hip hłop

ideas

"Shut The F*** Up" by Mr. Kapu
Instrumental by "Sol 626"

"Shut The F*** Up" by Mr. Kapu

Here's an edit of the track "Overture" from the Original Motion Picture Soundtrack for WHIPLASH. The Album is available in digital and CD format as of Oct 7, 2014.

"Overture Teaser" (Justin Hurwitz) - Whiplash Original Motion Picture Soundtrack

Private Landing (Overmono Edit)

Joy Orbison - The Ray Tune

Error5 EP

Patience

From Under

Introducing to the world! This is the sound of Interrupt...

Interrupt is relatively new to the scene, only starting producing in 2012, however his take on the digital Reggae style of the late 1980’s is some of the best there is. Now based in London, Interrupt continues to provide his own individual upbeat vibe, which features old-school drum machines, bold basslines and colourful synthesizers. Having worked with Speng Bong, Cubiculo Records and Spanish singers Ponchita Peligros & George Palmer, he already has significant hits under his belt and shows no signs of slowing down.

Featuring tracks from his forthcoming release on Reggae Roast alongside plenty of heavyweight digital bubblers & raw digital pressure this mix is one for the skanking crew! 

Tracklist: 
1. Interrupt - We Rule the Dance (Feat. Tenor Youthman)  
2. Parly B - Flex Like Machine (Interrupt Remix)
3. Interrupt - International Affair (Feat. Ponchita Pelegros)
4. Vivian Jones - Physical
5. Derrick Parker  - They Need Counselling
6. Warrior Dread - Hill & Gully Rider (Feat. Tenor Youthman) 
7. Carl Meeks  - Bad Bwoy
8. Cocoa Tea & Buju Banton - Go Home Soundboy (Interrupt Remix)
9. Interrupt - Come We Just a Come (Feat. Tenor Youthman)
10. Ed West - Stand Tall (Feat. Parly B) [Interrupt Remix]
11. Interrupt - Licence to Kill (Feat. Tenor Youthman)
12. U-Brown  - Human Rights (Interrupt Remix)
13. Interrupt - Ganja is Good (Feat. Tenor Youthman)  
14. Bim One Productions - Come Again (Feat. Pad Anthony)
15. Dave Bailey - Runnings
16. George P - No Bad Intention
17. Purpleman - Gunshot
18. Burro Banton  - Ghetto Living (Interrupt Remix)
19. Interrupt - International (Feat. Tenor Youthman)
20. Lasie & Iron Dubs  - Style
21. Tenor Youthman & Iron Dubs  - Love Digital
22. Sammy Levi  - Come Off Of The Road
23. Sixy Morris  - Me Nuh Response
24. Anthony Red Rose  - Up To Date
25. Singer Tempa - Watch Dem
26. Red Eye Hifi - Pose Up (Feat. Parly B) [Interrupt Remix]
27. Jay Spaker  - Roots Woman
28. Ranking Joe  - Work
29. Hypa - Dub & Loving

RR Podcast Volume 24: Interrupt - Dancehall Style

[Earthikal Towa Sound System -Dread Rocker - Elder & Youth Digital Ep] [ETS01-EP2016]

Arranged & Mixed by Dread Rocker [A. Di Lallo] 
Production: Earthikal Towa Sound System & 1Bloodpromo
Master: B4S - BeforeStudio

Buy with a Donation in full WAV HD:
https://earthikaltowasoundsystem.bandcamp.com/releases
Support & Follow:
https://www.facebook.com/earthikaltowasoundsystem/



A1 - Earthikal Towa Ft. Dark Angel - Stepper Move [ETS01-EP2016 - Earthikal Towa Sound System]

Dreadsquad & Blackout JA - Sound System
(Christopher Hendricks, Marek Bogdanski)

programming, synths, mix, master: Marek Bogdanski @ Superfly Studio

Taken from World Destruction album by Dreadsquad & Blackout JA

Artist: Dreadsquad & Blackout JA
Title: World Destruction
Format: Digital Download
Genre: Reggae, Dub, Raggamuffin, Rub a Dub, Bass, EDM, World Music
Label: Superfly Studio
Cat.No: SF032
Release date: 18.03.16
Artwork: Marek Bogdański, Anna Jędrzejak

A wonderful thing when 2 people come together from different corners of the world and unite through music, sharing their experiences and building blocks to support shared ideas. This is exactly what happened with Dreadsquad and Blackout JA when, at Uprising Festival, Slovakia, the pair met, bonded and decided to spend a week writing and recording to produce what is now the main body of 'World Destruction’.

The result, as Dreadsquad feels, ‘is at the same time very diverse and cohesive’ and this is down to a number of things; namely the production techniques used, the style of Blackouts vocals and the natural way that all of the songs came together to reflect the current atmosphere of the world.

Subject matters of the songs move through corruption, poverty, mind control, war on drugs, police brutality and the destruction of the world we are living in but they also highlight positivity and solutions spreading love and giving people hope.

The 2 singles being lifted from the album, ‘Last Tune’ and ‘A Girl Like You’, will be put to good use on both the radio and dance floor, then the album as a whole takes in many different genres; Roots Reggae, Digital / Raggamuffin, UK Steppas, Rub a Dub with influences of World Music and EDM.

Dreadsquad and Blackout JA will be performing their album ‘World Destruction’ across Europe throughout 2016


Dreadsquad & Blackout JA -  Sound System

Dreadsquad & Blackout JA - Never Give In
(Christopher Hendricks, Marek Bogdanski)

programming, synths, mix, master: Marek Bogdanski @ Superfly Studio


Taken from World Destruction album by Dreadsquad & Blackout JA

Artist: Dreadsquad & Blackout JA
Title: World Destruction
Format: Digital Download
Genre: Reggae, Dub, Raggamuffin, Rub a Dub, Bass, EDM, World Music
Label: Superfly Studio
Cat.No: SF032
Release date: 18.03.16
Artwork: Marek Bogdański, Anna Jędrzejak

A wonderful thing when 2 people come together from different corners of the world and unite through music, sharing their experiences and building blocks to support shared ideas. This is exactly what happened with Dreadsquad and Blackout JA when, at Uprising Festival, Slovakia, the pair met, bonded and decided to spend a week writing and recording to produce what is now the main body of 'World Destruction’.

The result, as Dreadsquad feels, ‘is at the same time very diverse and cohesive’ and this is down to a number of things; namely the production techniques used, the style of Blackouts vocals and the natural way that all of the songs came together to reflect the current atmosphere of the world.

Subject matters of the songs move through corruption, poverty, mind control, war on drugs, police brutality and the destruction of the world we are living in but they also highlight positivity and solutions spreading love and giving people hope.

The 2 singles being lifted from the album, ‘Last Tune’ and ‘A Girl Like You’, will be put to good use on both the radio and dance floor, then the album as a whole takes in many different genres; Roots Reggae, Digital / Raggamuffin, UK Steppas, Rub a Dub with influences of World Music and EDM.

Dreadsquad and Blackout JA will be performing their album ‘World Destruction’ across Europe throughout 2016


Dreadsquad & Blackout JA - Never Give In

Vardath is a brand-new, one-person sonic laboratory that began transmitting in January 2025. Using generative-AI tools as both muse and instrument, Vardath stitches together glitchy percussion, crystalline pads and unexpected melodic detours to create music that is at once strange, cinematic and quietly beautiful. A self-described “truther,” he draws conceptual fuel from the alternative-history ideas of Jaydreamerz, Guy Anderson and Jeff Snyder2, turning those fringe perspectives into shimmering, other-worldly soundscapes.
Launched in January 2025, Vardath is the latest independent producer who treats artificial intelligence as a creative co-pilot rather than a gimmick. By feeding field recordings, modular synth phrases and text-prompted virtual choirs into custom machine-learning chains, he coaxes out music that hovers between glitch, ambient and avant-pop—a place where ghostly harmonies bloom out of fractured beats, and a single sample can be stretched into a cathedral of sound.
Vardath’s worldview is as unconventional as his workflow. A committed “truther,” he regularly explores the work of Jaydreamerz, Guy Anderson and Jeff Snyder2—figures who challenge mainstream narratives about history, cosmology and consciousness. Rather than preaching, he lets those speculative ideas seep into the music: pitched-down lecture snippets become rhythmic textures, while sweeping drones hint at lost civilizations and cyclic cataclysms.
With thousands of self-published tracks on Bandcamp and the major streamers, Vardath is still in a formative phase—but that rawness is part of the appeal. Each new upload feels like an open notebook page, inviting listeners to follow the real-time evolution of a producer who uses AI to question not only what music can sound like, but what reality itself might be.
• “AI-built dreamscapes for the curious and the conspiratorial.”
• “Where glitch meets gnosis.”
• “Soundtracks for slipping the consensus reality.”