BOOKING  TOUR - gabjmusicofficiel@gmail.com
Composant un répertoire qui vacille allègrement entre le reggae et le rock. c'est d'abord le texte qui inspire la musicalité des morceaux du projet GAB'J. Un projet défendant l'urgence à vivre de Johan Gibert, accompagné depuis 3 ans par Napo Romero (Chihuahuas, Mano Solo, Frères Misère,Flor del Fango) aux guitares, choeurs et arrangements (flûtes, charango).
.. Transformer des maux en mots, mais en faisant danser et bouger la tête de nos contemporains avides d'une musique actuelle...

Shambhala Publications' podcasts and audiobook excerpts.  Visit Shambhala.com for more books, articles, videos, news, courses, events, and more.

An American radio icon, Joe is known best for his engaging, often philosophical, monologues and radio dramas. Joe’s radio programs are at times dark and frequently funny. Adding to the absurd atmosphere of his monologues and dramas are loops of percussive music over drones.

Throughout his career, Joe has been honored with many major industry awards, including the George Foster Peabody Award, and an Emmy. Over the years Joe’s distinctive approach to making radio has inspired producers around the country to experiment with and stretch the medium beyond traditional boundaries.  Be sure to subscribe to Joe's YouTube channel with full shows and/or selections uploaded each week. Go to:
https://www.youtube.com/c/JoeFrankOfficial

Find out more at www.JoeFrank.com

I like dub techno. It's really that simple.

A weekly live show (@liveattheinn) where we anonymously read audience member's deepest, darkest, funniest confessions and act them out/improvise on stage, accompanied by live music. Performed by Alex Payne (@alexpaynecomedy), Stephen Sihelnik (@stephensihelnik), Michel Francoeur (@michelsofunny), Natan Badalov (@natanbadalov), and Clayton Smith (@clayjaysmith). Email your anonymous confessions to liveattheinn@gmail.com.

American pianist based in the Bay Area and host of Revolutions Per Minute on KALW. "A leading light of the new-music piano scene" – The New York Times

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