Take Away 65

Eclectic Electronic Soundscapes -
Playlist#175 highlights electroacoustic artists. This is just the tip of the Iceberg as the range of music creation covers everything from Tape, Minimalism, Music Concrete, Sound Art and Installation to name a few but all are using electronic sound production and applying them to compositional practice.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next....follow up on "sounds like"....see who's following, many artists follow other artists.....
Artists are Sonic Bright, Valeria Rubi, birds of passage + Leonardo Rosado, Rocio Cano Valino, Ana Maria Romano G, Heidi Wilson, Flora Holderbaum, Melissa Vargas, Natasha Barrett, Dominique Vaccaro, Norma Beecroft, Savannah Agger, Adina Izarra, Olivia Block + Kyle Bruckmann and Else Marie Pade.

Feminatronic #175 - Electroacoustic

birds of passage  + Leonardo Rosado - your lullabies

Relooping 15

One of the oldest examples in Western Classical music of hockets. Performed by 1970's recorder trio Sour Cream

The Passion of Reason

Hoquetus David

Fisher

Antanáklasi I [2019] | pour flûte et électronique

Free Download

Rosa Gestalt - Virginia

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Carmen Villain - "Dissolving Edges"

Eel Drip: Four track EP on digital and solid white 12" vinyl 

 - https://hth.lnk.to/eeldrip


“‘Eel Drip’ Is about honouring the dead, the passing of lives within you and beyond you” @penelopetrappes explains. “It’s about physical or emotional change, acknowledging fears, and being true to yourself… reaching your full potential.”

Eel Drip sees fragile arpeggiated electronics and hazy vocals swell to a celestial hallow. It sets a delicate, unhurried sense of peace that flows throughout the EP’s four tracks - both sparse and gentle, yet rushing with light and emotion.
 
The accompanying video was directed by Agnes Haus and inspired by artist Francesca Woodman’s 1970s series of nude self-portraits with Eels. 
 
Of the video, Trappes comments: “In the process of changing and shedding past notions of myself, there is another world between the past and the future.  An eternal state, unknown, warped, slippery, free. Submitting to change, dying… being reborn.”

Follow Penelope:
https://www.facebook.com/penelopetrappes 
https://twitter.com/penelopetrappes
https://www.instagram.com/penelopetrappes
https://soundcloud.com/penelopetrappes

Eel Drip

22/09/2020

BUY 12" / STREAM

Penelope Trappes - Eel Drip

Mood explora el sonido del Mini Moog Voyager 3 junto al del saxofón para crear música sin muchas pretensiones mas que generar un estado anímico optimista.
Saxofón: Andrés Torres. 

Mood

La ley del más.

Pieza electroacústica compuesta en el 2013. Creada a partir de materiales provenientes del registro de un concierto de improvisación en el que utilicé algunas grabaciones (de las tantas que hacemos en nuestra obsesión por recolectar sonidos y ambientes), una versión virtual del sintetizador ARP2600 y procesamiento electrónico en tiempo real. 

Compuesta en estudio propio.

La ley del más

Compositora.
Productora de radio.
Me encanta entrevistar gente.

Mood

Valeria Rubí