his indie-pioneering Saturn label. The album also casts its net around the rest of America with seminal Midwest outfits Red Krayola and Rocket From The Tombs, San Francisco’s fabulous Flamin’ Groovies, unique L.A. aliens Zolar X and the Monks [American G.I.s stationed in Germany]. Dirty Water ends perfectly in 1977 with the timeless roots prophecy of Culture‘s ‘Two Sevens Clash’, highlighting reggae’s towering presence in all this. The set will be accompanied by extensive liner notes from Needs.

Guess Artist + track

Man on the Moon This Friendly World By Jim Carrey and Michael Stipe

Started a search to no avail
A light that shines behind the veil trying to find it
And all around us everywhere
Is all that we could ever share if only we could see it
Believe there's true thoughts beyond me
Life ever changing weaving destiny

And it feels like I'm flying above you
Dream that I'm dying to find the truth
Seems like you're trying to bring me down
Back down to earth back down to earth

Layers of dust and yesterdays
Shadows fading in the haze of what I couldn't say
And though I said my hands were tied
Times have changed and now I find I'm free for the first time
Feel so close to everything now
Strange how life makes sense in time now

And now I'm flying above you
Dream that I'm dying to find the truth
Seems like your trying to bring me down
Back down to earth 
Back down to earth 
Back down to earth
Back down to earth
Back down...

Anathema - Flying (Acoustic Version)

Kurt Donald Cobain - Sappy (Demo)

Vadim Vorontsov