Vol 2 out January 20 2023

Artist: London Odense Ensemble
Title: Jaiyede Sessions vol. 2


In recent years London has become an epicenter for experimental, visionary jazz. On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground - Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there's everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders' work in the late 1960s and early 1970s. But there's also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments. 

Throughout these eight tracks the quintet paints with a colourful palette. Tamar Osborn shifts between baritone sax and flutes. Keyboardist Al MacSween doesn't just stick with the tried and true electric piano - an instrument which he masters - but showers these tracks in analog synths and effects as well. Add to that the fact that Jonas Munk took a somewhat creative approach when editing and mixing these pieces – with effects boxes wired in, occasionally giving the mix a dubby, ambient atmosphere. Similar to Munk and Skøtt's main project, Causa Sui, digging into the past becomes a vehicle to open up the future. What the quintet has created in these sessions is something quite unique.

Bios:
Tamar Osborn: 
Saxophonist, composer and multi-wind instrumentalist is the creative force behind modal jazz ensemble Collocutor (On The Corner Records). She is a member of the Dele Sosimi Afrobeat Orchestra, performs and collaborates regularly with Sarathy Korwar, Jessica Lauren, Emanative, Ill Considered and DJ Khalab.

Al MacSween: 
Keyboard player & founding member of Kefaya. Collaborations include American jazz legend Gary Bartz, Syrian qanun master Maya Youseff, London Community Gospel Choir, Palestinian jazz singer Reem Kelani & kora player Kadialy Kouyate.


Martin Rude: 
Multi-string instrumentalist & lead singer in Sun River. Doubles as stand-in bass player in Causa Sui.

Jakob Skøtt: 
Drummer in Causa Sui with a slew of side projects on El Paraiso, including Chicago Odense Ensemble, as well as being responsible for the label’s visuals.

Jonas Munk:
Guitarist in Causa Sui & studio wizard on most releases on El Paraiso. Also works with a wide palette of electronic music.

London Odense Ensemble: Casper's Green

disappears 'halcyon days'

It Sends My Heart Into A Spin

Herzschmerz am Gleisende [Tekk]

www.skinnypelembe.com
Featuring Regan Alana Bowering (Percussion) / Shunaji (Backing Vox)

Mindset Is Fear

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@snapped-ankles
@theleaflabel
www.snappedankles.com
www.theleaflabel.com

“Masters, there is three carters, three shepherds, three neat-herds, three swine-herds, that have made themselves all men of hair, they call themselves Snapped Ankles, and they have a dance which the wenches say is a gallimaufry of gambols...” 
William Shakespeare on Snapped Ankles

'Hanging With The Moon' is taken from Snapped Ankles' debut album Come Play The Trees - out on 29 September.

Hanging With The Moon

From the Near Negative EP available December 15th, 2017 from Western Vinyl

"Monday Give Me Monday" showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Monday Give Me Monday"

Pre-order Levitation here: http://smarturl.it/FlamingodsLevitation

International psych explorers Flamingods are back with brand new album ‘Levitation’ (3 May, Moshi Moshi Records) and have announced a run of dates including their biggest headline show to date at London’s Village Underground on 1 May.

The first single to be unveiled is ‘Marigold’, a multi-sensory psych-rock trip that finds  Flamingods on hair-raising form even by their own exuberant standards. ‘Marigold’ oozes fun out of every pore, a perfect antidote to turbulent times.

‘Levitation’ is inspired largely by the disco, funk and psychedelic sounds coming out of the Middle East and South Asia in the 70s, the album channels these influences through a vision soaked in mysticism, positivity and sun-drenched imagery.

‘Levitation’ is the follow-up to Flamingods’ breakthrough 2016 album ‘Majesty’ 
The band will be taking their incendiary live show to venues around the UK in April and May in support of the record, as well as a one-off-date supporting Omar Souleyman in Bristol January 31st. 

May album tour tickets go on sale Friday 17 January at 10am via 
https://www.flamingods.com 

31st January - The Marble Factory (Supporting Omar Souleyman), Bristol
31 March – Beat Hotel, Marrakech
27 April – Are you Listening? Festival, Reading
1 May – Village Underground, London
8 May – The Exchange, Bristol
15 May – Picture House Social, Sheffield
16 May – Broadcast, Glasgow 
17 May – YES, Manchester

Marigold

Holy Hive, the group that coined the genre Folk/Soul, comes out swinging with this monster Single. “Oh I Miss Her So” is pulled from their upcoming release Harping EP: a drop dead gorgeous tune of love and longing featuring the harping of Mary Lattimore. The tune serves as a testament to The Hive’s gift for songwriting and arrangement, taking the listener on a ride from the first notes of Paul’s falsetto to the outro featuring Dave Guy’s (The Roots) gorgeous trumpet solo. 

Taken from the upcoming Holy Hive EP "Harping". 

BIG CROWN WEBSTORE: 
 https://bigcrownrecords.com/store/harping-ep/

Stream on Spotify:
https://open.spotify.com/artist/1AcZuMRjIAdmksbzApOXnw


Follow Holy Hive:
https://www.instagram.com/holyhivemusic/
https://www.facebook.com/holyhive
http://www.Holyhivemusic.com

Visit us at:
https://bigcrownrecords.com 

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://www.instagram.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.mixcloud.com/BigCrownRecords

Harping

Buy at BCR

Holy Hive - The Things Themselves

About The Freelancer's Blues

The Freelancer’s Blues, the second full-length LP from Brooklyn’s country crooner Dougie Poole, captures its cur-rent moment like nothing else. Poole updates the story-telling backbone of country music for an audience that is young, urban, romantically alienated and financially pre-carious, using the same threads spun by Merle Haggard, Willie Nelson and Kris Kristofferson before him to write his own anthems for a new generation of country music fans. With his debut album Wideass Highway Dougie Poole established himself as forerunner in a class of musicians who grew up in a post-genre ecosystem equally as likely to be influenced by Ariel Pink and Animal Collective as Dolly Parton and Dwight Yoakam. On The Freelancer’s Blues, Dougie graduates from drum machine and synthesizer bedroom country to a full band with honky-tonk harmonies, wailing pedal steel, and carefully constructed arrangements. Produced by Jonathan Schenke (PC Worship, Gong Gong Gong, Public Practice) The Free-lancer’s Blues does the seemingly impossible of staying true to Poole’s heritage in the DIY scenes of New York and Providence, while simultaneously certifying him as a country music bonafide.

About Dougie Poole

Dougie Poole is a musician and songwriter living in Brooklyn, New York. Coming of age in Providence, he dabbled in heavier and more exprimental music before maturing into a country auteur. He writes earnestly about his experience (life in the big city, heartbreak in the digital age) and approaches country as an experimental music form, as well as a tradition. He has shared tours nationally with Jerry Paper, Still Corners and Bong Wish, and in 2019 guested on the Drugdealer album Raw Honey.

BUY LP/CD

Dougie Poole - Vaping On The Job (From 'The Freelancer's Blues' album out 6/12)

Taken from the album, Songs of Consumption, out 15th Nov. Pre-order here - orcd.co/toysongsofconsumption

Tour Dates
09.11.19 – Band on the Wall - MANCHESTER
15.11.19 – Studio 9294 – LONDON

25.01.20 – Independent – SUNDERLAND
26.01.20 – The Live Rooms – CHESTER
27.01.20 – The Boileroom – GUILDFORD
28.01.20 – The Cookie – LEICESTER
29.01.20 – The Smokehouse – IPSWICH
20.01.20 – Esquires – BEDFORD
31.01.20 – The Joiners – SOUTHAMPTON
01.02.20 – Ramsgate Music Hall - RAMSGATE

It Sends My Heart Into A Spin

Vanishing Twin

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