it is about this amazing classical music in hannibal series  

Hannibal music

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

1. Allegro  - Brandenburg Concerto No. 4, BWV 1049

Felix Mendelssohn: Songs Without Words, Book 1, Op. 19b: No. 1 in E Major

Hannibal's Piano Soundtrack features classical songs heard in the populair NBC series of ‘Hannibal’ played on piano. The clean recorded pianotracks could be seen as a classical piano compilation album of Chopin, Bach and Beethoven. The dark sound of the Steinway heard throughout the soundtrack fits the grim series atmosphere more than ever. Bon Appétit!

Duration: 23 minutes
Year: 2015

Piano played by New Hansen, Mix and master by Feau, Artwork by Twan Bultstra

iTunes

Nocturne In B Major, Op. 32, No. 1 - Frederic Chopin

Piano 4-1

perfect (beautiful piano)

recorded with my phone on my childhood piano <3

Prélude (Lied ohne Worte) - solo piano

First Loves
Tim Fain, violin
Robert Koenig, piano

First Loves is a collection of quintessential violin masterpieces which first inspired me to be a violinist. Includes showpieces by Rachmaninoff, Sarasate, Wieniawski, and more, plus “Swan Remix,” my own arrangement of themes from Tchaikovsky's Swan Lake.
As a kid, I was surrounded by classical, pop, rock, jazz, film and contemporary concert music – finding a balance of old and new music is still very important to me. Many of the works on First Loves are the ones that drew me in as a child – Rachmaninoff, Sarasate, and Wieniawski, arrangements by Heifetz, and Kreisler – and remain profoundly relevant today. I’ve also included “Swan Remix,” my own arrangement of themes from Tchaikovsky’s Swan Lake, which I made after my work on-camera and on the soundtrack of the film Black Swan. Each track is dedicated to someone who inspired me or made it possible for me to be the person and the artist that I am today. My hope is that First Loves will inspire others, young and old, to fall in love with the violin as I did.

First Loves

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Meditation from Thais - Jules Massenet

Mozart and Haydn Two by Two

Piano Sonata No. 38 in F Major Hob. XVI:23: III. Finale: Presto

Rachmaninov - Vocalise [for solo Piano]

Johannes Brahms - Waltz in A Flat Major Op.39, No.15

Avigail Arad Cello
Victor Stanislavsky Piano
Live Performnce in Tel Aviv 2007

Gabriel Fauré Sicilienne Op78

New England Conservatory piano faculty Randall Hodgkinson performs Bach's Goldberg Variations. Recorded live January 2013 in NEC's Jordan Hall, Boston.

Bach: Goldberg Variations - Aria

Antonio Vivaldi's lovely Largo movement from Concerto for flute, oboe, violin, bassoon and basso continuo in G minor (RV 107). Performed here on virtual instruments: recorder (instead of flute), Baroque oboe, Baroque guitar (instead of violin), Baroque bassoon, Flemish harpsichord. Alto recorder, Baroque oboe and bassoon from Wallander Instruments (http://www.wallanderinstruments.com/); Baroque guitar by Eduardo Tarilonte (http://www.samplelibraries.com/); Flemish harpsichord from the Conservatoire Collection by SonicCouture (http://www.soniccouture.com).
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La ĉarma dua movado el «Konĉerto por fluto, hobojo, violono, fagoto kaj kontinua baso en g-minora» de Antonio Vivaldi. Interpretita per virtualaj instrumentoj: baroka bekfluto (anstataŭ fluto), baroka hobojo, baroka gitaro (anstataŭ violono), baroka fagoto, kaj flandra (baroka) klaviceno.

Vivaldi: Concerto for flute, oboe, violin, bassoon & BC in Gm, RV 107 - 2. Largo

Newspaper critics are unanimous in their praise of Vadim's interpretations deeming them as «sensitive and expressive», «intelligent and powerful». With record-breaking 235 million views, his interpretation of the «Nocturne in E-flat Major» by Frederic Chopin is among the most popular classical music recordings on YouTube.

One good thing about music, when it hits you, you feel no pain

Felix Mendelssohn: Songs Without Words, Book 1, Op. 19b: No. 1 in E Major

Vadim Chaimovich

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