Xpel Muzik, Abducted, LOT49, Dim Mak, Polydor
Sometimes I do music n stuffz.

Beau Damion is a producer and creative technologist who builds music the way most people build memories: layered, emotive, and always in motion. Classically trained but shaped by the electronic underground, Beau started releasing music in the mid-2000s and developed a reputation for blending genres and rethinking how electronic performance could work.

For years he toured, performing with custom software, real-time visuals, and controllers he programmed, creating shows that sat somewhere between DJ set and live improvisation. His label Xpel Muzik became a home for boundary-pushing artists across house and progressive styles, and his own work has appeared on labels from the US, UK, and beyond.

Today Beau creates primarily under his Japan-based @projectdai (ダイ), a space built for experimentation with genre, software, and new audio workflows. The project acts as a creative playground, shifting between Vocaloid, Synthesizer V, and Beau’s own production techniques.

Beau’s work continues to evolve, but the through-line remains the same: curiosity, emotion, and a drive to create something honest.

All Inquiries: contact(at)xpelmuzik.com

Listen to our new track WHAT WE SEE
https://grandbrothers.lnk.to/WhatWeSee

management: 
groetz.d@gmail.com

booking: 
ralf@vdhaardt.com

• Booking: christian@vdhaardt.com
• Management: seb@iwaad.de

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Musician. Countermagician. One scar short of supervillain. Nonstop dollarbillin. Garden guardian. Anti-Narnian. Spectre Detectre and leaf-bag collector. Durham, North Carolina, USA.

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