Fuckin hell - you squeezed a nice bass out of that sample pack

i like the use of space in the arrangement

i second Mike on that. that bass sounds sick, considering

"Juno Review: A record that explores deep, hypnotic rhythms with a strong tribal and mystical undercurrent, the latest Siamese Twins records pushes the boundaries of what is possibly in eastern influences underground techno. Side-1 opens with 'The Golden Triangle', an atmospheric introduction that feels cinematic, setting the stage with ambient textures before giving way to movement. 'Lens of Time' follows, locking into a deep, primal groove where rolling percussion and rich low-end create an entrancing effect. On Side-2 'Mekong' leans into tribal mysticism, blending ancient rhythmic patterns with a modern pulse. The production is detailed yet raw, drawing from rich percussive layers. 'Ruak' closes the EP with pulsating bass and deep, rolling rhythms, channeling Eastern influences into a hypnotic techno flow. A powerful release from Siamese Twins Records, driven by Sunju Hargun's distinct vision"

@kondukukonduku
@sunjuhargun

12" Pre-Order : www.one-eye-witness.com/release/1738159829/sunju-hargun-the-golden-triangle

The Golden Triangle

Mekong

Sunju Hargun & Konduku - Mekong

We’re thrilled to welcome back @konalgad to Dance Data, this time with his debut LP, “Club Dream”. Spread across two discs for maximum fidelity, this is sound system music with grooves primed for mixing and dialed-to-a-tee bass weight, but hovering above the grounded structures are fleeting rhythmic textures that veer things off into a world worth getting lost in. Throughout its 11 tracks, “Club Dream” plays out like a full mix, ebbing and flowing through a variety of energy levels and moods. Some of the range you’ll find here includes half-time dream-step, peak time pulses, and dubbed out mid-tempo tech, all done with a cohesive restraint and appreciation of atmosphere. The record imparts it’s own kind of dance floor dream logic onto the listener, inviting us to let go of making sense of things and trust in its fuzzy logic.

1. Excerpt
2. Enteweyaha
3. Meghnatis
4. lELS
5. Dots to Dots
6. Voltage
7. Sous Aqua
8. Exempt
9. REM
10. Subzero Experiment
11. Grabuge

Konalgad - Club Dream LP (DDR006)

The single “Inertia” is the first glimpse into Signals from the Stars — Vietnamese Paris-based artist https://soundcloud.com/d-k-music’s upcoming EP, due mid-July on Midgar.

There’s something oddly comforting in the idea of a dead star still sending signals — distant, mechanical, yet somehow filled with meaning. Inertia taps into that contradiction: the sensation of being impossibly far from home, yet still drawn toward something vast, unseen, and filled with memory.

Signals from the Stars is now available for digital and vinyl preorder via Bandcamp.

Written & produced by Đ.K.
Mastered by Stefan Betke at scapemastering
Vinyl pressed at AFG Record Manufacturing
Distributed by ReadyMade Distribution
Curation & artwork by Severja

Signals from the Stars

Buy 12"

Đ.K. - B1. Inertia

https://ghostwarrior.bandcamp.com/track/nameless-streets

Nameless Streets

CAIV deliver rigorous, syncopated machine rhythms on the Lives EP from U.S bi-coastal collaborators Israel Vines and Camile Altay, following on from their formidable debut EP Dwellers on Tresor last year.

Lives is four finely calibrated cuts riding a diverse tempo range, unified by rich harmonics and resonant percussive layering over veiled bass textures, where distortion becomes detail.

https://ooda.bandcamp.com/album/lives-ep
https://clonedistribution.com/release/80596

Observe-Orient-Decide-Act

CAIV - Lives

Buy link: obtuseswamp.bandcamp.com/music
Artists: @ilayruni + @arsene_martinet @caldera-caldera @o-utlier 

Obtuse Swamp's third ecosystem "Reef Stage” from Berlin based producer Ilayruni dives deep into polyrhythmic slow-mo-feeling spatial sound architectures. With a remarkable evolving narrative, the EP is a constant evolution of both rhythm and spatial soundscapes. This time french producer Arsene Martinet along with London based o.utlier and Caldera give us another perspective of the very bottom of our biome. Cannot end this ecosystem presentation with a huge mention to our beloved biome designer @fredonne delivering another 3D exploration of Obtuse Swamp.

Release date: September 30th
Catalogue nº: OS03
Original production/mixing by @ilayruni
Remix production/mixing by @arsene_martinet @caldera-caldera @o-utlier 
Artwork & Branding Design by @fredonne
Mastering by Marc Teixidó / @tetric__
Digital Distribution by EPM Music

© Obtuse Swamp 2025

Ilayruni - "Reef Stage" (Inc. Arsène Martinet, Caldera & o.utlier rmx) / OS03 Snippets

It’s our pleasure to feature our friend @tangeladj for the 32nd episode of the Herbarium mix series. She put together a magical trippy yet playful mix, we’re in love with its dynamic.  🌳

Here’s a little insight into Tangela’s choice of a plant as a synaesthetic base for her mix -
Melaleuca alternifolia (tea tree) or kallara as referred to by the Bundjalung People in Northern NSW is a particularly special native tree. They grow in swampy environments next to bodies of water. I have fond memories soaking in tea tree lakes in the northern rivers, stained brown by the leaves stewing, precious oil seeping into the water. For centuries the Aboriginal people have used this plant for medicinal purposes as a natural antiseptic and tea tree lakes were often sacred women’s spaces used in birthing ceremonies. This shrubby tree doesn’t scream for attention amongst the vibrant flora but its significance runs deep, a swampy healer and spiritual protector. This mix is a sensory soak in the soothing, tingly river, dripping with kallara magic. 	

—

About Tangela 

Tangela’s style of aural storytelling is as distinct as it is varied. She guides the listener through deep, subby, subterranean worlds, encouraging listeners to float up through spacious, textural soundscapes full of unexpected turns, all with a nimble and playful touch. You’ll find yourself wondering how it is you got here from where you began.

Tangela’s meteoric rise through the underground scene finds its origins in her weekly radio slot on Sydney’s iconic FBi radio 94.5FM, currently in it’s fifth year of broadcasting all things “squelchy, wobbly, gooey, twisty”. Her signature style has translated from the airwaves to dance floors across many of Australia’s cult clubs, DIY warehouses and bush raves, including her own as founder of both dstreet and Minutiae Festival. Her record label Oomycota pushes into the experimental realm of techno, platforming emerging artists from Australia and beyond. 

Alongside curating and throwing DIY events, she is heavily involved in her local community, organising ‘Dance Class’, a series of BIPOC & FLINTA DJ workshops and radio mentorship.

—

Follow Tangela
https://soundcloud.com/tangeladj
https://www.instagram.com/tangela__t/
https://oomycota.bandcamp.com/

—

Artwork by @polygonia

Herbarium No 032 - Tangela - Melaleuca Alternifolia

Osmura w/ basic chanel 32

LEVL performed on the third day of #Mostra25 at the Vall d'Hebron Olympic Pavilion. 

+ + + + + + + + + + + + + + + + + + + + +

Forest Drive West, Felix K and DB1 are LEVL. Together, they explore the murky territory between drum & bass, techno and experimental electronics, crafting a distinctive sound that defies the boundaries of genre. The trio's collaboration began with DB1 and Forest Drive West putting out music through Berlin-based Felix K’s label Hidden Hawaii, which led to the formation of LEVL: a combination of each artist’s unique production approach that creates a cohesive and innovative sound. 

LEVL's debut release, “LEVL#1”, was issued in 2019 on Arcola, a sub-label of Warp Records, a bass- and breaks-heavy record showcasing their ability to blend ambient textures with complex rhythms. “LEVL#2”, on Felix K's Nullpunkt label, further explores the intersection of ambient, drum & bass and techno.

Beyond their recorded output, LEVL brings a strong energy to live performances, delivering an immersive and genre-bending musical experience. With meticulous attention to detail, the group pushes the boundaries of electronic music through soundscapes that challenge and captivate listeners.

@dee-bee-one
@flxk1
@forest-drive-west

LEVL (DB1, Felix K & Forest Drive West) @ Mostra 2025 🖤

“This set was recorded live 5-7pm, Saturday evening at Pe:rsona, 2025. The seemingly last dry-ish stretch and set of wild (weather) weekend, sunshowers made way for glistening droplets to  sparkle through the shade sails and lay foundation for me to weave between deeper percussive cuts and shiny crystalline daytime techno.”

Pjenné is a Naarm/Melbourne-based DJ, radio broadcaster, curator and label manager. Her musical identity is shaped by the expansive, psychedelic soundscapes of the southern bush, an influence that permeates her trance-inducing, progressive, and hypnotic selections.

Pjenné’s sets are characterised by deep-digging selections and an impeccable narrative craft, both of which are on full display in this masterfully executed recording. Tune in now for two hours of deep, lush afternoon techno daydreams.

Follow
https://soundcloud.com/pjenne
https://www.instagram.com/pjenneee/

MNMT Recordings : Pjenné —  Pe:rsona 2025

My respond to challenge #11.
As follow:
All samples are recorded from my modularsynth, or with a microphone. I even played some flute.
The challange is quite simple, but it requires some work.
You need to make a song using ONLY the samples I provided, but you may use them as you want. Any genre.
You have to chop them up to get anything out of them. Load them into samplers and plugins, and put some effects on them, I don't care as long as the original source is the sample.
Spend no more than 2-3 hours making the song. It's OK to spend some extra time to chop up the samples, tho.
No time limit on the length of the finished product.
The samples are as follows:
ARPish.wav - An randomized synth arp.
BOOMKASHTISH.wav - A bass drum, snare drum and HH-sample.
Chords.wav - 4 chords with two sound settings.
Cocio bottle and a flute.wav - Pretty much what it says.
Cymbal.wav - A cymbal.
Dinky's Taiko.wav - Some crazy synthesized percussion.
Harscillator.wav - Another oscillator. Tweaked while recorded.
Chop 'em up!"

Hashcillator (The Fearless Few challenge #11)

"Music gives sound to our feelings when we have no voice, words when we are silent.."

Hashcillator (The Fearless Few challenge #11)

Valtow

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GREYFIELD WOODS

GREYFIELD WOODS

Michael son of Michael

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