“Germ and chemical weapons may often be weak in their battlefield applications but they are always strong in their emotiveness. Accusations of association with them have for centuries, even millennia, been used by well-intentioned as well as unscrupulous people to vilify enemies and to calumniate rivals. Can onlookers protect themselves against the possibility of such assaults upon their common sense today?”- Julian Perry Robinson

I interview journalist and geopolitical analyst for the Libertarian Institute - William Van Wagenen about his article covering the 2013 Eastern Ghouta alleged chemical attacks in Syria. Van Wagenen has done an incredible job of drawing all the threads together and demonstrating the collusion of Western, Israeli, Turkish and Gulf Intelligence agencies in the staging of events designed to provoke US/UK-led military intervention and to topple the Syrian government. 

His full article is here: https://libertarianinstitute.org/articles/sarin-doesnt-slice-throats-the-2013-ghouta-massacre-revisited/

‘Sarin Doesn’t Slice Throats’: The 2013 Ghouta Massacre Revisited

Elizabeth Anne Middleton writes “visual piano music for your soul’s eyes” which she records in a series of CD albums called PIANORAMA.   She is a recording artist with Tantrum Records located in Carpinteria, CA.  Elizabeth has a music degree from the University of Massachusetts where she studied piano with Nigel Coxe.  She worked to restore treaty rights to the American Indians in the 1970s, working with the Iroquois Confederacy, The Longest Walk and Friends of the Hopi, in Boston, MA, and Woodstock, NY.  Inspired by the world view of wise American Indian elders, Elizabeth began writing songs about animals, for “those who cannot speak for themselves,” and the “divine healing force in nature,” themes that are powerfully expressed in her music today.   

Chicago studio/venue dedicated to spontaneous composition of music, art and food by fire.

‘Sarin Doesn’t Slice Throats’: The 2013 Ghouta Massacre Revisited

vanessa beeley