i love myself some good music bro yes this is such good music bri

Good one. I enjoyed such a sound with a good retro drop.

this is a really good track great work put into it keep going bruh

Nice! Great arrangement and nice instrumentation.

Nice work with a smooth delivery and engaging feel … I’d rate it an 8 out of 10

Lyrics by Pierrot B.
Music by Alexander A.(Guitar, Backvocals), Alina D. (Guitar, Backvocals), Pierrot B.(Bass, Mainvocals)and Erik M.(Drums, Backvocals) 
Produced by Lex Malone

Lyrics Low Hokla
​​verse:
​​seven is my lucky number, that`s why we met so young, it wasnt just teenage love, more then i ever known!
​​can not talk, but sing! can not walk but drink!
​​
​​bridge:
​​i`m addicted to you, for what you give to me!
​​you changed my life in so many ways!
​​
​​verse2:
​​yes it`s true we once broke up, the first time when i had my job, but here we go again, you were always there for me!
​​can not talk but sing! can not walk but drink!
​​
​​bridge,
​​chorus:
​​cheers to you, cheers to the love of my life! cheers to the love of my life!
​​

Low Holka

Low Hokla

Worst Enemy

Ipadexperiment
Written, sung and produced by Laura

Night Visions

This song is about love, pride, and the ‘what ifs’ that keep us up at night. It’s that moment when you wonder if it’s too late to fix things, too late for one more chance. Raw, emotional, and full of energy.

Lyrics:

[Verse 1]
And there I was, just watching you,
Thinking of all that we’ve been through.
Could we have made it? I stopped to see,
But wait a minute—why can’t we?

[Pre-Chorus]
Why can’t we leave our pride behind?
Why can’t we heal this heart of mine?
Why can’t we chase what’s left inside?
Why can’t we give us one more try?

[Chorus)
Is it too late to make it right?
Is it too late for one more night?
Is it too late to love again?
Is it too late for us, my friend?

[Verse 2]
The memories haunt me late at night,
A love once strong now wrapped in time.
If we still feel it, then tell me why,
Why can’t we give this one more fight?

[Pre-Chorus]
Why can’t we leave our pride behind?
Why can’t we heal this heart of mine?
Why can’t we chase what’s left inside?
Why can’t we give us one more try?

[Chorus]
Is it too late to make it right?
Is it too late for one more night?
Is it too late to love again?
Is it too late for us, my friend?

[Bridge]
Maybe the past won’t let us go,
Maybe we’ll never really know.
But if there's still a spark inside,
Why can’t we set our hearts on fire?

[solo electric guitar]

[Final Chorus]
Is it too late to make it right?
Is it too late for one more night?
Is it too late to love again?
Or are we lost in time, my friend?

Where Roses Were Slain

Is It Too Late

Immerse yourself in the smooth, nostalgic vibes of "Starlit Boulevard" , a City Pop instrumental that takes you on a late-night cruise through neon-lit streets. With groovy basslines, dreamy synths, and warm saxophone melodies, this track captures the essence of a carefree summer night, where the cool breeze and city lights create the perfect atmosphere. Ideal for relaxing, driving, or simply escaping into a retro dream. 🎶✨

Starlit Boulevard

Inspired by my wifes challenges and her strength not to give up...

Saved

Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Insights

"That's What Friends Are For" is a raw, stripped-down folk-punk anthem that captures the resilience, camaraderie, and bittersweet reflections of everyday life. Built around a driving, percussive acoustic guitar, the song thrives on its rhythmic urgency, with each strum acting as both a pulse and a protest. The lone vocal delivery is direct and heartfelt, carrying a mix of defiance and melancholy, reminiscent of classic Billy Bragg-style storytelling.

Lyrically, the song shifts between moments of nostalgia, frustration, and hope—painting vivid images of fleeting joys with old friends, quiet moments of introspection, and the unshakable feeling of being caught in a system that promises more than it delivers. The recurring chorus, delivered with an almost mantra-like intensity, reinforces the idea that friendship and solidarity are the true anchors in turbulent times.

With no excess instrumentation to hide behind, That's What Friends Are For embraces its simplicity, letting the raw emotion shine through. The stark contrast between the warmth of shared moments and the weight of personal struggle makes it an intimate yet anthemic piece—one that lingers long after the final chord fades.

That's What Friends Are For
You and I, a sunlit sky, and them
We close our eyes and sometimes we pretend

Walk on water, swim against the tide
Gazing at my shoes, I wonder why
But it doesn't stop you trying
And now the sparrows, they're all flying

(Chorus)
That's what friends are for
You know the score
That's what friends are for
That's what friends are for
You know the score

Shadows fall on leaves as they descend
Stand beneath the trees with my old friends
Laugh at jokes I've heard ten times before
It doesn't matter, that's what we're here for

I can't help feeling that they've trained us well
Promising us heaven
While we're living here in hell
How it works out well, it all depends
On you and I, a sunlit sky, and them

But it doesn't stop you crying
And now the sparrows, they're all flying

(Chorus)
That's what friends are for
You know the score
That's what friends are for
That's what friends are for
You know the score

That's What Friends Are For [ Post punk | Singer Songwriter]

SEXYBACK - SYNTHPOP 80S INSTRUMENTAL TYPE BEAT (4)

An abandoned dance floor. One silhouette still spins, alone, under blue and orange reflections of a frozen world. A nod to Oxygène IV by Jean-Michel Jarre. Penguins dance on the ice, dazed, like mechanical dolls.

Last Baby Dolls's Dancing

The Path We Choose

composer based in Paris  🎶🎧
Listen all my tracks

Starlit Boulevard

Annawak

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