Dreamer

It's a special honor that my dear friend Michele Ansani asked me if I would like to work on a song he wrote years ago called 'Alla Fine della Fine delle Fini' (To the end of the end of the ends) which is a great track. When I listened to it I said to Michele that I thought the song is already finished and asked what I supposedly could do with it. He said, that he wasn't going to publish it and wanted me to work on the root idea of the song to create something new.  Thank you so much Michele for being so generous to leave the basic song idea to my purposes (all flaws are mine).

Listen to his wonderful music here, you all know him anyway: https://soundcloud.com/michele-ansani

Michele Ansani: Seed idea
Me: Instruments, vocals, lyrics, arrangement.

Photograph from the top of Half Dome, Yosemite NP, CA, USA by A. Besinger  2022

One day I walked the shores of time
Wiping away the footprints left behind

Tossing stones into the sea  
Just to watch the ripples making their way back to me  

What if these dancing rings were just memories
Would they come to life once more to set me free?


Abandoned this place that I called home ￼
and took that boat I was hiding for so long 

Facing the storms, past the sirens song
The love of gods in mind may have led me wrong

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

When I stepped through the gates of Plutonion
Caught between Scylla and Charybdis I would be found

Sacrificed the ones to whom I belonged
A wise man would rather be envied than being wronged

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread

Off the Edge of the World (with Michele Ansani)

203a

A porta está representada na parede -18-8-2025

A Shadow of All Night Falling: A Dark Allegory

It came from the west,
spreading like a dark vapor 
in the sky, covering the sun.

The world turned dark,
shrouded in starless night.
In the glow of cells,

shadows moved in frantic
despair not knowing what to do
or where to go—

in the end of times.

**********************
Valhjim: Guitars, Sax, Synthesizers, Samplers
Martin Miers: Drums

********************

© 2025 Valhjim. All rights reserved. Original music by Valhjim.



A Shadow of All Night Falling — A Dark Allegory - Valhjim w/Martin Miers

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Moiré Patterns Music  "

credit :plugdata ,ipad 9

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 22.08.2025
Video Link :
https://www.youtube.com/watch?v=WrgfeTpd978

great Milton Babbitt
https://www.youtube.com/watch?v=FfA470WVHws

LCEEM Sound Moiré Patterns  Synthesizer

Xamana Sugaropa

The Millimetre Forest

Produced in the
ARAPA Music Studio
Sydney - Australia
24.9.2025

Artwork:  #azcreativestudiosydney

No Time For Second Place

The Luminous Descent is a cosmic oratorio chronicling the fall, transformation, and rebirth of a star-soul. It begins high in the trembling architecture of heaven and plummets through ruptured light into the depths of a crater older than memory. Across twelve movements and a final ascending coda, the piece follows a sacred cycle: collapse, revelation, purification, and return.

The journey opens with the catastrophe of The Orbit Breaks, where ancient equilibrium fails and gravity claims the star. Through the Rupture drags the listener through the torn mantle of the cosmos, into a corridor of pressure where sound bends like molten metal. In Where the Veil Cools to Glass, the descent slows long enough for the star-soul to touch the dimming membrane between realms, condensing its radiance into crystalline form. Halo of Dark and Light reveals a suspended equilibrium—half illumination, half shadow—preparing the soul for what waits below.

With Canticle from the Hollow Sky, faint hymns echo from unreachable altitudes, fading as the soul sinks further. Pressure Cathedral marks the entry into the core-chamber where cosmic weight becomes sacred architecture, every chord a stone column forged from collapse. The Starbone Reliquary uncovers what remains when brilliance calcifies: relics of ancient light preserved in the dark.

Touching the Crater Floor brings the soul to stillness, where impact becomes silence and silence becomes revelation. The Silence That Remembers Fire awakens memory—a distant echo of the star’s earliest light. As the soul ascends toward Shoreline of the Last Radiance, its form becomes diffuse, rejoining the luminous boundary between ruin and renewal.

The final movement, The Luminous Return, reclaims the upward path. The star-soul rises through the strata of its own unraveling, transformed not back to what it was, but into what it must become.

Then comes the coda.

Ember Throne Ascension erupts like a final breath of defiance—a molten electric guitar solo over a cathedral of cosmic sound. It is the spark that refuses extinction, the last ember erupting into brilliance before dissolving into the quiet beyond creation. The oratorio ends uplifted, electrified, ascending: not a fall, but a coronation in fire.

The Luminous Return

Elephant 2

Valhjim is a music composer with an eclectic approach to different genres: rock, pop, folk, New Age, and experimental electronic music. Greatly driven by imagination and poetic imagery, he combines multiple instrumental textures to fire the imagination of his listeners. 

His more experimental ambience and electronic music is built with layers of suggestive sound textures, rhythms, and melodic lines that stir the imagination into suggestive imagery and worlds unseen, true architectures of sound that open up limitless spaces to explore. Often Valhjim's melodies sail through genre thresholds, crossing over from one genre to another, from neo classcal to electronic, or from jazz to rock or new age.