This Is Van Morrison

Van the Man

nach ladenschluss #2

AFTERNOON JAZZ

Morceaux choisis par la communauté du GARAGE OF ROCK.
Des titres Rock, compilés grâce aux contributions des membres du Garage.

LA PLAYLIST DU GARAGE #70

クエスタ・ボッサ・ミーア...

Cosa Hai Messo Nel Caffe

Love Songs

Love Is a Many Splendored Thing

Sentimental Journey: Saluting The Greatest Generation With Classic Gems Of The World War II Era

Begin The Beguine

Music From Baz Luhrmann's Film The Great Gatsby

Young And Beautiful

..It's Too Late to Stop Now...Vol. 1

I've Been Working (Live)

I Just Want to Make Love to You (Live)

Help Me (Live)

I Believe to My Soul (Live)

Ain't Nothin' You Can Do (Live)

No Guru, No Method, No Teacher

In the Garden

His Band and the Street Choir

Domino (1999 Remaster)

Moondance

Caravan (2013 Remaster)

Crazy Love (2013 Remaster)

Astral Weeks (Expanded Edition)

Sweet Thing (2015 Remaster)

02 - Heaven Knows Why

Uncomfortable

Bossa Nova 2.0

Off the Wall

Our next guest mix comes from Belgium's Connor!! 

Absolutely loving his dark sound at the moment and I think fans of the Hacker and Ivan Smagghe will love this mix! 

TURN IT UP LOUD!!

https://soundcloud.com/connormusic84

Guest mix - Connor

Born and raised in Buenos Aires, Skelesys fits perfectly into the Ombra International alliance with a strong musical background, inspired by Hard Rock, Punk and Synth Pop. For his second Ombra track contribution, the Argentinian Berliner puts the pedal to the metal and brings an absolute tough as nails guitar tinged acid drenched electro-tech heater.

Interview: http://liquidyouth.nl/interviews/premiere-skelesys-vection-ombra-international/
Buy: https://ombrainternational.bandcamp.com/album/ombra-intl-008
Stay tuned: www.facebook.com/liquidyouthams/

https://soundcloud.com/skelesys // https://www.facebook.com/skelesysmusic/
https://soundcloud.com/ombrainternational // https://www.facebook.com/OMBRAINTERNATIONAL/

Premiere: Skelesys - Vection [Ombra International]

Fly Me To The Moon...The Great American Songbook Volume V

Beyond The Sea

supported by Al Da, D00sh, corin arnold / ed2000, Mark Cooper, Feed Your Head (Kane FM), Attendances, My Evil Twiin, Gianluca, Nico De Ceglia, Juanjo, Obon / LoveTheMachine, Julie Ann Smith, Andi Durrant, Mick Clarke / Flight Recorder, Richard Hardcastle (All Out War), Cosmic Capers Radio Show, Moni Blue Beat, Jerry Bouthier, Rob Webb, K-Zan, alan dj, Algis Kalanski , Duncan Gray / Tici Taci, Belabouche, Paco Osuna, Daniel Gregori, Los Fugazzi, zisis d, Karim, Alberto Blanco, Electro Boogie Encounter, Daytona / Ruben Carrasco, Sossa, Dr.Motte, Ed Mahon / Cowbell Radio, Colin Spencer (Kane FM 103.7), Home Radio 89.1, Nick Warren, Iain Sabiston, Aldrin, Dabiz Martin, Kosmos, ANIMAM, Makossa (FM4), Flemming, Brian Mason, Paul Lewis, Jorge Kehoe, NUFF Music, Ivan Fabra, Scott McNeil 
*** Inspired by 80's club sound like Disco and New Wave *** mixed up with mysterious drum machines *** garnished with  dusty analogue synths ***
Agle opens up a secret passageway into a dark dimension where sparkling disco glimmer lights up new fascinating dancefloors.

Agle - Coda

https://www.nts.live/shows/andrewweatherall/episodes/andrew-weatherall-25th-april-2019

3. M Love (@1mlove1)   originally from Tel Aviv is a musician, producer and DJ based in Berlin. He draws inspiration from Post-Punk, New Wave and Krautrock.
New World has a cinematic feel and bursts with melody. The atmosphere is dystopian with an added undertone of hope!

RR099 REPIX

New World

M Love - New World

Leave It All Behind

If We Wait For Mountains

‘Eat the Etiquette’ is the new single from Mush’s newly announced debut album 3D Routine due out on 14 February 2020 via Memphis Industries. ‘Eat the Etiquette,’ described by lead singer Dan Hyndman as a “a bit of a stream of consciousness type rant”, takes aim at the use of ‘common sense’ as societal weapon; the “sick laughing track of malicious intent” making a mockery of progressive ideas, while “manufactured sense” helps maintain the underlying and iniquitous structures of wealth and power.  

Following on from their ‘Induction Party E.P’, Leeds based Mush are circulating their own sonic mythology, blurring the lines between abstract surrealism, existentialism and social commentary. Like its predecessor ‘3D Routine’ is a sensory overload of clattering, hooky, guitar work. However, this time space emerges between the onslaughts and in this respite, room is found for new emotional depth. More expansive than ever before, ‘3D Routine’ manages to maintain the rawness of a classic debut but it’s experimentation and variety portray a band unlikely to rest on their ‘guitar band’ chops. 

Songwriter Dan Hyndman explains the genesis of the band as being “fairly boiler plate” a combination of friends old and new converging in Leeds post-Uni to form a band predominantly united in their mutual affection for the Pavement back catalogue. Finally settling on a lineup of Nick Grant (bass), Tyson (guitar) and Phil Porter (drums) the band’s progression has taken them far beyond this original vision. 

Having garnered local attention in the early days for their unhinged and often calamitous live shows in Leeds, it was the unlikely radio hit ‘Alternative Facts’, (clocking in at an uncompromising ten minutes) that brought the Mush to the attention of a wider audience. The song, one of the last releases for the legendary Too Pure Singles Club saw early support from Marc Riley and others on BBC 6music with them playing multiple sessions, and the follow up single, ‘Gig Economy’ hopping onto the 6music playlist. Roaming further afield from their hometown, Mush spent the first half of 2019 heading out around the UK, earning a reputation for their intense live performances, supporting the likes of Girl Band, The Lovely Eggs, Yak, Shame and Stereolab, as well as releasing the ‘Induction Party’ EP to great acclaim. At the tail end of summer of 2019 Mush headed to Leeds’ Green Mount Studio and with Andy Savours (Dream Wife, Our Girl, My Bloody Valentine) manning the mixing desk, their debut LP, ‘3D Routine’ was born.

If the EP was intended as admittance to the cult, ‘3D Routine’ is a fully-fledged manifesto for the age of misinformation. The twin disciplines of surrealism and realism collide in the data stream, creating the absurdity of modern times. It’s more than the lyrical content that’s mercurial with Mush. Tracks such as ‘Revising My Fee’s incisive yet worldly lyrics comment on the work/life balance, income to rent ratios and the increasingly worrying financial landscape for the younger generation, all set against a backdrop of a decade of austerity: “meal-deal critique, aspirational creed”. It’s a vital and instructive opener for the record, setting the tone for what comes next. 

The way in which the album brazenly moves from polished 3- minute punk tracks, to avant-garde spoken word, to sardonic-political funk, whilst sounding like the same band is testament to an uncompromisingly unrefined ethic and compounds the jarring nature of Mush. Together, the songs form a unified, abrasive, emotive, frenetic and entirely beguiling concoction of sound and opinion, a fast-moving snapshot of current times, relatable, politically minded and incredibly personal. Music for those who want their guitars loud and weird, and their political commentary a little less ‘on the nose’.

Eat The Ettiquette

Mush - Eat The Etiquette

One of music’s true originals Van Morrison’s unique and inspirational musical legacy is rooted in postwar Belfast.

If We Wait For Mountains

Official Van Morrison