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Lumia (Mike Griego Remix)

Graphic Designer and Illustrator. I spend my time on drawings and music.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

VAPOUR RECORDINGS

Since 1997 when Kasey Taylor founded Vapour Recordings, the label has gone on and forged itself an enviable reputation, not only as one of Australia’s leading independent dance labels, but the worlds too.

When you feast your ears upon a new Vapour Recordings Ep, think of it as forward thinking dance music. If there is one defining feature of a Vapour record, it’s that it is just a little ahead of its time. The sort of tune that the average person might put back on the shelf, and then later on hear it out in a club and kick themselves because they didn’t realise how damn good it really was at first listen, and because they knew they had just let a gem of a tune slip right through their fingers.

July 2011 saw the label reach it’s landmark 100th release. The clock was wound back for this one choosing artists from the past, present and future to remix the back catalogue. The package contained some fantastic names, with remixes from the likes of Guy J, Hernan Cattaneo, Luis Junior, Jamie Stevens, Peter Horrevorts, Nick Warren, Dousk, Rodskeez, Fiord and many more.

There are DJs in the world who have vision. Those who can pick up a sound before it becomes popular and break it to the masses. Names like John Digweed & Hernan Cattaneo spring to mind, and Vapour releases have always found their way into the record boxes and charts of these luminaries. They are attributes that Kasey Taylor has also.

It isn’t easy to turn heads in the underground dance music scene when you are a small record label operating from the ass end of the universe! It’s harder to slip promos to DJs and radio station reps, magazine editors and so on. There’s seldom a chance to drop your own track in front of the big name DJs to prove just how effective your music can be. With that in mind, it’s a real credit that Vapour Recordings has earned a spot as premiere labels on the global market, commanding the attention of all the industry heavy weights through nothing more than releasing quality tunes. No huge advertising budgets, no massive PR campaigns, no industry schmoozing, no shit talking, no sales driven drum rolls, no poxy synth lines – Just a talented collective of like minded artists doing it well from around the globe.

Vapour has a strong reputation for releasing quality tunes and we aim to keep up our standards of the highest order.

Vapour Recordings Established 1997

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